Ysaye M. Barnwell profile picture

Ysaye M. Barnwell

BUILDING A VOCAL COMMUNITY®

About Me

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---------- YSAYE M. BARNWELL
(Short Bio Statement)
Ysaye M. Barnwell, Ph.D. MSPH, is a composer, arranger, author, actress, cultural activist and a member of the African American female a cappella ensemble Sweet Honey In The Rock. She is a vocalist with a range of over three octaves and appears on more than twenty-five recordings with Sweet Honey as well as other artists. Trained as a violinist for 15 years beginning at the age of 2 1/2, she holds degrees in speech pathology (BS, MSEd), cranio-facial studies (Ph.D.) and public health (MSPH).
She was a professor at Howard University College of Dentistry for over a decade, and over the following 8 years developed training programs in Child Protection at Children’s Hospital National Medical Center, and administered community-based health programs at Gallaudet University, all in Washington DC.

For more than twenty years, Barnwell has led the workshop BUILDING A VOCAL COMMUNITY(TM): Singing In the African American Tradition, which utilizes an African world view and African American history, values, cultural and vocal traditions to work with and build community among singers and non-singers alike. Her pedagogy is highly respected among musicians, educators, health workers, activists, organizers, and members of the corporate and non-profit sectors.
-More complete biographical, family archives and workshop information can be found at
BARNWELL FAMILY ARCHIVES
and
BUILDING A VOCAL COMMUNITY WORKSHOPS AND COMMUNITY SINGS
and
WWW.YMBARNWELL.COM -

THE SHEET MUSIC PICTURED BELOW IS AVAILABLE FROM
THE MUSICAL SOURCE IN WASHINGTON DC.
1-800-2-SOURCE(1-800-276-8723)
OR
MUSICAL SOURCE
[email protected]

My Interests

Music:

Member Since: 2/20/2007
Band Website: www.ymbarnwell.com"ymbarnwell.com
Band Members: Ysaye M. Barnwell
Singer, Composer, Author, Actress, Master Teacher
-blending uncommon voices into vocal communities-


Please note: "Building a Vocal Community" is a registered trademark of Ysaye M. Barnwell
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Please visit Sweet Honey In The Rock at http://www.myspace.com/sweethoneyintherock1973
and http://www.sweethoney.com


Myspace Backgrounds

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Get songwriting tips, music production info, management insight and increase your music business knowledge at MusicU.

Influences: MY INFLUENCES

My ancestors who created and passed on to the world the songs that made it possible for them and now me to survive. My mother, Marcella Robinson Barnwell and my father Irving Frederick Barnwell. I am their only child and am the perfect blend of the two - my mother the registered nurse and my father the musician/ inventor.

Bessie Jones, the Moving Star Hall Singers, Odetta who (unknowingly) made me think that it was natural for women to use their entire vocal range, Nina Simone who never knew her beauty, Miriam Makeba whose music politicized me about South African apartheid, Richie Havens who (unknowingly) taught me to play the guitar, Buffy St. Marie, and Leonard Cohen.

Marian Anderson and Paul Robeson.

J.S. Bach, The Swingle Singers who first made Bach come alive for me. Richard Wagner.

The Clara Ward Singers, Fairfield Four, the SNCC Freedom Singers. West African rhythms, James Madhlope Phillips, and all the un-named South Africans who sang their way into freedom, Gullah culture and language of South Carolina.

Baba Olatunji, Nana Denezulu, Ruth Griffin who was the first to teach me Negro History when I was 10 and 11 years old.

Harriet Tubman, Sojourner Truth, FAnnie Lou Hamer, Barbara Jordan. Frederick Douglas, Martin Luther King, Jr., Malcomb X, Anglea Davis. Amy Goodman.

Helen Keller, her teacher Annie Sullivan and my treacher Yvonne Rosedale.

August Wilson, Zora Neal Hurston, Paul Lawrence Dunbar, Amiri Baraka, Maya Angelou.

John Work, Hall Johnson, Jester Hairston, Moses Hogan and Jacqueline Hairston.

Calvary Baptist Church, All Souls Church Unitarian and the Rev. David Eaton.

My sisters in SWEET HONEY IN THE ROCK.

David Rousseve who commissioned my first and second commissioned works: CROSSINGS which included No Mirrors In My Nana's House, Wanting Memories and When I Die, and URBAN SCENES CREOLE DREAMS which included Spiritual. I did not know I was a composer before David asked me to write music and lyrics for his dance theater pieces. Then Elizabeth Seja Min, Cathy Roma, Liz Lerman, Touchstone Theater, Philip Brunnel, and the Waterbury Symphony, all of whom have given me major opportunities to continue the journey of becoming a composer.

GOD - the influence that has no end.

Sounds Like: If you are interested in
1. booking the BUILDING A VOCAL COMMUNITY WORKSHOP or
2. in purchasing sheet music, performing, recording, licensing
the music of YSAYE M. BARNWELL, please visit
www.ymbarnwell.com

If you would like information about SWEET HONEY IN THE ROCK, please visit www.sweethoney.com

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WHAT IS YOUR FAVORITE SONG BY YSAYE M. BARNWELL?:
NO MIRRORS IN MY NANA'S HOUSE

WANTING MEMORIES

WE ARE...

MORE THAN A PAYCHECK

CAIN'T NO ONE KNOW... (SPIRITUAL)

ON CHILDREN

PRAYER

WHEN I DIE

SOUNDBITE FROM BEIJING

RISE IN LOVE

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Record Label: unsigned
Type of Label: Indie

My Blog

why we sing

This is a reprint from the Singers' Network Site. www.singernetwork.org sponsored by Chorus America.------------------------Community Sings: Reaching a Point of Pure Joy TogetherIn this Singer Network...
Posted by Ysaye M. Barnwell on Tue, 13 May 2008 10:02:00 PST

An Open Letter from Alice Walker Re: Barak Obama

Lest We Forget: An open letter to my sisters who are brave. From alice WalkerMarch 27, 2008 The author argues that we must build alliances not on ethnicity or gender, but on truth.TheRoot.comUpdated: ...
Posted by Ysaye M. Barnwell on Tue, 01 Apr 2008 09:10:00 PST

SPIRITUALS SPEAK OF SORROWFUL PAST

Spirituals speak of sorrowful pastFebruary 18, 2008 Zoom PhotoYoung African Americans hum spirituals at a 1940 meeting of the UCPAPWA (United Cannery, Agricultural, Packing, and Allied Workers of Amer...
Posted by Ysaye M. Barnwell on Tue, 04 Mar 2008 03:25:00 PST

VOLUME TWO OF SINGING IN THE AFRICAN AMERICAN TRADITION

Greetings all, Here is the song list for Volume Two of SINGING IN THE AFRICAN AMERICAN TRADITION.I have just finished recording the songs with all of the parts, and the mixing is done. I will be rec...
Posted by Ysaye M. Barnwell on Sat, 01 Mar 2008 11:02:00 PST

SINGING IN THE AFRICAN AMERICAN TRADITION

GREETINGS ALL.SOME OF YOU HAVE BEEN IN MY WORKSHOP: BUILDING A VOCAL COMMUNITY. YOU AND OTHERS MAY BE FAMILIAR WITH MY INSTRUCTIONAL SET OF TAPES OR CDs CALLED: SINGING IN THE AFRICAN AMERICAN TRADIT...
Posted by Ysaye M. Barnwell on Fri, 21 Dec 2007 08:47:00 PST

COMMENTS ON "WORLD VIEW"

TED GIOIA has recently published 2 books which i highly recommend:1. WORK SONGS2. HEALING SONGSBoth were published by in 2006 by Duke University PressHere are 2 quotes from the introduction to WORK SO...
Posted by Ysaye M. Barnwell on Tue, 30 Oct 2007 01:30:00 PST

WINTLEY PHIPPS ON SPIRITUALS, THE SLAVE SCALE AND AMAZING GRACE

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Posted by Ysaye M. Barnwell on Tue, 30 Oct 2007 05:01:00 PST

I WAS PART OF VINXS 2007 LABOR DAY WEEKEND SOULKITCHEN SONGWRITER RETREAT IN MCRAE, GA.

Music FeatureEverything but the sinkLocal artists dig the heat in Vinx's Soul KitchenBy Amena BrownPublished 10.24.2007http://atlanta.creativeloafing.com/gyrobase/Conten t?oid=326601 Picture the indust...
Posted by Ysaye M. Barnwell on Tue, 30 Oct 2007 04:47:00 PST

LEARNING MUSIC IN THE ORAL TRADITION VS. LEARNING BY ROTE

I have bad memories of learning by rote when I was young. A music teacher or choir director would hammer out notes (usually from the printed page) on a piano and expect us to learn the notes by repeat...
Posted by Ysaye M. Barnwell on Fri, 06 Apr 2007 09:07:00 PST

DRUMFOLK: AN ARTICLE BY DAVIE PLEASANT

Wednesday, May 24, 2006 Drumfolk: article by David Pleasant Current mood: working Category: MusicThis article originally appeared in The Brooklyn RailDrumfolkby David PleasantJuly 2004The heritage o...
Posted by Ysaye M. Barnwell on Fri, 06 Apr 2007 08:25:00 PST