knot re-lay - ProfilesArchive

About Me

performing artist | arts administrator | visual fartist
related websites -
www.yelpdanceco.com [UC]
VideoDance Festival
smallmusictheatre
Isadora Duncan Center Athens
DanceWeb
--------------room with no view-----------------

Ezekiel 25:17
The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of the darkness. For he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the Lord when I lay my vengeance upon you.

foto elis(warda)

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* knot re-lay's Current EvEnTs *

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Irini's rules

My Interests

i am not interesting and not interested - i breath under water and suffocate in the air - i don't remember anything about my past lives _
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a m-e affair..

sola takuni live in the east suburbs......

censored solas

drum n witchcraft

fotografik piktures

I'd like to meet:

the __________ .

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some dance/performance artists appreciated by knot re-lay ---

Les Ballets C. de la B.
20 years of creative power in dance......

About 'experimetal'
Much art which is to a certain extent experimental is above all self-referential....
Alain Platel and his companions at Les Ballets C de la B have never been much concerned with all this navel-gazing. The choice of name itself was already statement enough. When it was founded in 1984 the name was used in full: Les Ballets Contemporains de la Belgique, an unsubtle reference to exactly what that motley crew that held open house in Alain Platel's attic did not want to be: a smart dance company. In fact from the very beginning there was even uncertainty whether one could actually call it a dance group at all. Alain Platel preferred to call it movement theatre and when 'Emma' came out in 1988 he said, 'the performances arise mainly out of non-spoken theatrical improvisation. It can sometimes lead to people dancing.'(Jan Middendorp, 1995)

Alain Platel on Pina Bausch

I remember three things about Pina Bausch:
one: dance is not a question of athletic performance or complex gymnastics at an Olympic level, it is rather a collection of 'indicative signs', replacing or supplementing the purely verbal for which we all too quickly (and easily) reach.
two: the fear and incapacity of people to communicate with each other is the ever-recurring theme in each of her works, and my concern is to transpose this sort of theme into visual terms.
three: the division between audience and stage should be made as minimal as possible. And yet this division is there, because what is shown is shown on the stage. In other words what is shown may deal with reality but it is not reality.
(unpublished text by Alain Platel intended for his colleagues,1982)

[both extracts from C. de la B. website]
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Jan Fabre

"Angel of Death"
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Meg Stuart
oh my goods...

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Xavier Le Roy
..politics politics..

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William Forsythe

"Enemy in the Figure"
more politics..
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DACM

"Showroom Dummies"
even more politics..
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Deufert + Plischke / frankfurterkueche

some more of these politics..
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Bill Viola

"Surrender"
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Ko Murobushi

Tatsumi Hijikata

About japanese BUTOH dance ooooo
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Music:

I AM MU-SICK |
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*knot re-lay's
PAST EvEnTs*

sOLa taKUNI
thanxforNOspace
hosted by VideoDance Festival 07

for more fotos go HERE
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self portrait
ZITA dance company
below fotos by elisavet moraki@warda-processed by pedestrian

below foto by snjezana premus

video stills -

one of the research images(elis-warda)

* you can read the most absurd critique on self portrait HERE+++++++++++++++++++++
YELP dance company
the stitch (2002)
oroginal cast

elisabeTH

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in silence (2003)
bullimia/gluttony

tataaaa

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Carbon Copy (2004/5)

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talspel a dance video(2003) performer : sania
dir : pedestrian
post: marina gioti

processed video-stills

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mobilplay performance
1st+7th March 05 @ small music theatre

some desing images
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vienna 2002

Movies:

Jacques-Louis David The Intervention of the Sabine Women (1794â€“99)

...and Eve Sussman 1 , http://www.union-gallery.com/content.php?page_id=835"2 , 3

Heroes:

myself growing old

My Blog

needle in the hay

Your hand on his armThe hay stack charm around your neckStrung out and thinCalling some friend trying to cash some checkHes acting dumbThats what youve come to expectNeedl...
Posted by knot re-lay on Mon, 28 May 2007 04:31:00 PST

thanxforNOspace

spending some time in a great industrial space. performance setting + making some industrial conclusions and realisations on this space and "myspace" ownership, virtuality, passing through to ...
Posted by knot re-lay on Fri, 04 May 2007 06:18:00 PST

just do it

...
Posted by knot re-lay on Sat, 21 Apr 2007 06:02:00 PST

new video project *

first draft-images from new video project possible titles: 'Swodniw' or 'Dowswin' or... (?) direction/choreography/performance: am + as more soon.. ...
Posted by knot re-lay on Wed, 14 Mar 2007 05:31:00 PST

somewhere in (the) ME

.......))) +*&...
Posted by knot re-lay on Wed, 11 Apr 2007 09:16:00 PST

yelp critique

for the greek readers : enjoy this extraordinary critique by Mrs Psaropoulou on YELP's scale 5:1 (27feb-4mar in thisseion theatre-athens) who is soon to be fired from Eleutherotupia as she ...
Posted by knot re-lay on Thu, 22 Mar 2007 05:14:00 PST

corporal

" the body is a curious thingit is not so much an object , as a work of sensation that has extended visible surfaces , that hint at hidden depths of experiencethese surfaces always exist withi...
Posted by knot re-lay on Tue, 27 Feb 2007 05:38:00 PST

urb

we begin this post with yellow sola's fine sense of image recording of a well known city..(known also as mpougatsoupoli) continuing to silver sola's fine sense of image reording of an also well ...
Posted by knot re-lay on Wed, 14 Feb 2007 03:02:00 PST

spring into winter

dusk almond trees almond dusk ...
Posted by knot re-lay on Sun, 11 Feb 2007 04:35:00 PST

february

Posted by knot re-lay on Sun, 04 Feb 2007 10:31:00 PST