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BIO

JAMES McMURTRY

On Just Us Kids, James McMurty follows up his critically acclaimed Childish Things with a dozen new, sharply drawn illuminations as he continues to hone and expand his considerable gifts. And the self-produced opus (James’ fourth venture pulling strings on both sides of the glass) unquestionably represents his most ambitious, accomplished and ass-kicking presentation to date.
Just Us Kids will be the first release for Nashville-based Lightning Rod Records; label president Logan Rogers previously worked as Vice President of A&R for Compadre Records on McMurtry’s previous two albums.
The Texas native long has been known as an astute, clear-eyed observer and concise, no-holds-barred chronicler of the human condition, but a growing socio-political edge fairly exploded just prior to the 2004 elections when his scathing, palace-rattling “We Can’t Make It Here” was made available online as a free download. The seven-plus-minute diatribe against social injustice and the Administration’s hypocrisy and deceptions repercussed wildly across the Internet and the airwaves, igniting a grassroots firestorm that has brought legions of new fans to the singer/songwriter’s work. As of this writing, fan-made videos of “We Can’t Make It Here” have been viewed more than 150,000 times on YouTube.
Released in autumn of 2005, Childish Things featured an uncensored version of “We Can’t Make It Here”; the CD spent six weeks at 1 on R&R’s Americana Music Radio Chart in 2005/2006 and racked up James’ best sales totals in a decade en route to capturing nods for both Best Song and Best Album from the Fifth Annual Americana Music Association Honors and Awards.
Just Us Kids — McMurtry’s ninth full-length album — picks up on the heat of Childish Things, and while he insists that “the majority of the songs are not political,” it’s also clear that he’s not even close to abandoning his burgeoning role as a searing political gadfly.
So, roll over Kate Smith — this “God Bless America (pat mAcdonald Must Die)” bears no resemblance to the ubiquitous Irving Berlin chest-thumper; it’s a scorched-earth cataloging of the old-boys’ club glad-handing, cronyism and “belly up to the trough” feeding-frenzy of corporate and state war profiteers.
“Cheney’s Toy” juxtaposes the Hollywood hubris of the Bush administration against images of Guantanamo and a brain-damaged U.S. veteran (free downloads of it have been provided at both McMurtry’s and Lightning Rod’s websites for a “make-your-own-video” fan contest).
“The Governor” probes the roles of class and wealth in the solving and prosecution of crimes, and “Ruins of the Realm” sorts through the fallout and detritus of a cynical, unilateral approach to global “mapping.”
“Just Us Kids” is a sonically-majestic, lyrically-grounded heartland rocker that takes a bemused look at the passage of time relative to one’s own sense of age and image; with one’s sense of internal youthfulness belied by the inevitable flesh failures, the title track glides through the years, arriving at the mid-life realization that we’re “not so skinny, maybe not so free/not so many as we used to be . . .”
“Freeway View” is a honking, breakaway rock ’n’ roller propelled by Ian McLagan’s dazzling ivory-tickling while, according to James, the Dylanesque “Hurricane Party” inhabits “an old man cussing himself for what he misses and what he missed, occasionally noticing what’s happening now — it’s a reminiscence at the end of the world.”
The sublime “Ruby and Carlos” looks at a relationship eroded by miscommunication and conflicting ambitions (with Gulf War Syndrome further roiling the waters). Ruby and Carlos aren’t doomed by a single fatal flaw; instead, their love is exhausted by a series of minor disconnects, finally dying the death of a thousand cuts. “Fire Line Road” looks at incest and meth addiction as the normal, everyday, ghastly horrors that they are — exposing some of the ugliest dirt we've always swept under our societal rug.
The moving set-closer “You’d a’ Thought (Leonard Cohen Must Die)” imbues its tale of a couple strained by individual weaknesses and stubborn old habits with a generosity of spirit and wry resignation. McMurtry says the parenthetical tag is there because “the lyrics kinda reminded me of a Cohen song, and I was still writing it while we were supposed to be recording it, and it just went on and on. So when I finally came up with it, I said ‘If it wasn’t for Leonard Cohen, you wouldn’t have had to spend half the day waiting on me.’”
The core band throughout is McMurtry on guitar, his longtime road band The Heartless Bastards (bassist Ronnie Johnson and drummer Daren Hess) and “guest Bastard” Ian McLagan (The Faces) ..s.
Extra texture arrives via some hand picked, well-placed cameos: Timbuk3’s pat mAcdonald adorns several tracks with his patented, haunting harmonica and all-around otherworldliness. Swamp-king C.C. Adcock (McMurtry: “He’s as subtle as a brick through a windshield . . .”) saws off some six-string mayhem on the raucous opener “Bayou Tortous,” and the splendid Jon Dee Graham (whose band shares the Continental Club’s stage with McMurtry & Co. on Wednesday nights in Austin) shreds maniacally on “Fireline Road.”
And that’s James’ 17-year-old son Curtis McMurtry blowing baritone sax on “Bayou . . .”
McMurtry’s own guitar work tends to be overlooked relative to his spectacular tunesmithing, but despite his poor-mouthing — “I can’t afford to pay to have it done, so I had to learn how to do it myself” — it’s a flinty, muscular style perfectly suited to punctuate and emphasize his cogent, acerbic revelations.
These recent years have found James McMurtry’s many skills steadily coalescing into an increasingly substantial, formidable whole: the voice, the tunes, the stories and the musicianship have become elementally interwoven to create the inimitable fabric of a distinct, singular artist who’s determined to get to the heart of the matter, shake things up and do whatever it takes to make a difference.
In his regular column for Entertainment Weekly, noted author (and passionate rock ’n’ roll enthusiast) Stephen King cited McMurtry as “the truest, fiercest songwriter of his generation.”
Amen to that. And Just Us Kids makes it clear that there’s much more to come.
—Jim Musser, January 2008
Check out this SXSW Variety Interview with James!
News

Just Us Kids picks up right where Childish Things left off, finding him rightfully angry at the world around him. On first listen I already hear several instant classics. The entire second half is stunning. Love his writing and love his delivery. McMurtry might be the best topical writer performing right now and this finds him at his finest.
- Patterson Hood/Drive-By Truckers

LIGHTNING ROD RECORDS TO RELEASE NEW JAMES McMURTRY ALBUM, IN STORES ON TAX DAY 2008 Lightning Rod Records will release singer/songwriter James McMurtry’s new CD, titled Just Us Kids, on April 15, 2008. McMurtry’s ninth album, which features 12 new songs, is a follow-up to 2005’s critically acclaimed and award-winning project, Childish Things. McMurtry makes a strong political statement on Just Us Kids . Joining McMurtry are the C.C. Adcock, Jon Dee Graham, Ian McLagan and Timbuk3’s pat mAcdonald.
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Info
JAMES McMURTRY OFFERS FREE mp3 OF NEW POLITICAL SONG AND ANNOUNCES MAKE-YOUR-OWN-VIDEO CONTEST
Singer/songwriter James McMurtry is once again making a political statement through his music. On his new song “Cheney’s Toy”, McMurtry picks up where he left off with his controversial anthem “We Can’t Make it Here.” “Cheney’s Toy” reminds us that the war in Iraq is still going on — with veiled references to Guantanamo and Abu Ghraib and the stark image of a soldier who returned from the conflict, blind and brain damaged.
In order to make sure people get the message, McMurtry is giving away the song for free on February 4 exclusively through eMusic’s Daily Download. On the Super Tuesday primary day (February 5) fans will be able to download the mp3 from McMurtry’s MySpace page and Lightning Rod Records’ website (links below).
McMurtry and Lightning Rod Records are encouraging fans to use the free mp3 to create their own videos and post them online. McMurtry will choose the best videos and post them on his official MySpace page and website. If needed, fans can create videos using slideshow applications at RockYou.com. Creators of each of the top five video creators will receive t-shirts and autographed copies of McMurtry’s new album, Just Us Kids (in stores April 15, 2008). McMurtry’s choice for the best overall video will al