Isgahaatt festered in the minds of J. Sepansky and Luke Moroney as a vexation of esurient vigour until its domination swayed their control and its strength became an entity unto itself with sights fixed on Christ.
Soon its arms would burke the drums of Dom Simpson and its bite guide the hands of Braithe Selby, bringing the four helots together to father cacophonies of dour merit and an art of infernal ferocity.
Shortly thereafter the brother of J.Sepansky, Alex Sepansky was enlisted to join the four and bring his own proficiency and flair to advance Isgahaatt and complete the avid line-up.
Isgahaatt then set about the local suburbs of New South Wales to regale all who were willing and before long conquered many sites and rang the neck of religion in vociferous objection.
The first of the five to falter was unfortunately the vital Alex Sepansky, who left to pursue another calling and was replaced by one Stewart Horsfield who was more than capable of the position having developed a wealth of experience through other projects.
After almost two years of tumultuous living and desirable conjurations it was the skill of Braithe Selby that would next fall victim, his flamboyant nature and unyielding mastery of the guitar is now but a resonance purged into a newly found vocation.
During this spate of changing members Isgahaatt’s live presence remained in dormancy while they sought another person to complete their current four piece and set about honing Stewarts knowledge of the songs so that he could make the transition from bass to guitar, a position that he now fulfils with supreme ease.
Time persisted to meld into dust while they continued to wait for a suitable replacement on bass and then suddenly James Willson, as though plucked from the abysmal depths of bassist uncertainty made a welcome leap to ranks and has effortlessly become a part of Isgahaatt with his prolific gift.
Currently Isgahaatt is preparing for a release of their works and a divulgence into further theatres of sacrilege…
