Member Since: 2/25/2006
Band Website: commodore64orchestra.com
Band Members: C64Orchestra.com, Commodore 64 Orchestra.com, Commodore64Orchestra.com / Commodore 64 Orchestra, Commodore 64 SID, Nico Demonte, 6581 (SID) Chip * 6581 R2 - this only has "MOS" "6581" markings on the package * 6581 R3 - will say "6581 R3" or "6581 CBM" on the package * 6581 R4 AR - will say "6581 R4 AR" on the package * 6582 A - typically produced around 1992 * 8580 R5 , Special Chips and Computerized Interfaces Featuring Special Guest computer programmers for the world's first Commodore 64 Orchestra!
Influences: C64 Orchestra / Commodore 64 Orchestra
Commodore 64 SID, Commodore ViC-20, Intellivision, Atari, and Colecovision, Amiga, Nintendo (8-bit NES), Sega Genesis/Megadrive, Magnavox Odyssey, Atari ST: SC68, Game Boy: GBS, The Smiths, The Cure, Yaz, Painted Orange, Atari 800, Game Boy Advance : GSF, PC-Engine: HES, PlayStation, PlayStation 2: PSF and PSF2, XA Audio, plus:.. Sega Genesis: GYM, VGM (still in development)
.. Sega Mark III: VGM
.. Sega Master System & Sega Game Gear: VGM
.. Sega Saturn: XA audio
.. SNES: SPC (named for the SPC700 sound chip used in the SNES)
///// Amiga: MOD (also used on PC), OctaMEDthe beloved 8-bit 22khz digital sound via the Paula-chip
Rob Hubbard and Martin Galway
MOD-files
synthesizer module MT-32
THe 7.14 mhz Motorola processorNamco arcade LP's (YLR-20003) and CT (YLC-20003)
+ SPC700 sound format, all other arcade games and techno music.Kraftwerk, minimal techno sci fi, blade runner, and the imagination. Electronic Music Synthesizer, Mark II Synthesizer, Columbia-Princeton
Electronic Music Center, The Illiac Experiment, Computer Music Scientific
America CCI 1959, Research in Music With Electronics, Charles Babbage, E.S.
Votey, Dynamaphone, Electromagnetic disc generators, The Theremin, Ondes
Martenot, Binary Code Numbers, The Illiac Suite for String Quartet, Musique
Concrete, Max V. Mathews, Carlos and Folkman's Switched-On-Bach, RCA Machine at Columbia University, Paul Ketoff's portable Synket, Moog, Buchla, Arp,
Pierre Boulez, Yannis Xenakis, Karlheinz Stockhausen, Trautonium, New York's
Museum of Modern Art, A loudspeaker mounted in a cabinet, Abstract sound,
Cologne studio, Electronic Eye, University of California Sand Diego at La
Jolla music department, John Cage Atlas Eclipticalis With Winter Music
(electronic version) scheduled by Leonard Bernstein and the New York
Philharmonic in 1962, Alexander Scriabin, Anton Von Webern, Hora Novissima,
Lou Harrison, Harry Partch, Charles Ives (1874-1954), Carl Ruggles, George
Antheil, Antiphonal music, Henry Pleasants The Agony of Modern Music, Andre
Hodeir Since Debussy, Hermann Helmholtz On the Sensations of Tone as a
Physiological Basis for the Theory of Music, Ferruccio Busoni Sketch of a
New Aesthetic of Music, Hugo Leichtentritt Music History and Ideas,Broadcast concerts over telephone lines, Dr. J.R. Pierce of Bell Laboratories, Gamelan music, WBAI New York, Awakening of Capital, Meetings of cares and aeroplanes, dining on the terrace of the casino, skirmish in the oasis, Musica Futurista, Francesco Pratella, Futuristic music concert by Marinetti and Russolo in Milan 1914, Igor Stravinksy's Rite of Spring, Romain Rolland, Erik Satie, Max Jacob, Amedeo Modigliani, Guillaume Apollonaire, Blaise Cendrars, Paul Rosenfeld, Antonin Artaud, Andre Malraux, Tristan Tzara, Jules Pascin, Hector Villa-Lobos, Diego Rivera, Ossip Zadkine, Frank Stella, Joan Miro, Henry Cowell, Le Corbusier, St. John Perse. Jean Cocteau, Camille Saint-Sans, Carlos Salzedo, International
Composers Guild, fugues and counterpoint, Hyperprism, Jacques Barzun,
Charles Martin Loeffler, Carnegie Hall, Koussevitsky, Integrales, A
biography of Edgard varese, electronic musical devices in the 1960s, Dr.
Harvey Fletcher, Guggenheim Foundation, Gugggenheim Fellowship, Ionisation,
Robert Craft, New York Dadaist Magazine 391, Fernand Ouelette, Espace, Jean
Christophe, Andre Lamraux, Densite, George Barrere, Radio Television
Francaise Research Center, Pierre Schaeffer, Hermann Scherchen, Theatre des
Champs-Elysees, Luigi Dellapiccola, H. H. Stuckenschmidt, Darmstadt
Festival, De Gaulle's Minister of Culture, Brandeis University Creative Arts
Award, Swedish Royal Academy, Alexis Leger, Koussevitsky Foundation,
Electronic Poem, M. Kalff, Aaron Copland, Wiliam Walton, Philips Laboratory
at Eindhoven, Chandigarh, Poeme Electronique at the Brussels Fair, Village
Voice, The Village Gate, Elisha Gray at the Philadelphia Centennial
Electromusical piano, Valdemar Poulsen, W. Duddll, Cahill's Telharmonium,
The art of telharmony, The generating and distributing of music by means of
alternators, Lee De Forest, Ray Stannard Baker, Arnold Schonberg, tone
clusters, Leon Termen, Jorg Mager, Darius Milhaud, Ottorino Respighi, Dr.
Endre Magyari, Chamber Music Festival in Donaueschingen, Paul Hindemith,
Friedrich Trautwein, Werner Egk, Hammond Organ, Novachord, Solovox,
Hellertion, Elektrische Musik, Lasszlo Moholy-Nagy, drawn sound, studie fur
instrumentale klange, first airphonic suite for theremin with orchestra,
cleveland orchestra, parsifal, rhythmicana, ernst toch,
rundfunkversuchsstelle, staatliche hochschule fur musik, oskar fischinger,
paul arma,electronic oscillators controlled by punched paper rolls, magnetophon,
variophones, ans photoelectric sound synthesizer, moscow experimental
studio, frits pfleumer, allgemeine elektrizitats gesellschaft, croixsonore,
Acoustical Society of America, Yevgeny Sholpo, Imaginary Landscape, Carlos
Chavez, Cornish School, Japanese Music Festival, National Research Council
of Canada, punched cards encode electrical analogs of musical parameters,
mixturtrautonium, paris radio station, schonberg-webern serial technique,
The aeg magnetophon, Cologne Studio in Germany, la marseillaise, Is Paris
Burning?, glissandi, etude aux chemins de fer, Radiodiffusion-Television
Francaise RTF, concert de bruits, symphonie pour un homme seul, la riviere
endormie, etude poetique, sound object, found object, melochord, avakian
jcs-1, any 42 phonograph records, project for music and magnetic tape,
columbia university, ampex tape recorder, Columbia Radio Station WKCR,
Eastman School of Music, Vladimir Ussachevsky, musicians local 802, music
from a machine horizon magazine 1959, Bernard Blin. Broadcast music inc,
Olson-Belar Sound Synthesizer, Princeton Laboratories, synthesis for
orchestra and electronic sound and dynamophonic suite, rockefeller
foundation a university council for electronic music, mark ii synthesizer,
muchiko toyama, bulent arel, mario davidovsky, IBM punch-card system,
international congress on music and electro-acoustics at gravesano
switzerland sponsored by UNESCO, lejaren hiller and leonard isaacson of the
university of illinois produce the illac suite for string quartet, the first
complete piece of music produced with a computer, stockhausen studie ii
written in cologne 1954, musica ex machina, scatre IBM-7094 assembly
language, fortran, hand-coded assembly computation at IBM (on a vacuum tube machine, the 704), Harvard Computer Music Center, 8051 assembler, Python, C/C++, PIC/AVR
C/Assembler, MATLAB, FORTRAN, MIT Scheme, Java, MySQL, PHP, Max/MSP,
Physical Modeling/Hardware Design: Protel, OpenGL, SolidWorks, Blender,
3DStudioMax, Omax Layout/Make, Insight, Cobalt, BASIC, 8080, and FORTRAN,
QBX - PDS V7.1 for IBM-type PC's, C/C++, tcl/tk, Java, Pascal, Lisp,
Fortran, MATLAB, SuperCollider and MAX, Real Time Systems, Neural Networks,
Artificial Intelligence, and Speech Recognition, 80x8, Association for
Computing Machinery (ACM), Institute of Electrical and Electronic Engineers
(IEEE, .MOD Amiga/PC tracker module, FastTracker, StarTrekker, Noise Tracker
(etc.) music module file, Bell Labs (..Computer Music Experiences: 1961-64,..
Electronic Music Reports ..1, Institute of Sonology, Utrecht, 1969),
Electronic Music Laboratory at the University of Illinois, Mozart..s
Musikalisches Würfelspiel, Opcode's MAX, CMU MIDI Toolkit, William Duddel's
1899 Singing Arc, Thaddeus Cahill's 200-ton Telharmonium, Hugo Gernsback's
Pianorad (1926), Coupleaux-Givelet Organ (1938), Ondes Martenot, "Special
Purpose Tape Recorder" (1955), RMI Keyboard Computer, E-Mu 4050 keyboard,
Oberheim 4 and 8 Voice synthesizers, E-Mu 4060, Sequential Prophet 5, The
Multiply-Touch-Sensitive keyboard, Northwestern University and Stanford's
CCRMA, Scalatron" synthesizer in 1974, The MicroZone, produced by Starr Labs
in San Diego, 768 hexagonal keys in an 8 x 96 honeycomb matrix, John Allen's
Bosanquet-type generalized MIDI keyboard, "Sal-Mar Construction", Tangerine
Dream, Klaus Schulze, and Keith Emerson, GUI (Graphical User Interface),
PG1000, D50 synthesizer, Sensor Mannequin, SNOBOL, JEDI Visual Component
Library (JVCL), 1401 simulation and development environments, Autocoder
assembler, FORTRAN IV with a RAND tablet for input, the music kit, NEXTSTEP
programming environment, MIDI and Music V paradigms, NeXT Computer,
PadMaster, SynthBuilder, i*link i56, EVM56002 evaluation modules, Common
Lisp Music (CLM) instrument, Sun SPARCStations, HP-UX, and SGI IRIX, Max and
TurboSynth (Opcode), SynthKit (Korg R& D), ComDisco, Star, Cmix, RT,
Multiwav Driver, 040 NeXTCube, Mario Davidovsky, linked data structures,
recursive algorithms, DARMS translation, LLMIDI, TxMIDIA or TxMIDIB, "IF
TRUE" Delphi 7 tools, Chrome, RemObjects' Next Generation Object Pascal
language, 6502 assembly language modules, 1981 DEC LSI 11/23 computer,
Electrocomp with classic tape techniques & Echoplex digital-to-analog conversion (12-bit) at Bell Labs, triangular waveform,
monophonic, four-voice polyphony, sixteen waveforms, computations on the
transistorized IBM 7094, MUS4BF, Princeton, 1967, MUS10, Music360 (Vercoe),
Princeton, 1969, Common Lisp Music (Schottstaedt), 44.1 kHz, nyquist
theorem, discrete vs. continuous time, fibonacci x, fibonacci-list,
SuperCollider, RTCMix, Nyquist, Musicwriter Punched Paper Tape for Use by
the ILLIAC Digital Computer, Personal Tempo and Subjective Accentuation,
Two-Channel Tape Recorder, University of Illinois IBM 7090 and CSX-1
Electronic Digital Computers, Music Simulator-Interpreter for Compositional
Procedures for the IBM 7090 Electronic Digital Computer, Magnavox Sponsored
Research Investigation, Operator's Manual for the CSX-1 Music Machine,
ILLIAC II Computer and D/A Converter, PDP-8 Computer and an Ampex-354 Audio
Tape Recorder, 6400 Digital Computer, Casio FZ-1 Bank dump, Blocked music
module (Farandole), Voice dump file (Casio FZ-1), Cultural Computing Program
(CCP), Computer Music and Digital Audio Series and Virtual Music (2001, MIT
Press), Cray and Cyber 205 programming, PLATO style editor on DEC/Cray/CDC
Cybers, Honeywell Level 6 to VAX/VMS, obsolete Kronos operating system to
NOS, IBM DOS, Macro 11, Pascal, BAL, Autocoder and Fortran, MIPS, PowerPC,
Sparc, Intel/AMD processors, Apple, 68000, 680x, 32x32, Encore Multimax,
CDC, DEC VAX-11, Honeywell L6, Cray-2, Cray-1, 6502, Z80, 8085, 8080, SCMP,
PDP, IBM, SmartBits, Adtech, JTAG debugger, SunOS, Solaris, Linux, BSD
(Open/Net/Free), CDC operating systems, VMS, Windows, Plato, CGI, TCP/IP
sockets, embedded processors, device drivers, DNS, SNMP, ASN.1,
Client/Server, HTML, porting, QIP, CVS/RCS, DISSPLA, vi, Raima database, GNU
tools (gcc, gas, etc), OpenBSD, SSH and SSL, Kerberos, data auditing,
Netflow, maps, System Administration, LISA and SANS, network statistics,
Ethernet, Bridges, Hubs, Cisco routers & switches, LAN/WAN, UDP/TCP/IP,
H323, OSPF, BGP, IGRP, EIGRP, DECNET, AppleTalk, IPX, J2SE, ATG Dynamo,
Weblogic, J2EE (EJB, JSP, JMS, JDBC), Epicentric Portalserver, Java, C++,
SQL, Perl, XML/XSL, HTML, Shell Scripting, MUSIC/SP 5.2, GUIDO Music
Notation Language, MML: Music Markup Language, Theta: Tonal Harmony
Exploration and Tutorial Assistent, ScoreML, JScoreML, eXtensible Score
Language (XScore), MusiXML: My own format, XMF - eXtensible Music Format,
Virtual Musician Markup Language (VMML), CHARM (Common Hierarchical Abstract
Representation of Music), CMME corpus mensurabilis musice electronicum,
EMNML - Extensible Music Notation Markup Language, Musedata format, 5.0
FreeBSD, Scream Tracker music module (MOD) file, Scream Tracker 3 music
module (MOD) file, Amiga 8SVX sound, Ultratracker music module (MOD) file,
FastTracker 2, Digital Tracker music module (MOD) file, 80386 or higher
microprocessor, Composer 669, Unis Composer music mod file, Columbia-princeton electronics center, two images of a computer piece, an
incredible voyage, sonic contours, piece for tape recorder, linear contrasts, and of wood and brass, convention of the american symphony league, the modern composer and his world, relata II, RCA's david sarnof research center, ensembles for synthesizer, san francisco tape music center electronic music at the electric circus in greenwich village, electric ear, international federation for information processing in london, pithoprakta, terretektorh, juilliard school of music in new york, studio di fonologia, black and white picture mondrian computer, MARK II, research in music with electronics, scientific american, The CAMAC Music Synthesizer, R209 muon pair experiment, cern laboratory in geneva switzerland, I/O modules, 64 kB RAM, 84 kB EPROM, 29 kB EPROM the BAMBI (BASIC like) interpreter, PDP-11, The Sal-Mar Construction, MUSIC IV for the IBM 7094 as MUSIC4B was written in assembly language, Music V variants include MUSIC360 and MUSIC11 for the IBM360 and the PDP11 computers, GROOVE developed by Mathews and F. Richard
Moore at Bell Labs, 1973 SAWDUST, a language by Herbert Brun, used functions
including: ELEMENT, LINK, MINGLE, MERGER, VARY, and TURN, The Institut de
Recherche et Coordination Acoustique/Musique (IRCAM), Paris, under direction
of Pierre Boulez, Systems Concepts Digital Synthesizer (SCDS), built by
Peter Samson for CCRMA, signal generating and processing elements all
executing in parallel, and capable of running in real time. There are 256
digital oscillators, 128 signal modifiers (filters, reverb, amplitude
scalers), cratch-pad memory for communicating values between processing
elements, and a large memory for reverberation and table storage, Music V
variants Cmusic (by F.R. Moore), written in C programming language, HMSL,
Hierarchical Music Specification, Morton Subotnick and Mark Coniglio, Music
V variant CSound, by Barry Vercoe of MIT, Jam Factory written by programmer
David Zicarelli, "Maestro," then "RMan" (Random Manager), and finally, "M."
by Joel Chadabe, Offenhartz, Widoff, and Zicarelli, 650 compiler, Selective
Sequence Electronic Calculator, Scientific Computing Service, ACM, SIAM, and
the DCA, SORT II for the 702 many memory print programs for the 705, MUSIC
II, MUSIC III, MUSIC IV, MUSIC IV-B developed at Princeton University, MUSIC
IV-BF in fortran, MUSIC V, MUSIC 360, SuperCollider, HoneywellDDP-224
computer, Generated Real-time Output Operations on Voltage-controlled
Equipment, Notepro, MUSIC/SP (Multi-User System for Interactive Computing /
System Product, IBM System/360 (S/360), Extended Binary Coded Decimal Coded
Interchange Code, Sim390 emulator, MUSIC/SP 6.1, The IBM Mathematical
Formula Translating System, module-based programming, Commodore 64 Orchestra, Ryo Kawasaki,
Sounds Like: Replicants LEON, BATTY , ZHORA, NEXUS 6 NGFAB61216, PRIS, Kate Moss, electrical circuits, SID SID SID BASIC POKEC64 Orchestra / Commodore 64 Orchestra
PRESS PLAY ON TAPE***
C64 Orchestra / Commodore 64 Orchestra.mp3
C64 Orchestra / Commodore 64 Orchestra.mid
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Record Label: C64 Orchestra / Commodore 64 Orchestra
Type of Label: Indie