Member Since: 3/16/2007
Band Website: myspace.com/lasmanas
Band Members: *Current Touring Performers LAS MANAS TRES: Maya Chinchilla, Cruz Grimaldo, Milta Ortiz*
Members of the collective:
Gina Amato, Marisa Castuera,Genevieve Debose, Yadira De la Riva, Sasha Dobos-Czarnocha, Rosa Gonzalez, Melissa Lozano, Susie Lundy, Anayvette Martinez
Influences: Gloria Anzaldua, Cherrie Moraga, Suheir Hammad, Willie Perdomo,Martin Espada,Giconda Belli, Otto Rene Castillo, Roque Dalton, Claribel Alegria, Ernesto Cardenal, Rumi, Amiri Baraka,Ntozake Shange, Anna Deavere Smith, John Leguizamo, Sandra Cisneros, Miguel Pinero, Octavia Butler, Audre Lorde, Sonia Sanchez, Silvio Rodriguez, Miguel Angel Asturias,Zora Neale Hurston, Audre Lorde, June Jordan, Jimmy Santiago Baca, Asha Bandele, Isabel Allende, Dostoevsky, Sherman Alexie, Leslie Marmon Silko, Virginia Woolf, Keri Hulme, Milan Kundera, Dante, Homer, Jessica Hagedorn, Toni Morrison,Roberto Clemente,Edward Said, Violeta Luna, Mamacoatl....
Sounds Like: "The work that you and your group are doing is powerful at a personal level,
committed to craft and audience, and socially revolutionary. I felt honored
to sit in the audience witnessing the ways you are using drama and poetry to
reclaim a space at this elite university that mujeres have always helped
create but seldom been offered as theirs.
In short, I was blown away. Your poetry reminds me of the interdisciplinary
truth-telling that characterized Cherrie Moraga's __Loving in the War
Years__ and Gloria Anzaldua's __Borderlands/La Frontera__. The love of craft
you demonstrated also reminded me of June Jordan's _-On Call_ and Ruth
Forman's __We Are the Young Magicians__, odes that have affirmed the lyrical
power of feminist anger in the same way that Addriene Rich has used her
poetry to affirm the contemplative beauty in the everyday details of women's
lives.
The language in your work--collectively--was disquieting, an in-your-face
catalogue of personal disclosures, striking metaphors, clever similes, and
ironic historical juxtapositions that gave your audience no option but to
have a reaction. And, isn't this exactly what Audre Lorde had in mind when
she argued that poetry is not a luxury? That poetry is a necessary tool all
liberation movements must use to reflect on their core values and vision of
the world they are trying to create?
Someday I think that young radical writers will talk about Las Manas in the
same way that Chicana and African American feminists of the late 1980s spoke
about the Combahee River Collective--a visionary group that challenged the
paradigm and forced social transformation. Keep doing what you are doing.
You will succeed if you follow your current path."
Alberto Ledesma "Other Voices" UC Berkeley 2007
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Record Label: integrity of the process
Type of Label: None