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SNODGRASS GLASS

I am here for Friends and Networking

About Me

some of my other art on to the web at cafepress.com/bobsnodgrassgla?pid=... Bob Snodgrass Glass_____Bob Snodgrass and his family traveled throughout the United States until they came to Oregon in 1990 and decided they liked the weather, the people, and the atmosphere. "There was a larger collection of artists at the Saturday Market than all the other places I had been too." He has worked with glass since 1971 in Ohio, where he is originally from. But it wasn't until 1981 that glassblowing became his full-time occupation. "I traded my woodworking tools for glassblowing tools," says Bob. _____There is no doubt that Bob Snodgrass is the godfather of artistic hard glass in this country. In North America, Eugene, Oregon is the mecca for artist boro glass (Pyrex, Duran, Kimble glass). There is no greater concentration of glass artist then there. This is due to the presence of Bob Snodgrass and his students. His dedication to quality art has earned him much respect in the community. Some of the glassblowers in the area can trace their roots back to Bob, and almost all of them get their tools from Snodgrass Glass Supply, Bob's tool company. _____When he first started working with glass he was not pleased with the results so he experimented. Bob discovered that silver and gold specially sprayed into hard glass would change colors when the backFree USA was blackened. This technique and many others were pioneered by Bob. In addition, many of the modern glassblowing tools owe there creation to Bob Snodgrass. _____Bob says, "I am an inventor. I got stuck in glassblowing because there are so many things to invent in it. I invented a new field in glass. The glass I work with is actually a spin-off of scientific glass. In that process, I found that silver and gold could be blended and sprayed into the glass. A new technique of spraying metals into glass changed the parameters of color possibilities." With such beautiful results, as well as smokers preference towards glass paraphernalia, the glass market soared. _____Bob Snodgrass took on many apprentices and now has a huge extended family of glassblowers. "Taking on apprentices was good for stimulation. I gained momentum because I let people look over my shoulder. Now days I just teach intensive classes." Bob has established Snodgrass Glass Supply, an on-line glassblowing supply store. Every tool Bob's personally chosen for it usefulness and low cost. Many tools and the Snodgrass instructional videos are made in house. _____Although he can make anything he wants to in glass, from dragons to neon fish, from elephant goblets to chess sets, marbles are his specialty."Hand blown marbles, for those who have lost a few." The marbles are so intricate they appear to be worlds in themselves. When asked why art is so important in society, his response turned to the glass marble. "Art is about magic. A little thing like a marble can change someone's attitude."Snodgrass' Official Apprentice List --Snodgrass Glass--Bobby Snodgrass III- Hugh S.- Cameron Tower- Jason Harris- Bob Badtram- Travis Wigger- Brian Padilla- Saul- Steve Stotts- Ben Muniz- Mikie M.- Yvon Padilla- Stan- Chris Vela- Dave Willis- Sasha Chambers- Kelly Smith- Kelly Casteen- Brad C.- Nicki- Will Menzies- Ben Naiman Joe Naiman
Myspace Layouts

My Interests

Bob's "Volt Wagon" I'm converting this 1979 VW Pop-top camper into a four-wheel trailer. Before any of you VW purest get upset about a conversion ,this VW's motor burnt I quote Mr. VW, "Once burnt , the temper of the steel is removed, making the van unsuitable for restoring" The engine compartment is being converted to the battery bay and electrical department. The gas tank area holds the solid-state heater and air conditioner, also a compressor and vacuum pump. Solar panels on the roof charge the batteries. The work area can accommodate me to sit or stand. Or suspended in a hang gliders harness with bungee head and arm supports, working in a superman like pose. While an audience watches from outside in the comfort from water misters mounted around the vans roof. I want to have full video coverage inside and the surroundings, to play on an internet subscription site. We have been working on a tour plans, kicking off across upper North America next spring. I WANT TO TAKE YOU ALONG Sponsors logos will be printed on the van.September in Alaska was super.Girdwood is hip, I love the silver tip. thanks DRB & Vinni for making the classes a reality .I'm going back next year. Thanks Angilo for getting some of my other art on to the web at cafepress.com/bobsnodgrassgla?pid=...

Television:

Kill your TV, and take a class!! Bob Snodgrass, like fine wine, keeps getting better with each year. Last year he made lots of wonderful glass art pieces. And it is not going to stop this year. Glassblowing classes with Bob Snodgrass are the best way to improve your skills. Bob Snodgrass teaches classes once or twice a month in Eugene, Oregon. These classes are extremely instructional where in the students ask their questions of Bob. Classes are 3-5 days long, 8+ hours per day. Classes are limited to 4 students per class, so we require a deposit to hold your spot. His classroom has three Carlisle stations, so there is a lot of hands on work. Students are required to bring safety glasses and a list of questions for Bob. Lunch and dinner are served. You'll dine with the Snodgrass team, reflect on the day and watch videos. All levels of glassworkers are welcome. $275 per day. Call for current class list and to set up reservations or E-mail us at: [email protected] This is an outline and class curriculum can change. CLASS OUTLINE: A THREE-DAY OVERVIEW Classes are limited to only four students per session. Teacher assistants may also be present during class sessions to offer students one on one instruction. Classes may also include visits to other glass shops in the area, observing lathe operations, and soft glass blowing. Classes in soft glass can be arranged or scheduled. PRIOR TO FIRST DAY It is recommended to have read at least one book on glass blowing to learn the terminology that applies. Also read the Snodgrass Safety Manual DAY 1 Discuss safety manual, equipment fundamentals, and cold procedures as a group.First feel of glass in a fluid state.Make color from clear glass and chemicals. Goal - make rods of color, and a game piece - your first game piece. Excellent examples of using scrap - increasing it's value to 20 - 50 dollars per pound. Create a simple milefiori. Applying the color that you have made to produce filigrees. Practice Time - Review and try what you have just learned! Lunch - Group video watching and discussion time! All students are encouraged to ask any questions they may have. After lunch get set for a jam session of creating earrings by the yard, more advanced filigrees, and applying latticinio techniques. Ideally pulling as much as fifteen feet of cane at a time. Create more advanced milifioris with the use of optic molds and a vacuum pump. Group project - Each student is given a portion of the cane. Uses of canes made in solid applications pendants and sculpture. Dine and recap your day as a glass blower. 10:00 pm is clean up and prep for the next day. That's it for the night, see you in the morning. DAY 2 Review safety and equipment. Discuss procedures of tubing, and pulling points. First use of tubing and solid glass to produce 3-D pendants and marbles. Make spheres - Using next 10 examples: 1. fuming 2. trailing 3. optic molds Take a lunch break and watch videos! 4. opposing spirals 5. free dots Practice the first five examples. 6. inside out lines 7. inside out dots 8. frit use 9. cut and flip 10. seals - The joining of at least nine pieces Practice all the examples that you have acquired over the last two days. Dinner, Videos, Discussion, and Quiz. Shop is open untill 10:00 pm take advantage of extra time to practice some more. Clean up and prep for next day at 9:00 a.m. See you in the morning! DAY 3 Beads - Bottles - Jars. Work - Practice time will be allowed between demos. Lunch and videos to relax by. Create marbles from different designs. Flowers, skulls, and approximatley 12 other marbles. Examples of hollow work sculptures. Pick up - ideal use of scrap. Dine and recap your three-day adventure of glass blowing. We are proud to say that we have had return students who have improved their work with each class session they attended.

My Blog

thanks Radio Shack and Scotch Tape for my finger..

This is about a bite I recieved sometime back ,and my first aid. I was folding a tarp,that had  been hurriedly stashed months before. When all my attention was drawn to my right pinkey fingers' l...
Posted by SNODGRASS GLASS on Wed, 08 Aug 2007 12:04:00 PST

WISH LIST

I WILL GLADLY TRADE SOMETHING FROM MY COLLECTION,SOME OF MY MY ART OR LESSONS AT MY STUDIO.  LOOKING FOR OLD PICTURES OF US ON TOUR, BLOWING GLASS ON THE LOT  ETC. 87-90,-------------FOR MY ...
Posted by SNODGRASS GLASS on Sat, 05 May 2007 12:30:00 PST

I quit smoking

The week before Christmas 1988 . After a flash picture in my mind answered a question to myself . What did my lungs look like?I haven't had a cigarette since. SOME OF THE THINGS I USED TO HELP MYSELF ...
Posted by SNODGRASS GLASS on Fri, 22 Dec 2006 04:15:00 PST