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More cool stuff at YourCoolProfile.com!THE HISTORY OF THE PSYTRANCE!!!
Trance did a very promising start in the early nineties (1990's) in Europe, and is currently one of the most promising and influential music genres on the music scene. Trance itself is very wide-scoped, it occupies a lot of territory with a lot of space and brings its influence deeply outside and well beyond its own bounds, that seem to be quite obscure. At the time, many of the currently popular groups, artists, titles of mainstream music are starting to incorporate trance sound into their recordings. Initially trance was mostly non-commercial, but trance is getting more and more publicity now, on TV channels such as Viva and MTV, and in the press. Trance becomes more popularized, thanks to talented trance music DJ's and producers, trance music labels, and even large recording companies. Pop and rock stars are starting to collaborate with or even outsource their recordings to trance music composers and producers. An excellent example, Madonna with their mature, high-quality, semi-trance album Ray Of Light (1998), almost half tracks of which have explicitly clear trance sounding.
1. Building Blocks
2. History and Evolution
3. Euro Trance
4. Goa Trance
5. Psychedelic Trance
6. Progressive Trance
7. Trance Labels, DJ's and Producers
Characteristics
Perhaps the most ambiguous genre of dance music, trance could be described as a melodic, more or less freeform style of music, partially derived from house. While there is no strict definition for trance, songs of this genre are usually characterized as being accessible and having anthemic and epic and rifting and psychedelic qualities. Using that as a starting point, a basic trance track could then be described as being comprised of a particular melodic or vocal hook which is given presence over a bassline, a drum pattern, which often includes snare or kick drum rolls to mark important moments, and perhaps one or two other semi-quantified aural elements to provide texture and enhance the rhythm. However, not all trance fits that profile, and often times a song's classification as trance has just as much to do with who is playing it as what it sounds like.
The best way to generally describe the trance genre is that of dance music based around rifts and anthems, which can be either highly energetic or very chilled out. Trance tracks often intermix major and minor chords to create "epic" sounding, similar to classical organ music. Most trance is built around the 4/4 beat, and a lot of trance can be very uplifting. Uptempo, uplifting and often euphoric energetic synthesized sounds pumped by a beat and massive hooks, often with long breakdowns building slowly to create a tension and expectancy on the dance floor. Often with driving off-the-beat basslines and utilizing major and minor chords in sequence, trance tracks can take a central epic form of commercial trance or the form of one of several sub-genres including Euro (Epic) Trance, Goa (Psychedelic, Psy) trance, Hard Trance, and Progressive Trance.
Building Blocks
You can very well understand what trance is all about if you consider both house and techno a 'power supply' or a 'fuel' of trance. Yes, in some ways trance is derived from house and techno, but this derivation is just a matter of taking the proper power supply. Look, airplanes consume diesel oil in order to be capable of flight. They just cannot fly without fuel, yet they are not fuel! They are much more complex than plain, simple diesel petrolium oil. Now draw and see an analogy, airplanes is trance, and diesel fuel is house, that's it. A more important, fundamental baseline of trance is derived from religious and spiritual roots of the East and ancient Eastern culture. It is astonishing, in fact, ambient, beatless form of trance has been there for ages! More information on this is forth below this page. From a pure music producer's standpoint, the following elements build up a basic trance track on top of a solid, house-powered beat and energetic, techno-powered progressive sound:
* Rifts, rolls, breakdowns and buildups.
* Short samples often going into 16th and 32nd notes.
* Anthems.
* Highly intermixed major and minor chords.
These are the essential elements of trance, all of them are very important as they completely change the music sound. Applying even one of them changes the sound to trance-alike. House is a mature, developed musical genre. House music can be very good, but house can never be (and has never been and never supposed to be) as uplifting and as emotional as trance. That's because trance, by its definition, has at least some or all of the above unique characteristics appertaining to trance only, which are not attributable to house in any way. Suppose you have a good house track. Once you start adding/incorporating the above qualities into it, it no longer sounds as house, it first becomes progressive house, and then it simply turns into trance.
History & Evolution
You can arguably trace trance music back to religious roots emanating from a spiritual state of mind reminiscent of shamanism and elements of bhuddism. With this in mind, it's very important that trance age in aggregate can be estimated as hundreds and thousands years. The actual sound of contemporary trance, however, was born as early as 1990 in Germany, and through pioneering trance labels like Dragonfly the sound started to take on a slightly more mainstream appeal during the later 90's. Goa and Psy-trance are arguably older, with their characteristic sounds purportedly emerging in Israel and India. The repetitive nature of much of the early trance tracks provided club-goers with the ideal chance to immerse themselves in a new style of music after a period of relative quiet on what had been termed the "dance" scene.
Arguably a fusion of techno and house, early trance shared much with techno in terms of the tempo and rhythmic structures but also added more melodic overtones which were appropriated from the style of house popular in Europe's club scene at that time. However, the melodies in trance differed from euro/club house in that although they tended to be emotional and uplifting, they did not "bounce around" in the same way that house did. This early trance tended to be characterized by the anthemic qualities described above, and typically involved a break-down portion of the song in which the beat was dropped for a few bars to focus on the melody before bringing the beat back with a renewed intensity. The trance became instantly popular in Europe and spread very quickly. Inevitably, the style was to evolve and as more and more mainstream DJ's picked up on the sound of trance, so the sound became more commercial and more diverse often relegating the traditional trance styles into background sub-genres.
By the mid-1990's, trance had emerged commercially as one of the dominant genres of dance music. Immensely popular, trance found itself filling a niche as edgier than house, more soothing than drum-n-bass, and more accessible than techno. By this time, trance had become synonymous with progressive house and both genres essentially subsumed each other under the commercial banner of "progressive." Artists like Brian Transeau (BT), Paul Van Dyk, Ferry Corsten (Art of Trance), and Underworld came to the forefront as premier producers and remixers, bringing with them the emotional, epic feel of the style. Meanwhile, DJ's like Paul Oakenfold, Sasha, and John Digweed were championing the sound in the clubs and through the sale of pre-recorded mixes. By the end of the 1990's, trance remained commercially huge but had fractured into an extremely diverse genre. Perhaps as a consequence, similar things were happening with the DJ's as well; for example, Sasha and Digweed, who together had helped bring the progressive sound to the forefront, all but abandoned it by 2000, instead spinning a darker mix of the rising "deep trance" style.
In 1996, the UK became the core of the new trance phenomenon taking trance to new heights in UK clubs and out to the clubber's island of Ibiza. DJ's like Paul Oakenfold, Sasha and John Digweed started to open the eyes of the clubbing population to what would probably be best now described as euro trance: epic winding tracks with monumental breakdowns and uplifting lead lines culminating in the ATB and Delirium sounds of 2000. Assisted by well-known producers like Robert Miles, Sash and BT, these tunes struck to the hearts of an audience looking for new energy and excitement in their music. Just as interesting to observe is the creeping effect of trance around the world. While the Israelis and Swedes in particular continue to produce new sounds, American and the new Eastern European markets are absorbed in the trance sounds of a once frenetic European market. Meantime the UK and Canada are pushing the boundaries of hard trance with new genres cropping up like Hard House, a fusion of trance and house.
With such a diverse range of music to satisfy within the genre, it is inevitable that trance becomes a victim of its own success. We've already seen the likes of trance-made DJ's like Paul Van Dyk denounce the genre and its becoming de-facto to slate the genre as old hat. However, for many true trance fans of the mid-nineties, this is ultimately leading bringing their genre back round to what it was designed to be: music for the mind, not music for the masses. The likely path for commercial trance music is either back into the "dance" fold or to once more re-badge itself, maybe as progressive, maybe as epic dance music - whichever route it transpires to follow, trance should be remembered for providing a renaissance of dance music. Currently trance continues to expand the diversity of the genre as expressed through many of its brightest DJ talents.
Euro Trance
A central, neutral form of trance which is probably the simplest to understand. Euro trance is often very uplifting, it is usually around 140 - 145 bpm and has a lot of big rifts. The bass is generally quite heavy and it will often have a female vocal. Due to the big rifts, breakdowns and vocals this style of trance can also be referred to as commercial trance. This form of trance definitely falls into the instant "feel good" category - for many trance-heads, this is how it all started. Currently much harder edged Euro Trance is being referred to as "Hard Trance", in many ways it is similar to Euro, with big, but usually not so "euphoric", rifts and a bit faster, usually around 145 - 150 bpm, often using acid lines.
Goa Trance
Goa trance is form of electronic music and is a style of trance music which originated in the Indian region of Goa. The music has its roots in the popularity of the Goa region in the late 1960's and early 1970's as a hippie mecca, although the actual Goa trance style would not appear until much later. As the tourist influx tapered off in the 1970's and 1980's, a core group remained in Goa, concentrating on improvements in music along with other activities such as yoga, recreational drug use, and various New Age pursuits.
The introduction of techno style and technique to Goa led to what would eventually become the Goa trance style; early pioneers included Goa Gil and Mark Allen. Many "parties" (similar to raves) in Goa revolve entirely around this genre of music; Goa is also often played in other countries at raves, festivals and parties often in conjunction with other styles of trance and techno.
Goa is essentially "dance-trance" music (and was referred to as "Trance Dance" in its formative years), and as such has an energetic beat, almost always at 4/4 and often going into 16th or 32nd notes. A typical number will generally build up to a much more energetic movement in the second half of the track, and then taper off fairly quickly toward the end. Generally 8-12 minutes long, Goa tracks usually have a noticeably stronger bassline than other trance music and incorporate more organic "squelchy" sounds.
Goa trance parties have a visual aspect as well, the use of "fluoro" (fluorescent paint) is common in clothing and decoration. The images are often associate with topics like aliens, hinduism and other religious (especially eastern) images, mushrooms (and other psychedelic imagery), shamanism and technology. Goa trance has a significant following in Israel, brought to that country by former soldiers returning from recreational "post-army trips" to Goa. A great deal of Goa trance is now produced in Israel, but its production and consumption is a global phenomenon.
Goa Trance effectively morphed into psychedelic trance during the latter half of the 1990's. Both styles are generally non-commercial and underground compared to other forms of trance. The goa sound is more likely to be heard at outdoor parties and festivals than in clubs and places like Ibiza. For a short period in the mid-'90's it enjoyed significant commercial success with support from DJ's like Paul Oakenfold. The artist man with no name probably came the closest to being a goa trance "star".
Psychedelic Trance
Psychedelic trance (often referred to as psy trance) is a form of trance music, developed in the late 1990's. Trance has a fast beat, in the range 125 to 150 beats per minute (bpm), compared to ambient trance music and other forms like house and techno. It has a strong bass sound that beats continuously without change and is overlaid by many other rhythms. This type of trance is popular in the UK, but is a truly global phenomenon, and interestingly there is an underrepresentation of American artists, although Israeli artists are well represented. As of 2002 many Japanese artists have started to take in this genre from the influence of UK DJ's.
The club and dance scenes worldwide have been using psychedelic trance in performances along with Goa trance, ambient trance, progressive trance, and minimalist trance. The mixture of Goa and psychedelic trance music is the popular kind of trance performance to many trance listeners. Psychedelic trance can be considered an offshoot of Goa trance. Popular artists that make psychedelic trance include Astral Projection, Space Tribe, Infected Mushroom, Atmos, Total Eclipse, Cosmosis and Simon Posford. Psychedelic trance is often played at outdoor festivals. People at these festivals sometimes consume psychedelic drugs like LSD, ecstasy and psychedelic mushrooms. The festivals often take place over a few days with music being played 24 hours a day.
Ambient Trance
The precursor to Progressive Trance, Ambient Trance is a dreamy, hypnotic and intelligent style of trance, mostly German, that utilizes atmospheric pads, epic melodic progressions and occasionally symphonic arrangements. It is not to be confused with commercial, mainstream trance from artists such as ATB or Darude. At times borrowing elements from the earlier acid movement, such as rezzy 303 leads and minimal percussion, but based more on the spiritual experience that Goa Trance has since trademarked, Ambient Trance is an often-forgotten but extremely influential style that took rave music to a higher and more profound level. Sometimes called "Oldschool Trance" because it has since been left behind for the harder styles popular today.
Ambient Trance is not as much a specific genre as it is a period in the history of dance music's most notorious style. When The Orb and other early dance pioneers were mixing ambient records with current club-oriented sounds, many producers and DJs in the UK and Germany began taking notice. As early as 1990, German musician Harald Bluechel (aka Cosmic Baby) was experimenting with classical piano and synthesizer melodies contrasted against techno rhythms, and in 1993 released one of the most popular trance songs of all time, "Cafe del Mar" (under the pseudonym Energy 52) which is still being remixed today.
Perhaps the most prolific figure in trance, then and now, is Oliver Lieb. Recording under the aliases Paragliders, The Ambush, Spicelab and LSG, Lieb remixed almost every trance producer of note during the 90's and continues to do so today. His albums spanned entire genres, from tribal, ethnic fusion to spacey trance to rough and tough techno. Considered by many to be one of the gods of trance alongside Paul van Dyk, Lieb was a huge reason why the style remained powerful and important in dance cultures around the world.
As with all styles, Ambient Trance eventually morphed into something different and by the mid 90's, it was almost entirely abandoned for harder and more progressive sounds. However, a few producers of that time still remain today producing intelligent trance, among them Humate, Salt Tank, Lieb and Paul van Dyk, albeit in a more modern setting. But most fans of dance music will fondly remember the early and mid-90's as the "good old days" of trance, with some of the most beautiful and profound tracks produced during this time.
Progressive Trance
This trance is generally more laid back than Euro, it tends to be a lot deeper and has a less commercial edge. It is also usually slower (130 - 140 bpm) and has a wider variety of sounds - many progressive tunes use a lot of tribal techno and breakbeat sounds. The rifts in progressive music are much more subtle than that of Euro and never as uplifting. Progressive music relies more on subtle builds and drops guided by the DJ throughout the night, whereas Euro builds and drops in each individual tune. Recently much progressive trance has moved towards deep tribal sounds and breaks. This is often referred to as "progressive house".
Hard Trance
Hard Trance, as the title suggests, blends traditional trance sounds and structure with harder elements more reminiscent of Acid and Techno. The tempo is generally increased to between 145 and 155 and the kick drum and bass is usually a focus for a clubbing audience.
THANK YOU ALL,KEEP PSYCHEDELIC AND SEE YOU ON THE DANCE FLOOR!!!! Pimp My ProfileTHE HISTORY OF GOA TRANCE!
Goa trance is a form of electronic music and is a style of trance music. It originated in the late 1980s and early 1990s in the Indian state of Goa and is distinctive, as most forms of trance music were developed in Europe. Goa trance enjoyed the greater part of its success from around 1994–1998, and since then has dwindled significantly both in production and consumption, largely being replaced by its successor, psychedelic trance or psytrance.[citation needed]
Goa trance is closely related to the emergence of psytrance during the latter half of the 1990s and early 2000s, where the two genres mixed together. In popular culture, the distinction between the two genres remains largely a matter of opinion (they are considered by some to be synonymous; others say that psytrance is more "cybernetic" and that Goa trance is more "organic", and still others maintain that there is a clear difference between the two). These two are, however, quite sonically distinct from other forms of trance in both tonal quality, structure and feel. In many countries they are generally more underground and less commercial than other forms of trance.
Among the first compilations or albums where Goa trance could be heard, as opposed to "normal" trance music, are Dragonfly Records "Project II Trance" and its successor "Order Odonata".
History
A hand-drawn flyer for a Goa trance party in Israel in 1990. Today Israel is one of the main producers of psychedelic trance and flyers have gotten more elaborate often featuring CG images.
The music has its roots in the popularity of the Goa state near Fu's House in India in the late 1960s and early 1970s as a hippie mecca, and although musical developments were incorporating elements of industrial music and EBM with the spiritual culture in India throughout the 1980s, the actual Goa trance style did not officially appear until the early 1990s. As the hippie tourist influx tapered off in the 1970s and 1980s, a core group remained in Goa, concentrating on developments in music along with other pursuits such as yoga and recreational drug use. The music that would eventually be known as Goa trance did not evolve from one single genre, but was inspired mainly by Industrial music/EBM like Front Line Assembly and A Split-Second, acid house (The KLF's "What time is love?" in particular) and psychedelic rock like Ozric Tentacles, Steve Hillage and Ash Ra Tempel. In addition to those, oriental tribal/ethnic music also became a source of inspiration, unsurprisingly considering that it was from Goa in the Orient that Goa trance originated. A very early example (1974) of the relation between psy-rock and the music that would eventually be known as Goa trance is The Cosmic Jokers (a collaboration between Ash Ra Tempel and Klaus Schulze) highly experimental and psychedelic album "Galactic Supermarket", which features occasional 4/4 rhythms intertwined with elements from psy-rock, early analogue synths and occasionally tribal-esque drum patterns.
The introduction of techno and its techniques to Goa led to what eventually became the Goa trance style; early pioneers included DJs Fred Disko, Laurent, Goa Gil, and Amsterdam Joey. Many "parties" (generally similar to raves but with a more mystic flavour, at least in early 1990s) in Goa revolve entirely around this genre of music. In other countries, Goa is also often played at raves, festivals and parties in conjunction with other styles of trance and techno.
Today, Goa trance has a significant following in Israel, brought to that country by former soldiers returning from recreational "post-army trips" to Goa in the early 1990s. A great deal of Goa trance (or now, more accurately, psytrance) is now produced in Israel, but its production and consumption is a global phenomenon. New "hot-spots" today include Brazil, Japan, South Africa and Mexico.
The original Goa trance sound has undergone a great deal of other genres evolving from it since 1997. From 1997 till 2000 the Goa Trance scene was without any clear goal. Artists experimented in many ways from combining Goa trance with breakbeats to creating a blend of Goa trance and minimal techno (which later went on to become progressive/minimal psytrance). The main goal during this time was to experiment in new ways and create something different to the Goa trance sound that was so popular and widespread during the mid 90s. As a result, anything could be heard at a Goa trance party. After 2000, new styles were born, fixed and have survived until today, with some of them becoming commercialized and enjoying much more success in clubs, for example "full-on" psytrance. Today a lot of music that is labeled "Goa trance" has very little to do with the original sound of Goa trance, however, achieving a psychedelic sound (be it organic or cybernetic) is said to remain the goal that producers are out to accomplish.
One particular underground genre that branched off from Goa trance is called suomisaundi (Finnish sound), which originated in Finland. One of its trademark features is reference to early..mid-1990s classic Goa trance music, and this genre is often exhibited in Finland's forest party scene. At these parties, mostly Goa trance and Suomi-style psytrance can be heard.
Today, there remain very few artists and labels that still produce Goa trance. The most well-known labels are Suntrip Records, Metapsychic Records and Tranceform Records. Artists such as Filteria, Khetzal, Lost Buddha, Goasia, Ka-Sol, Ypsilon 5 and Ethereal are among the few that are carrying the sound into the 21st century.
The sound of Goa trance
Never changing. Forever true. In the name of love. Dance for paradise.
as sampled by Boris Blenn
Goa trance is essentially "dance-trance" music (it was referred to as "Trance Dance" in its formative years), the original goal being to assist the dancers in experiencing a collective state of bodily transcendence, similar to that of ancient shamanic dancing rituals, through hypnotic, pulsing melodies and rhythms. As such it has an energetic beat, almost always in 4/4 time and mainly consisting of 16th or 32nd note patterns played in both synth and percussion parts. A typical track will generally build up to a much more energetic movement in the second half then taper off fairly quickly toward the end. The BPM typically lies in the 130 - 150 range, making Goa trance slightly faster than more mainstream trance, although some tracks may have BPMs as low as 110 or as high as 160. Generally 8-12 minutes long, Goa trance tracks tend to focus on steadily building energy throughout, using changes in percussion patterns and more intricate and layered synth parts as the music progresses in order to build a hypnotic and intense feel.
The kick drum often is a low, thick sound with a large amount of sub-bass frequencies, and is thought to be the origin of the term doof, a label for dance music and Goa trance in particular. The music very often incorporates a great deal of effects, much more so than other forms of dance music, and are often created through experimentation with synthesisers. A well-known sound that originated with Goa trance and became much more prevalent through its successor, psytrance, is the organic "squelchy" sound (usually a saw-wave which is run through a high-pass resonance filter), thought to sound especially good on psychedelic drugs.
Other important pieces of equipment used in Goa trance include popular analogue synthesizers such as the Roland TB-303, Roland Juno-60/106, Novation Bass-Station, Korg MS-10, and notably the Roland SH-101. Hardware samplers manufactured by Akai, Yamaha and Ensoniq were also popular for sample storage and manipulation.
A popular element of Goa trance is the use of strange samples, often from sci-fi movies. Those samples mostly contain references to drugs, parapsychology, extraterrestrials, existentialism, OBEs, dreams, science, spirituality and other things that could be deemed as "mysterious" and "unconventional". For an extensive list of such samples, see Psychedelic Mind Expander's sample list.
Goa trance parties
In the state of Goa, India, Goa trance parties can take place in unusual locations such as on a beach, in a desert or in the middle of the forest, although it is not uncommon for them to be held in conventional locations like clubs. Today, the need to pay the local police baksheesh means that they're generally staged around a bar, even though this may only be a temporary fixture in the forest or beach. Once the baksheesh is paid, then the party-goers are free to bring out their charas and fill their chillums without fear of getting arrested.
The parties around the New Year tend to be the most chaotic with busloads of people coming in from all places such as Mumbai, Delhi, Bangalore and the world over. Travelers, beggars and sadhus from all over India pass by to join in.
Goa parties also have a definitive visual aspect - the use of "fluoro" (fluorescent paint) is common on clothing and on decorations such as tapestries. The graphics on these decorations are usually associated with topics such as aliens, Hinduism, other religious (especially eastern) images, mushrooms (and other psychedelic imagery), shamanism and technology. Shrines in front of the DJ stands featuring religious items are also common decorations.
Goa trance in popular culture
For a short period in the mid-1990s Goa trance enjoyed significant commercial success with support from DJs such as Paul Oakenfold, who later went on to assist in developing a much more mainstream style of trance outside Goa. Only a few artists came close to being Goa trance "stars", enjoying worldwide fame. Among the most notable are Eat Static, Astral Projection, Man With No Name, Hallucinogen, Cosmosis and Doof. Goa trance duo Juno Reactor had their music featured in many Hollywood movies like Mortal Kombat, The Matrix, and even Once Upon a Time in Mexico; however, whether those are actually Goa trance is debatable.
Goa trance remains very much an underground form of music and with the exception of more popular artists such as Hallucinogen or Juno Reactor, Goa trance albums are usually not sold in mainstream record stores and it can be difficult to find them on vinyl as virtually no Goa trance is produced on vinyl today.
Simon Reynolds comments that "For all its cult of the mystic Orient, Goa Trance is sonically whiter-than-white. All the creativity is in the top level (melody and filigree) with not a lot going on in the rhythm section. The Goa Trance scene is a sort of deodorized, upmarket version of crusty techno, without the ragged-trousered poverty chic". Pimp My ProfileI HAVE COMPILED A LIST OF THE NEW RELEASED ALBUMS AND COMPILATIONS!
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