Karney profile picture

Karney

Karney calls the cadence for butt-shaking fans!

About Me

KARNEY, already a vibrant part of the Bay Area's Alternative Rock scene, is branching out to fans throughout the west coast and other parts of the country through Internet simulcasts, print and radio coverage, as well as frequent regional touring.  Last year she did extensive touring in California and the Pacific North West.  She also went as far as NYC where she performed at the historic venue, The Bitterend, and then continued north playing clubs in upstate NY. Collaboration is essential to Karney's recordings; before she released her first solo recordings she worked with artists such as Linda Perry of 4 Non-Blonds, and godfather of funk George Clinton.  Karney not only blends influences ranging from punk, middle eastern,  and latino to the flower-powered music and politics of her hometown San Francisco, but also enjoys direct cross pollination with many artists. She has worked most recently with PSM Recording's Steffen Franz with who co-produced the single 'My Little Bush.'  The single also enjoyed the studio talents of mixer Dennis Bovell and engineering by Bill Ortiz. Reggae veteran Dennis Bovell  is a producer, solo artist, and founding member of Matumbi, a venerated reggae act from the UK, while Bill Ortiz  engineers records, founded Babyfat Music, and plays trumpet for Santana. Karney currently applies her considerable singer/songwriter talents to both her own material and compositions commissioned by clients in the multimedia and computer gaming industries. Her crossover Ambient Electronic and Groove sounds provide accompaniment for Sim City 3000, Sim City 3000 Ultimate, The Sims House Party, as well as scores for The Showtime Channel and Hewlet Packard national ad campaigns.  She has also composed full music scores for LucasArts' XBox(tm), computer, and online games.

My Interests

Music:

Member Since: 1/11/2006
Band Website: karney.org
Band Members: Lead vocals, guitar, keys - Karney; Reggae raps, and co-vocalist - Steffen Franz a.k.a. Standout Selector; Drums, percussion - Jeff Herrera; Bass - Daniel Fabricant;
Sounds Like: The sharp political realism in Karney's lyrics is softened by musical accompaniment that stirs rousing reggae riddims washed over with funk force gales and powerful vocals in the tradition of singer-songwriters and blueswomen.Although she has forged her own path as a guitarist, keyboardist, and vocalist, Karney's voice does call to mind some of the greats that came before her. Famed pop critic Joel Selvin of the San Francisco Chronicle said, "she can evoke '70s rock queens such as Ann Wilson of Heart, Stevie Nicks of Fleetwood Mac, or Chrissie Hynde of The Pretenders, although the intense drive for self-expression that fuels her writing and singing reeks of punk poet Patti Smith."Minnesota's Collected Sounds praised her "great soulful voice, and music that is unique and interesting. Not your average pop junk." Music editor Jennifer Maerz writing for The Stranger in Seattle found Karney reminded her of "artists like the Indigo Girls and Edie Brickell." Publisher Jonathan Ment of the Urban Rag also likened Karney to "Chrissie Hynde, but was uncertain as to whether Karney sounded like Edie Brickell, or that the music on the CD sounded like the New Bohemians."Kristy Martin of CMJ New Music Report suggested that Karney "channels the spirits of female singer/songwriters including Aimee Mann, Edie Brickell, Concrete Blonde's Johnette Napolitano and Pat Benatar." Of course, we can put ourselves into the role of music reviewers and debate who Karney's masterful pipes most resemble, or we can defer to the judgment of funk master George Clinton who summed up this artist's music prowess with the rhetorical question, "How'd a white girl get so funky?"
Record Label: Tangent Records
Type of Label: Indie