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Dead Can Dance

Where our hearts lead.. we must go.

About Me

[FYI: This is a fan based site, I do not know or have any contact with the members of Dead Can Dance. I respect them, their music and everything they have done in terms of broadening the music scope. I will try to keep this page as up to date as possible; that includes tour dates, once announced and any information on the release of a new record].
"Since our formation in 1981, we have refused to conform to the momentary passing of musical trends choosing instead more demanding avenues of expression, adopting diverse musical traditions and tailoring them to our own needs. This has often caused consternation to those who would attempt to classify our music. In the beginning we were berated for being gothic two years too late, today we are applauded for being at the vanguard of World Music. Whoever you believe we have always endeavoured to remain true to our convictions, in the belief that our music would eventually find its audience on its own merits and not by way of slavishly pandering to the whims of an industry that continually lacks imagination and is subservient to formula and greed. We would like to thank everyone with our deepest Gratitude for the support you have given us over the years to help us retain our Musical independence and give meaning to our labours."
Brendan Perry, Marrakesh, 1996
Biography: Written by Vladimir Bogdanov
Dead Can Dance combine elements of European folk music -- particularly music from the Middle Ages and the Renaissance -- with ambient pop and worldbeat flourishes. Their songs are of lost beauty, regret and sorrow, inspiration and nobility, and of the everlasting human goal of attaining a meaningful existence.
Over the course of their career, Dead Can Dance has featured a multitude of members, but two musicians have remained at the core of the band -- guitarist Brendan Perry and vocalist Lisa Gerrard. Perry had previously been the lead vocalist and bassist for the Australian-based punk band the Scavengers, a group who were never able to land a recording contract. In 1979, the band changed their name to the Marching Girls, but they still weren't able to sign a contract. The following year, Perry left the group and began experimenting with electronic music, particularly tape loops and rhythms. In 1981, Perry formed Dead Can Dance with Lisa Gerrard, Paul Erikson, and Simon Monroe. By 1982, Perry and Gerrard decided to relocate to London; Erikson and Monroe decided to stay in Australia.
Within a year, Dead Can Dance had signed a record deal with 4AD. In the spring of 1984, they released their eponymous debut album, comprised of songs the pair had written in the previous four years. By the end of the year, the group had contributed two tracks to It'll End in Tears, the first album by This Mortal Coil, and had released an EP called Garden of the Arcane Delights. In 1985, Dead Can Dance released their second album, Spleen and Ideal. The album helped build their European cult following, peaking at number two on the U.K. indie charts.
For the next two years, Dead Can Dance were relatively quiet, releasing only two new songs in 1986, both which appeared on the 4AD compilation Lonely Is an Eyesore. Within the Realm of a Dying Sun, the group's third album, appeared in 1986. In 1988, the band released their fourth album, The Serpent's Egg, and wrote the score for the Agustin Villarongas film El Nino de la Luna, which also featured Lisa Gerrard in her acting debut.
Aion, Dead Can Dance's fifth album, was released in 1990. Also in 1990, the group toured America for the first time, earning rave reviews. The following year, the group was involved in various festivals and theatrical productions. In 1991, the compilation A Passage in Time was released on Rykodisc, making it the first American release of Dead Can Dance music. Early in 1993, the group provided the score to Baraka and contributed songs to Sahara Blue. In the fall of 1993, the group released Into the Labyrinth, which became their first proper studio album to receive an American release. Into the Labyrinth was a cult success throughout the U.S. and Europe. It was followed by another American and European tour, which was documented on the 1994 album and film, Toward the Within. In 1995, Lisa Gerrard released her debut solo album, The Mirror Pool. In the summer of 1996, Dead Can Dance released Spiritchaser and embarked on an international tour. The duo officially disbanded in 1999; Gerrard continued working as a solo artist and composed music for films such as Heat, The Insider, and Gladiator. Perry also established a solo career, issuing Eye of the Hunter in 2000. In 2001, Rhino released the band's first comprehensive box set, Dead Can Dance 1981-1998. Rumours of their reunion also began to swirl around this time, however Gerrard's solo career remained steadfast. Her work with composer Patrick Cassidy, Immortal Memory, followed in 2004. Several months later, Gerrard and Perry made it official and reunited for a world tour. Dates in North America and Europe followed in 2005 while Rhino once more recognized the duo with a greatest hits collection. Momento: The Very Best of Dead Can Dance appeared in October 2005.

My Interests

Music:

Member Since: 7/2/2006
Band Website: deadcandance.com
Band Members: Brendan Perry
Lisa Gerrard
Rónán Ó Snodaigh
Lance Hogan
Paskaal Japhet
John Bonnar
Pieter Bourke
Nigel Flegg
Robert Perry
Quivvy Church Recording Studios

This is a 150-year-old church in Belturbet, Ireland, where Brendan Perry resides. The village of Belturbet is about 70 miles north of Dublin in the county of Cavan. The surroundings are rural land and pasture with flocks of sheep here and there. This is the place Dead Can Dance record their albums.
Record Label: Rhino/Warner Bros.
Type of Label: Major

My Blog

Music player contest / Make your recommendation.

Soon, I'm going to be replacing Carnival of Light in the music player but I will leave that spot open for you to decided what should be put up in place of it. Please comment here with your choice, any...
Posted by Dead Can Dance on Wed, 27 Sep 2006 06:41:00 PST

An article written for The Dallas Morning News by Catherine Cuellar.


Posted by Dead Can Dance on Fri, 18 Aug 2006 06:36:00 PST