Breeze and Wilson profile picture

Breeze and Wilson

About Me


Breeze and Wilson feature in a 2 page article in the March issue of Maverick magazine. Click here to view the full article.Maverick Magazine (Nov. 2006) described us as .... “Toby, slim, confident, keeping the patter going, Graham, revealing a little grey, more thoughtful; aconcerned uncle and a brash nephew, one wanting the world to be a kindly, ordered sort of place, theother not caring one way or the other.” That's probably as accurate as it gets.Toby is a multi-instrumentalist with his current passion favouring dobro and frailing-style banjo.Graham generally takes lead vocals and plays guitar ... we both sing and tend to use harmonies toswell our songs.Difficult to categorise the genre, but let’s say country-blues, with roots and folk .... and a smattering ofamericana, tex-mex and jazz? Or, if you run a Folk Club and you’re reading this, we are really veryfolky. Our individual, and band, musical apprentices have been fully paid up, and we now play as a duo ...since about 2004.Two CDs out at the moment and working on the third. Looking to build on our reputation and hopefullyplay a few more “good-eared” clubs and festivals this year (read the attached article).Drop us a line, at the moment we’re still using our CDs as calling-cards, and so if you’re interested inhearing us a little more, give us your mailing address and we’ll send you a copy.Cheers Graham & Toby

My Interests

Music:

Member Since: 2/22/2007
Band Website: breezeandwilson.com
Band Members: Graham Breeze and Toby Wilson.
Influences: The possibility of a soul-pleasing multi-harmony hook line draws us in, which almost always means back to the American country scene: Gillian Welch and David Rawlings, tex-mex period Ry Cooder, Delbert McClinton, Albert Lee, Lowell George (with and without Little Feat), Harry Nilsson, Big and Rich, James Taylor (early stuff), Keb Mo, Bonnie Raitt, Louden Wainwright III, Patty Griffin, Patty Loveless, Randy Newman, Rickie Lee Jones (everything), Take Six (early)."For a duo with a country roots feel, they have a deceptively wide range, and, to each song they perform, the two players bring their distinctive, modern, fresh approach. They are stylish, sometimes simple, always smooth, and always full of an understanding and appreciation of an older, acoustic tradition. If you listen to only one of their songs then listen to Harriet’s Song, one of their own compositions. The song has something Irish about it, a Celtic melancholy, so that it would sit easily in a Mary Black collection. It has a fiddle sequence that pulls and lifts the emotion and yet, then again, that fiddle and the high lonesome feel of Toby’s harmony just sitting on top of Graham’s gentle, dry vocal, suggests some slow, Tennessee inspired, bluegrass heartbreak. The song, their arrangement and treatment, defies easy classification; a modern song, dusted with age and sprinkled with hard to define transatlantic magic. ........................"Neil Dalton - December 2006 - (Maverick Magazine March 2007 issue)
Record Label: unsigned
Type of Label: None