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The solo work of Io Casino with electric bass modified by electronic effects and other different objects starts in 1991, beside to her collaborations with several projects, producing until now a long list of concerts and official cd.***************************************************io casino aus Spanien wren so ein Beispiel. Ihr Sound hat wahnsinnig viele Facetten, er wechselt zwischen industriellen Chaos und bedchtigen Arrangement, zwischen Improvund Rockzitaten. Und der zwanzigmintigen Ambient-Druckwellen-Gletscher Conducting Hurricanes(u.a . mit Francisco Lopez und Kasper T. Toeplitz) ist sowieso der Hammer.Zipo - auf abwegen ..33 - frhjahr 03 . cologne . germany***************************************************** **********An impressive, smashing journey through some surreal post-industrial ruins that this composer and plastic artist evokes in her apocalyptic music. Turbulent pieces, pouring rough metallic textures, where the dominating electronics is not the one taking us to contemplate the world from the clouds, but rather the one permitting us to see it from the ground. Wondrous indeed.. EDGAR KOGLER****************************************************** **********resume ________Io Casino the Stanislavski system (Josep Ma Tudell, 1991-1993); Rolfing corporal treatment; engraving (Manel Viusà 1994-1995); singing, with the baritone Joan Pons and Catherine Metayer; guitar (1992-1993) at the Andorra Conservatory; illustration (EAA, 1992-1994 and Avignon, 1995); characterisation and special effects (Cazcarra, 1989-1991); television and video production (Centre de la Imatge, Barcelona, 1991-1992, and MAE, 1991; sound, with Eduardo Polonio (MECAD, 2001) and as a sound technician (Tino Rosón, Artenbrut and FORCEM, 1999), and protools (SGAE 2002). She had regular encounters with the artists Joan Brossa, Antonio Beneyto, Sergi Mas, Ramon Bigas, Francisco López, Phill Niblock, Marek Choloniewsky, Sven Ake Johanson & Evru. Since the late eighties this sound artist and visual creator has developed a wide range of works of artistic, visual and sound experimentation. She has released 9 official records and a number of participations on compilations. All of her work is self-directed. In the last eight years she has showed his art in France, Poland, Germany, Hungary, Switzerland, Italy, Argentina, Portugal and the United States. She has been active in mentoring and in the Local Artists' Network for many years, fostering and encouraging artists, presenting their work in public and creating reference and exchange models among them.************* _______biografía _______Estudia sistema Stanislavki (Josep Ma Tudell, 1991-1993); posición corporal Rolfing; grabado (Manel Viusà, 1994-1995; canto con el barítono Joan Pons y con Catherine Metayer; guitarra (1992-1993) en el Conservatorio de Andorra; ilustración (EAA, 1992-1994 y Llotja, Avinyó, 1995); caracterización y efectos especiales (Cazcarra, 1989-1991); realización de televisión y vídeo (Centre de la Imatge, Barcelona, 1991-1992, y MAE, 1991); sonido con Eduardo Polonio (MECAD, 2001), técnico de sonido (Tino Rosón, Artenbrut y FORCEM, 1999), protools (SGAE 2002). Encuentros periódicos con artistas: Joan Brossa, Antonio Beneyto, Sergi Mas, Francisco López, Phill Niblock, Marek Choloniewsky, Sven Ake Johanson y EVRU. Como artista sonora y creadora, desde finales de los años ochenta ha desarrollado un amplio trabajo de experimentación artística, visual y sonora. Ha editado nueve discos y varias participaciones en recopilatorios. La totalidad de su obra es autogestionada. Los últimos ocho años ha mostrado su arte en Francia, Polonia, Alemania, Hungría, Suiza, Italia, Argentina, Portugal y Estados Unidos. Hace años que se dedica a trabajos de mentoring y de Red de Artistas Locales, promoviendo y animando a artistas, haciendo visible su trabajo y creando modelos de referencia y de intercambio entre todos.