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Karin van Arkel

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About Me


for more info see also my website: www.karinvanarkel.com
Karin van Arkel first studied dance and theatre at the art academies of Amsterdam and Utrecht. From 1995 she studied classical singing at the Royal Conservatory The Hague. Teachers (among others): Lenie van den Heuvel, Diane Forlano and Barbara Pearson. In 1999 she got a bachelor degree, and in 2001 a master degree at the Royal Conservatory.
Already during her studies she performed in several opera productions, and sang the roles of Lady Billows in Albert Herring of Benjamin Britten (in a production of the New Opera Academy Amsterdam/The Hague), Dido in Dido and Aeneas of Henry Purcell, and Rosalinde in Die Fledermaus of Johann Strauss jr. She also performed several operetta roles as a member of the operetta company 'Thalia' in Amsterdam.
She participated in several master classes, with Christina Deutekom, Elly Ameling, and Graham Clark (among others), and took part in the Gregynog Festival Master Classes (Wales), with Diane Forlano and Barbara Pearson. In 2000 she was a participant of the belcanto course of Dame Joan Sutherland and Richard Bonynge at the Britten Pears School of Music in Aldeburgh. In 2004 she participated in the Master Classes of the International Vocal Arts Institute (organized by the Metropolitan Opera of New York City) in Tel Aviv; she took lessons with Mignon Dunn and Joan Dornemann (among others). Also in 2004 she took part in master classes by Henk Smit, organized by the Holland Music Sessions.
Karin van Arkel can be heard as soloist in opera performances, opera-concerts, lied- recitals, and in oratoria. Lately she performed for instance the soprano solo parts in the Petite Messe Solenelle of Rossini. April 2003 she sang the soprano solo part in the Gloria of Poulenc, with the student choir and student orchestra of the University of Nijmegen, conducted by Quentin Clare. March 2003 Karin van Arkel performed the role of Rosalinde in a production of Die Fledermaus conducted by Jan van Maanen, with the AUKSO Extended Chamber Orchestra from Katowice. In 2005 she performed the Stabat Mater of Szymanowski, with the Leiden Student Choir and Orchestra, conducted by Quentin Clare and Gilles Michels. And she could be heard in Den Bosch as Lady Macbeth in Macbeth of Verdi, in a performance by Vereniging Bosche Opera en het Tilburgs Begeleidings Orkest, conducted by Pieter Cox.
She works as a soloist with the following ensembles:
- woodwind ensemble 'Cobla La Principal d'Amsterdam' . On april 7, 2004 she performed with this ensemble in the big hall of the Concertgebouw, Amsterdam
- Delphi Ensemble ; with this ensemble she performs a.o. opera-arias of Puccini
- Ensemble Contours; with this ensemble she performed contemporary music.
She also gives lied-recitals with compostions of Brahms, Berg Schoenberg, and Hooning .
Below are some sound samples; you can listen to them here, or download them. Click on an image or a title to listen to a recording. More on my website !
Puccini: Madame Butterfly: Che tua madre dovra, with the Delphi Wind Ensemble (arr. Mark Tersteeg)
Verdi: Aida: RitornaVincitor (with Peter Nilsson at the piano)
Hooning: Lieder im alten Stil nach Jos. von Eichendorff: nr. 9 Das Alter for more compositions of Martijn Hooning visit his website
Szymanowski: Stabat Mater, part from Christe, cum sit hic exire..