Member Since: 2/22/2006
Band Website: kimbeggs.com/
Band Members:
Influences: Neil Young
Iris Dement
Lucinda Williams
Bob Dylan
Lyle Lovett
Hazel Dickens
Oldtyme Bluegrass Traditional
Sounds Like: Neil Young Iris Dement Lucinda Williams Oldtyme Bluegrass Traditional
REVIEWS
EXCLAIM! -Canada
"Wanderer’s Paean is one of the few roots records that has honestly, and so beautifully, captured Canada’s rustic back roads"
" target="_blank"Now Magazine Top Review (4 NNNN's and a bullet) _Toronto, ON
"the record's intimacy that makes this a great piece of Americana"
" target="_blank"Fast Forward Weekly- Calgary, AB
Ottawa Sun Article
Ottawa Xpress Article
Toronto Star Article
"The lyrics are as enjoyable to read as they are too listen to. They are high poetry"
-Michael Enright on the CBC Sunday Edition
************************************************************
***************
Wanderer's Paean was one of the pics from this Years NERFA conference,
by Acoustic Live in NYC .
“Whoever taught her to sing should get a medalâ€
Reviewer: Richard Cuccaro--Acoustic Live in NYC
Kim Beggs - Wanderer's Paean Kim Beggs moved to Yukon from a mining town in Northern Ontario and, swinging a hammer, worked at building and renovation, while teaching herself guitar. Whoever taught her to sing should get a medal. While she doesn't have what you'd call a big voice, she gets a whole lot out of her high, feathery alto, a cross between Nanci Griffith and Iris DeMent, and her lean, spare delivery. She sings original songs that have an old-timey, traditional sound. She sounds right at home in the middle of the down-home country airs set up by pedal steel, mandolin, banjo and fiddle, creating a warm, earthy spot for the listener's psyche to drop into.
************************************************************
***************
"an unmistakable new talent"
Reviewer: Steve Fruitman-- CIUT radio in Toronto
CIUT's 17th Annual Porcupine Awards! NEW DRAGON MINE The find of the year Award! KIM BEGGS, Whitehorse, Yukon She began playing guitar and performing in public just a few short years ago, but already her quirky country songs beg another listen. Her first CD, Streetcar Heart, was new and exciting. Her new CD, Wanderer’s Paean, has marked her as an unmistakable new talent.
************************************************************
***************
"The measure of this record is surely the country-folk of "Lips Stained Red [with Wine]"-- a contender for 'song of the year' by any reckoning."
Reviewer: Roddy Campbell, editor of Penguin Eggs Magazine
The Yukon's Kim Beggs took her first bold steps in 2004 with the release of her wonderful debut, "Streetcar Heart". For "Wanderer's Paean", she has recruited several of the same strategic characters who added much of the spirit to that first effort. So producer and multi-instrumentalist, Bob Hamilton's sympathetic approach, again, allows Beggs lots of breathing room to sing her heart out. So here and there a country fiddle makes a subtle appearance, as does a steel guitar. An acoustic bass warrants the odd mention. A tasteful mandolin, too. But really the songs-- grand tales, largely set in the north--stand on their own, swaddled in that unique, warm and distinctive voice. The measure of this record is surely the country-folk of "Lips Stained Red [with Wine]"-- a contender for 'song of the year' by any reckoning. "Wanderer's Paean" then, is not a departure from "Streetcar Heart" but rather a tasteful confirmation of a distinct talent.
************************************************************
***************
There’s something groovy happening up in the Yukon, and Kim Beggs is part of it. Like fellow northerners Anne Louise Genest and Kim Barlow, Beggs sings compelling tunes about hard lives lived in towns frozen in time. Her sophomore effort, Wanderer’s Paean, demonstrates a roots purity that is seldomfound in similar efforts produced closer to the49th Parallel.
“Lips Stained Red with Wine†or “Feel a Little Glum†could have been written by Dolly Parton or Loretta Lynn in their barely outta-the-holler days. Like many roots players, Beggs takes traditional songs, including “Ain’t Gonna Work Tomorrow†and “All the Good Times are Past and Gone,†and puts a new spin on them. Bass player Bob Hamilton’s production is outstanding. He is particularly adept at capturing the intensity of the string arrangements without clouding Beggs’ sweet alto.
Beggs picks up where the Be Good Tanyas leave off, but with a more uplifting overall sound. Wanderer’s Paean deserves to be at the top of the CD rack.
Herizons
************************************************************
***************
a live and downloadable podcast from CIUT , Andy Frank says:
"One of the highest quality broadcasts we have ever done - Kim Beggs from Yukon and John Wort Hannam from Ft. Macleod AB doing what they do best, pure Canadiana Roots with a western flavour. Dot com them for more info."
************************************************************
***************
"Yukon resident Beggs is masterful writer of engaging personal narratives that evoke place and time in the manner of the finest folk traditionalists. Blessed with a fascinating, sweet voice, and surrounded by distinctive and careful instrumentalists--bassist/producer Bob Hamilton, accordionist Andrea McColeman, fiddler Moritz Behm, and pedal steel guitarist Gene Brown, among others--Beggs conjures up a rugged Northwest peopled by battlers whose quirky resilience makes these story songs a compelling listen. Standouts are "Old Pal," "I Carry My Guitar," "Her Big Yellow Backhoe," " the title track, and a live version of
Neil Young's "Like a Hurricane"
The Toronto Star
************************************************************
***************
“Kim Beggs is another wonderful singer/songwriter from the Yukon’s emerging music scene. Bob Hamilton produced her recently released Streetcar Heart (Caribou Records), and it features Beggs’ wistful, iconoclastic lyrics and ragged, sweet whisper of a voice backed by a crack northern studio crew.
Such songs as Carry My Guitar capture Beggs’ blue-collar background and love of the local jam-session scene where the sun never sets. Bus Driver conjures up the darker side of the calendar year and hints at a California/Neil Young fixation that seems so real it hurts, but reaches fruition on her album-capping reading of Young’s Like a Hurricane.
Much of Streetcar Heart has an old-time, woodsmoke country feel, folk art that cuts to the core on songs like Beautiful where Beggs warbles “Amazing and beautiful/She’ll cover your eyes with wool/and if you let yourself see her/ you’ll get something you won’t have to give back.â€
Neil Young, Iris Dement, Gillian Welch, the McGarrigles…add Kim Beggs to that exhalted list of unpretentious charmers. Streetcar Heart’s hook-laden, homey songs get stuck in your heart, and that’s a good thing.â€
Joseph Blake, Times Colonist, Victoria
************************************************************
***************
Record Label: Caribou Records
Type of Label: Indie