Massimiliano Messieri was born in Bologna in 1964. He is a doctor in violoncello, in composition and in electronics music. Interested to the contemporary arts he directs one’s music research towards the interaction with them too. For this reason were born with the Chorea Dance Company the ballets: Espressione I (Bologna, 1994), Quintetto (Bergamo, 1994), Tarkìz (Bologna, 1995) and Cabaret selvaggio (Milan, 1999) with the Pierpaolo Koss Dance Company. In the 1994, together with the artist D. Carati, he organized in Bologna the artistic project Art Difference - hypothesis of interaction and coincidences of artists, composers and poets debut works. In the 1996, it is published the artistic book Reazioni Interattive (D. Carati – M. Messieri) reviewed by L. Pestalozza and P. Serra Zanetti. In the 1997, the International Festival Italian Mozart Association in Rovereto, commissioned him (Supported Internationale Stiftung Mozarteum Salzburg) the Don Juan, the redeemed rake (1998). In the 2000, the INFM (National Institute for the Physics of the Material) for the INFMeeting 2000 (Genoa), commissioned him Leonids’ play (for 5 recorded tapes, carryed on the Leonids’ sound recording by NASA). In the 2002, the Aschersleben’s Kunstverein commissioned him Sojour in Leipzig 12 music portraits for cello and piano. In the 2003, the Stiftung Weimar Klassik commissioned him the Opera Gretchens Traum (2004). In the 2004 he founds, with the saxophonist M. Selva, the Messieri – Selva Duo (saxophone and live electronics) in order to promote contemporary learning like S.Bussotti, J.Cage, G.Dazzi, F.Festa, M.Lauricella, T.Riley, G.Scelsi, etc. He has won the first-prize of the International Competition of the Composition 2 August (Bologna, 1997), 100 note (New York, 2006) and various National Competitions. Busily he has taken at the First Edition of Terra fertile National Meeting of Electronics Music (L’Aquila, 1994), at the XI and XIII International Interview Informatics Music (Bologna, 1995 e Gorizia, 1998). His scores have been commissioned and performed at the Town Theatre in Bologna and in Ferrara, at the Mozart Italia Association International Festival in Rovereto, at the Festival delle Nazioni in Rome, at the Festival dei Due Mondi in Spoleto, at the Music Festival in Città di Castello, Regional Parliament in Dresden, HAMU Hall Martinû in Prague, Ettersburg Church and Ettersburg Castle in Weimar, IIC Hall in Hamburg and in Copenhagen, Forfest Festival in Kromeriz, oh-ton in Oldenburg, Westwerk in Leipzig, at the RadioRAI3, RaiTV3, Malta1, and in other festivals of new music.
Mr. Messieri lives in Genoa and, from 2002, in Republic of San Marino where he is a Professor at the Istituto Musicale Sammarinese.
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