"Give up sainthood, renounce wisdom,
And it will be a hundred times better for everyone.
Give up kindness, renounce morality,
And men will rediscover filial piety and love.
Give up ingenuity, renounce profit,
And bandits and thieves will disappear.
These three are outward forms alone; they are not sufficient in themselves.
It is more important
To see the simplicity,
To realize one's true nature
To cast off selfishness
And temper desire."
- Lao Tsu
"One must not hurry."
- Auguste Rodin
"...to grasp everything that we may encounter according to its particular intensity without worrying much about how long it will last. Ultimately, this may be the best and most direct way of expecting the utmost of everything - even its duration. If we allow an encounter with a given thing to be shaped by this expectation that it may last, every such experience will be spoiled and falsified, and ultimately it will be prevented from unfolding its most proper and authentic potential and fertility. All the things that cannot be gained through our pleading can be given to us only as something unexpected, something extra: this is why I am yet again confirmed in my belief that often nothing seems to matter in life but the longest patience."
- Rainer Maria Rilke
"I ask nobody to follow me. Everyone should follow their own inner voice."
- Mahatma Gandhi
"A man who has a vision is not able to use the power of it
until after he has performed the vision on earth for the people to see."
- Black Elk
"There really is no such thing as Art. There are only artists."
- E.H. Gombrich
"Ultimately, you must forget about technique. The further you progress, the fewer teachings there are. The Great Path is really No Path."
- Morihei Ueshiba
"A hundred times every day I remind myself that my inner and outer lives are based on the labors of others, living and dead, and that I must exert myself in order to give in the same measure as I have received and am still receiving."
- Albert Einstein
"Be loose: remember this word as deeply as possible. Let it penetrate you: Be loose - so that in every situation you can flow, easily, water-like; remain loose like water. So don't create a pattern - but the whole of society tries to create a pattern, and all the religions try to create a pattern. Only a very few persons have been courageous enough to say the truth, and the truth is: Be loose and natural! If you are loose you will be natural, of course."
- Bhagwan Shree Rajneesh
"Your life has a limit but knowledge has none. If you use what is limited to pursue what has no limit, you will be in danger. If you understand this and still strive for knowledge, you will be in danger for certain! If you do good, stay away from fame. If you do evil, stay away from punishments. Follow the middle; go by what is constant, and you can stay in one piece, keep yourself alive, look after your parents, and live out your years."
- Chuang Tzu
"Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth."
- Oscar Wilde
"When discipline begins to be natural, a part of you, it is very important to learn to let go. For the warrior, letting go is connected with relaxing within discipline, in order to experience freedom. Freedom here does not mean being wild or sloppy; rather it is letting yourself go so that you fully experience your existence as a human being. Letting go is completely conquering the idea that discipline is a punishment for a mistake or a bad deed that you have committed, or might like to commit. You have to completely conquer the feeling that there is something fundamentally wrong with your human nature and that therefore you need discipline to correct your behavior. As long as you feel that discipline comes from outside, there is still a lingering feeling that something is lacking in you. So letting go is connected with letting go of any vestiges of doubt or hesitation or embarrassment about being you as you are. You have to relax with yourself in order to fully realize that discipline is simply the expression of your basic goodness. You have to appreciate yourself, respect yourself, and let go of your doubt and embarrassment so that you can proclaim your goodness and basic sanity for the benefit of others."
- Chogyam Trungpa
"There is a vitality, a life force, a quickening
that is translated through you into action, andbecause there is only one of you in all time,
this expression is unique. If you block it, it
will never exist through any other medium
and be lost. The world will not have it. It is
not your business to determine how good it
is; nor how valuable it is; nor how it
compares with other expressions. It is your
business to keep it yours, clearly and directly,
to keep the channel open. You do not even
have to believe in yourself or your work. You
have to keep directly open to and aware of
the urges that motivate you. Keep the
channel open. No artist is pleased. There is
no satisfaction at any time. There is only a
queer, divine satisfaction; a blessed unrest
that keeps us marching and makes us more
alive than others."
- Martha Graham
"It never happens the same way twice. Generally, it happens when we least expect it. And it’s usually when we’ve surrendered our so-called knowledge, our convictions, and abandoned all hope that we enter a state where we’re able to receive it. Revelation is always present. It’s always here. We’re the ones who don’t let it in. Knowledge is always present. Enlightenment is always present, floating above everything, ready to be received. It’s only because we’re so completely blinded by everything we think we know and want to do that we can’t receive it. But at the moment we surrender, for whatever reason, it makes us a bit passive and open, and that’s when we receive it."
[ Listen ]
- Mirra Alfassa, The Mother
"From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie."
- Hokusai
"It is not the strongest of the species that survive, nor the most intelligent, but the ones most responsive to change."
- Darwin
"In every age there is a turning-point, a new way of seeing and asserting the coherence of the world."
- J. Bronowski
"You always have to get through the first obstacle that says, 'I can't do it,' whether in your mind or for real, and be able to adapt to anything that's put in your path. It's a method for learning how to move in the world. For finding the liberty men used to have."
- David Belle
"One should be prepared to receive ninety-nine percent of an enemy's attack and stare death right in the face in order to illumine the Path."
- Morihei Ueshiba
"Nothing human disgusts me except deliberate cruelty."
- Tennessee Williams
"There are no limits. There are plateaus, but you must not stay there, you must go beyond them. A man must constantly exceed his level."
- Bruce Lee
"To believe your own thought, to believe what is true for you in your private heart is true for all men, for the inmost in due time becomes the outmost, and our first thought is rendered back to us by the trumpets of the Last Judgement."
- Ralph Waldo Emerson
"Look what is happening in the world - we are being conditioned by society, by the culture in which we live, and that culture is the product of man - there is nothing holy, or divine, or eternal about culture. Culture, society, books, radios, all that we listen to and see, the many influences of which we are either conscious or unconscious, all these encourage us to live within a very small fragment of the vast field of the mind. Unless we bring about a radical change in this fragmentation there can be no revolution at all; there will be modifications, economic, social and so-called cultural but man will go on suffering. Then when you see, you must question yourself, and that is why it is very important to understand how you See - how the total mind can act. There is no method. Any method, system, repetition or habit, is essentially only part of the corner of the field. Please do realize this, because when you realize it, you are free of the enormous weight of all authority, and so free of the past."
- J. Krishnamurti
3.
1415926535 8979323846 2643383279 5028841971 6939937510 5820974944 5923078164 0628620899 8628034825 3421170679 8214808651 3282306647 0938446095 5058223172 5359408128 4811174502 8410270193 8521105559 6446229489 5493038196 4428810975 6659334461 2847564823 3786783165 2712019091 4564856692 3460348610 4543266482 1339360726 0249141273 7245870066 0631558817 4881520920 9628292540 9171536436 7892590360 0113305305 4882046652 1384146951 9415116094 3305727036 5759591953 0921861173 8193261179 3105118548 0744623799 6274956735 1885752724 8912279381 8301194912 9833673362 4406566430 8602139494 6395224737 1907021798 6094370277 0539217176 2931767523 8467481846 7669405132 0005681271 4526356082 7785771342 7577896091 7363717872 1468440901 2249534301 4654958537 1050792279 6892589235 4201995611 2129021960 8640344181 5981362977 4771309960 5187072113 4999999837 2978049951 0597317328 1609631859 5024459455 3469083026 4252230825 3344685035 2619311881 7101000313 7838752886 5875332083 8142061717 7669147303 5982534904 2875546873 1159562863 8823537875 9375195778 1857780532 1712268066 1300192787 6611195909 2164201989 3809525720 1065485863 2788659361 5338182796 8230301952 0353018529 6899577362 2599413891 2497217752 8347913151 5574857242 4541506959 5082953311 6861727855 8890750983 8175463746 4939319255 0604009277 0167113900 9848824012 8583616035 6370766010 4710181942 9555961989 4676783744 9448255379 7747268471 0404753464 6208046684 2590694912 9331367702 8989152104 7521620569 6602405803 8150193511 2533824300 3558764024 7496473263 9141992726 0426992279 6782354781 6360093417 2164121992 4586315030 2861829745 5570674983 8505494588 5869269956 9092721079 7509302955 3211653449 8720275596 0236480665 4991198818 3479775356 6369807426 5425278625 5181841757 4672890977 7727938000 8164706001 6145249192 1732172147 7235014144 1973568548 1613611573 5255213347 5741849468 4385233239 0739414333 4547762416 8625189835 6948556209 9219222184 2725502542 5688767179 0494601653 4668049886 2723279178 6085784383 8279679766 8145410095 3883786360 9506800642 2512520511 7392984896 0841284886 2694560424 1965285022 2106611863 0674427862 2039194945 0471237137 8696095636 4371917287 4677646575 7396241389 0865832645 9958133904 7802759009 9465764078 9512694683 9835259570 9825822620 5224894077 2671947826 8482601476 9909026401 3639443745 5305068203 4962524517 4939965143 1429809190 6592509372 2169646151 5709858387 4105978859 5977297549 8930161753 9284681382 6868386894 2774155991 8559252459 5395943104 9972524680 8459872736 4469584865 3836736222 6260991246 0805124388 4390451244 1365497627 8079771569 1435997700 1296160894 4169486855 5848406353 4220722258 2848864815 8456028506 0168427394 5226746767 8895252138 5225499546 6672782398 6456596116 3548862305 7745649803 5593634568 1743241125 1507606947 9451096596 0940252288 7971089314 5669136867 2287489405 6010150330 8617928680 9208747609 1782493858 9009714909 6759852613 6554978189 3129784821 6829989487 2265880485 7564014270 4775551323 7964145152 3746234364 5428584447 9526586782 1051141354 7357395231 1342716610 2135969536 2314429524 8493718711 0145765403 5902799344 0374200731 0578539062 1983874478 0847848968 3321445713 8687519435 0643021845 3191048481 0053706146 8067491927 8191197939 9520614196 6342875444 0643745123 7181921799 9839101591 9561814675 1426912397 4894090718 6494231961
5679452080 9514655022 5231603881 9301420937 6213785595 6638937787 0830390697 9207734672 2182562599 6615014215 0306803844 7734549202 6054146659 2520149744 2850732518 6660021324 3408819071 0486331734 6496514539 0579626856 1005508106 6587969981 6357473638 4052571459 1028970641 4011097120 6280439039 7595156771 5770042033 7869936007 2305587631 7635942187 3125147120 5329281918 2618612586 7321579198 4148488291 6447060957 5270695722 0917567116 7229109816 9091528017 3506712748 5832228718 3520935396 5725121083 5791513698 8209144421 0067510334 6711031412 6711136990 8658516398 3150197016 5151168517 1437657618 3515565088 4909989859 9823873455 2833163550 7647918535 8932261854 8963213293 3089857064 2046752590 7091548141 6549859461 6371802709 8199430992 4488957571 2828905923 2332609729 9712084433 5732654893 8239119325 9746366730 5836041428 1388303203 8249037589 8524374417 0291327656 1809377344 4030707469 2112019130 2033038019 7621101100 4492932151 6084244485 9637669838 9522868478 3123552658 2131449576 8572624334 4189303968 6426243410 7732269780 2807318915 4411010446 8232527162 0105265227 2111660396 6655730925 4711055785 3763466820 6531098965 2691862056 4769312570 5863566201 8558100729 3606598764 8611791045 3348850346 1136576867 5324944166 8039626579 7877185560 8455296541 2665408530 6143444318 5867697514 5661406800 7002378776 5913440171 2749470420 5622305389 9456131407 1127000407 8547332699 3908145466 4645880797 2708266830 6343285878 5698305235 8089330657 5740679545 7163775254 2021149557 6158140025 0126228594 1302164715 5097925923 0990796547 3761255176 5675135751 7829666454 7791745011 2996148903 0463994713 2962107340 4375189573 5961458901 9389713111 7904297828 5647503203 1986915140 2870808599 0480109412 1472213179 4764777262 2414254854 5403321571 8530614228 8137585043 0633217518 2979866223 7172159160 7716692547 4873898665 4949450114 6540628433 6639379003 9769265672 1463853067 3609657120 9180763832 7166416274 8888007869 2560290228 4721040317 2118608204 1900042296 6171196377 9213375751 1495950156 6049631862 9472654736 4252308177 0367515906 7350235072 8354056704 0386743513 6222247715 8915049530 9844489333 0963408780 7693259939 7805419341 4473774418 4263129860 8099888687 4132604721 5695162396 5864573021 6315981931 9516735381 2974167729 4786724229 2465436680 0980676928 2382806899 6400482435 4037014163 1496589794 0924323789 6907069779 4223625082 2168895738 3798623001 5937764716 5122893578 6015881617 5578297352 3344604281 5126272037 3431465319 7777416031 9906655418 7639792933 4419521541 3418994854 4473456738 3162499341 9131814809 2777710386 3877343177 2075456545 3220777092 1201905166 0962804909 2636019759 8828161332 3166636528 6193266863 3606273567 6303544776 2803504507 7723554710 5859548702 7908143562 4014517180 6246436267 9456127531 8134078330 3362542327 8394497538 2437205835 3114771199 2606381334 6776879695 9703098339 1307710987 0408591337 4641442822 7726346594 7047458784 7787201927 7152807317 6790770715 7213444730 6057007334 9243693113 8350493163 1284042512 1925651798 0694113528 0131470130 4781643788 5185290928 5452011658 3934196562 1349143415 9562586586 5570552690 4965209858 0338507224 2648293972 8584783163 0577775606 8887644624 8246857926 0395352773 4803048029 0058760758 2510474709 1643961362 6760449256 2742042083 2085661190 6254543372 1315359584 5068772460
2901618766 7952406163 4252257719 5429162991 9306455377 9914037340 4328752628 8896399587 9475729174 6426357455 2540790914 5135711136 9410911939 3251910760 2082520261 8798531887 7058429725 9167781314 9699009019 2116971737 2784768472 6860849003 3770242429 1651300500 5168323364 3503895170 2989392233 4517220138 1280696501 1784408745 1960121228 5993716231 3017114448 4640903890 6449544400 6198690754 8516026327 5052983491 8740786680 8818338510 2283345085 0486082503 9302133219 7155184306 3545500766 8282949304 1377655279 3975175461 3953984683 3936383047 4611996653 8581538420 5685338621 8672523340 2830871123 2827892125 0771262946 3229563989 8989358211 6745627010 2183564622 0134967151 8819097303 8119800497 3407239610 3685406643 1939509790 1906996395 5245300545 0580685501 9567302292 1913933918 5680344903 9820595510 0226353536 1920419947 4553859381 0234395544 9597783779 0237421617 2711172364 3435439478 2218185286 2408514006 6604433258 8856986705 4315470696 5747458550 3323233421 0730154594 0516553790 6866273337 9958511562 5784322988 2737231989 8757141595 7811196358 3300594087 3068121602 8764962867 4460477464 9159950549 7374256269 0104903778 1986835938 1465741268 0492564879 8556145372 3478673303 9046883834 3634655379 4986419270 5638729317 4872332083 7601123029 9113679386 2708943879 9362016295 1541337142 4892830722 0126901475 4668476535 7616477379 4675200490 7571555278 1965362132 3926406160 1363581559 0742202020 3187277605 2772190055 6148425551 8792530343 5139844253 2234157623 3610642506 3904975008 6562710953 5919465897 5141310348 2276930624 7435363256 9160781547 8181152843 6679570611 0861533150 4452127473 9245449454 2368288606 1340841486 3776700961 2071512491 4043027253 8607648236 3414334623 5189757664 5216413767 9690314950 1910857598 4423919862 9164219399 4907236234 6468441173 9403265918 4044378051 3338945257 4239950829 6591228508 5558215725 0310712570 1266830240 2929525220 1187267675 6220415420 5161841634 8475651699 9811614101 0029960783 8690929160 3028840026 9104140792 8862150784 2451670908 7000699282 1206604183 7180653556 7252532567 5328612910 4248776182 5829765157 9598470356 2226293486 0034158722 9805349896 5022629174 8788202734 2092222453 3985626476 6914905562 8425039127 5771028402 7998066365 8254889264 8802545661 0172967026 6407655904 2909945681 5065265305 3718294127 0336931378 5178609040 7086671149 6558343434 7693385781 7113864558 7367812301 4587687126 6034891390 9562009939 3610310291 6161528813 8437909904 2317473363 9480457593 1493140529 7634757481 1935670911 0137751721 0080315590 2485309066 9203767192 2033229094 3346768514 2214477379 3937517034 4366199104 0337511173 5471918550 4644902636 5512816228 8244625759 1633303910 7225383742 1821408835 0865739177 1509682887 4782656995 9957449066 1758344137 5223970968 3408005355 9849175417 3818839994 4697486762 6551658276 5848358845 3142775687 9002909517 0283529716 3445621296 4043523117 6006651012 4120065975 5851276178 5838292041 9748442360 8007193045 7618932349 2292796501 9875187212 7267507981 2554709589 0455635792 1221033346 6974992356 3025494780 2490114195 2123828153 0911407907 3860251522 7429958180 7247162591 6685451333 1239480494 7079119153 2673430282 4418604142 6363954800 0448002670 4962482017 9289647669 7583183271 3142517029 6923488962 7668440323 2609275249 6035799646 9256504936 8183609003 2380929345
9588970695 3653494060 3402166544 3755890045 6328822505 4525564056 4482465151 8754711962 1844396582 5337543885 6909411303 1509526179 3780029741 2076651479 3942590298 9695946995 5657612186 5619673378 6236256125 2163208628 6922210327 4889218654 3648022967 8070576561 5144632046 9279068212 0738837781 4233562823 6089632080 6822246801 2248261177 1858963814 0918390367 3672220888 3215137556 0037279839 4004152970 0287830766 7094447456 0134556417 2543709069 7939612257 1429894671 5435784687 8861444581 2314593571 9849225284 7160504922 1242470141 2147805734 5510500801 9086996033 0276347870 8108175450 1193071412 2339086639 3833952942 5786905076 4310063835 1983438934 1596131854 3475464955 6978103829 3097164651 4384070070 7360411237 3599843452 2516105070 2705623526 6012764848 3084076118 3013052793 2054274628 6540360367 4532865105 7065874882 2569815793 6789766974 2205750596 8344086973 5020141020 6723585020 0724522563 2651341055 9240190274 2162484391 4035998953 5394590944 0704691209 1409387001 2645600162 3742880210 9276457931 0657922955 2498872758 4610126483...
Now
Happenings, Things, Pieces, Events
Once A Boy Was Born Into The World
Winter Reflections
Family Pieces
Family Film Collage
Meditations From Behind The Couch, Vitreous
May 24, 2006 + 1977
For Brakhage
Jack Newman reads Sholem Aleichem
Berl Isaac
Naches fun Kinder
Conlon Nancarrow
Player Piano Study No. 15, with trombones
Music Box Study No. 2
Music Box Study No. 3
Music Box Study No. 4
"Even though our path is completely different from the warrior arts of the past, it is not necessary to abandon totally the old ways. Absorb venerable traditions into this Art by clothing them with fresh garments, and build on the classic styles to create better forms.â€
- Morihei Ueshiba
The Ben Gerstein Collective
with Jacob Garchik , Jacob Sacks , Eivind Opsvik , Thomas Morgan and Dan Weiss
1 , 2 , 3 , 4 , 5
"The joy one feels at every successful metamorphosis is not the satisfaction of a wretched craving for distraction, but a response to the intellect's age-old need to free itself from the tedious, illusory paradise of congealed memories and seek a new, an incomparably vaster realm of experience in which the frontiers between the inner world, as it is conventionally termed, and the outer world will tend to become more and more blurred and, quite possibly, disappear completely one day...â€
- Max Ernst
the UP
with Jonathan Moritz , Eivind Opsvik and John McLellan
1 , 2 , 3 , 4
"The past is implicit in our culture, which we think is so wonderful (the tradition, the beliefs, the memories, the obedience to it), and all that is put aside completely, forever, when you realize there is no method of any kind to bring freedom from the "little corner". But you have to learn all about the little corner. Then you are free of the burden which makes you insensitive. It is you yourself who have to find out, not according to somebody else, so you are free from any supposition, from any theology.â€
- J.Krishnamurti
MOTH
1 , 2 , 3 , 4 , 5
John Cage: You don't, do you really, think of yourself as on the search for an image...
Morton Feldman: No...
John Cage: ...which you will find...
Morton Feldman: ...no...
John Cage: ...and linger with?
Morton Feldman: ...no. No... All I want, [long pause] John, is to just have enough stamina to sit down and make an action.
So if I'm in a search for anything it's that stamina. I found that just this weekend simply buying an air conditioner... See I couldn't work all this week and I attribute it to all psychological conditions. I became very poetic about the state of my work.
But I bought an air conditioner and I started to work right away. Practical things...
John Cage: Exactly...
I. Moderato from the Sonata for Two Pianos by Igor Stravinsky
"All techniques can be helpful but they are just a groping in the dark. Suddenly one day, doing something, you will become a witness. You will sit silently behind, you will watch it - that day meditation has happened; that day technique is no longer a hindrance, no longer a help. You can enjoy it if you like, like an exercise, it gives a certain vitality, but there is no need now - now the real meditation has happened. Meditation is witnessing. To meditate means to become a witness. Meditation is not a technique at all! But you need techniques because that final understanding is very far away from you; hidden deep within you, but still very far away from you. Right this moment you can attain it, but you will not attain it, because your moment goes on, your mind goes on. Techniques will bridge the gap, they are just to bridge the gap. So in the beginning techniques are meditations; in the end you will laugh, techniques are not meditation. Meditation is a totally different quality of being, it has nothing to do with anything. But it will happen only in the end, don't think it has happened in the beginning, otherwise the gap will not be bridged."
- Bhagwan Shree Rajneesh
II. Très Rapide , from Messagesquisse by Pierre Boulez
"Theory is the general; experiments are the soldiers."
- Leonardo da Vinci
J.X. Bach
Random Elements
"It's fine that you are all deep into music. But there's something deeper and if you would go deeper, if you go to the source of where the music is being made, you'll find something even more interesting. At the source, everyone's individual music is made. If you ask what the deep place is, it's your own life and it's knowing your own life, that own way that you live....You all have to give up the idea of wanting to become good or great at music. I'm 71, but it has taken me 50 years to develop my own kind of breathing. And so instead of wanting to get great really quickly, you have to be willing to work at music for many, many years. It is taking your own health, your own power, your own strength, and training it and moving it, which is the deeper aspect of music. The reason that we use sounds is to get to the basics of human life, of the human health and the strength... The movement of the life force, the movement that comes out of the instrument, is just simply your own pulse. When you hear some music or hear some sound, if for some reason you like it very well, the reason is that sound is in balance or in harmony with your pulse. And so making a sound, you try to make various different sounds that imitate those of the universe, but what you are finally making is your own sound, the sound of yourself."
- Watazumi Doso Roshi
Chinatown
1 , 2 , 3 , 4 , 5 , 6 , 7 , 8 ,
9 , 10 , 11 , 12 , 13 , 14 , 15 , 16
"Music is such a thing that through your music you can be judged. It's not any particular way, it's from the experience because through music you express yourself. My approach to music is very deep. I do not compromise with anybody or anything else in the world. I do not care, I don't care if anybody appreciates it or not; I don't care. When I start I always like to play better, nice, good, heavenly music. I want to really go beyond this materialistic world towards Space-there, no compromise. I really want to know-not for the sake of enjoyment, entertainment, no. In the beginning portions-naturally, with tabla, that's another chapter, a completely different chapter; the intricacies and mathematics are there. A musician must lift up the souls of the listeners, and take them towards Space."
- Nikhil Banerjee
Carlo Gesualdo
Ave, dulcissima Maria
"Most become trapped by the notion of a certain tactile resistance, concerned with the idea that a certain octave passage is difficult to play. There is very little that you can do there after to escape it. It will always be to some extent the stuff of your nightmares. You can’t really get away from it. If, on the other hand, it doesn’t quite exist for you—if it’s not allowed to exist by virtue of the fact that you drown it out, that you surround it with so many things that it’s simply one tantalizing distraction among many—it can never assume those gigantic proportions in your imagination. That’s why I think that the whole idea of doing things which seem honorably difficult is quite wrong. The whole idea of approaching music by virtue of the concert experience because that happens to be the tried and true and certainly trying way to make music is completely wrong.â€
- Glenn Gould
Elliott Carter
90+
Changes
Figment
Frederic Chopin
Preludes Op. 28 Nos. 2 , 4 , 6
"So what interests us now bespeaks our condition and no one else's. No amount of historical learning can replace new understanding with old understanding. All one can hope to do is add depth and detail to our misunderstanding. If that seems a paradoxical thing to say, that has been precisely the intention.â€
- Richard Taruskin
Antonio Vivaldi
D minor Concerto, Allegro
J.S. Bach
Brandenburg Concerto No.6
Nun komm der heiden heiland
"If materialism wins, humanity is licked."
- Buckminster Fuller
Rajasthan
Ghoomar
"If it can be written, or thought, it can be filmed."
- Stanley Kubrick
"I mean, no one truly understands it, just as no one's parents truly understand one's true love. Yet a work of art must have a life in society; once the artist has finished making it, it belongs to others. But he never made it with the idea of taking it into society. Any man that sets out to find a girl to introduce to his parents is never likely to fall in love. Any man that sets out to make a work for audiences is never going to make a work of art. A work of art is made for the most personal reasons--as an expression of love."
- Stan Brakhage
"Artistic creation, after all, is not subject to absolute laws, valid from age to age; since it is related to the more general aim of mastery of the world, it has an infinite number of facets, the vincula that connect man with his vital activity; and even if the path towards knowledge is unending, no step that takes man nearer to a full understanding of the meaning of his existence can be too small to count."
- Andrey Tarkovsky
"I mean that the kind of film we are embarking on offers dangerous possibilities of artistic idea-diarrhea. To decide at every moment what is right and true and proper can be rather tricky. And the effort must not be noticeable either. Everything must give an impression of being natural--and yet be possible for us to create with our limited material resources."
- Ingmar Bergman
"And one certainly does rise above that mark
by despising what is mediocre. In my opinion,
one must begin at least by having some respect
for the mediocre and know that it means something,
and that it is only reached with great difficulty."
- Vincent Van Gogh
"It was all so simple, all so wonderfully easy, after all; there were no longer any abysses, any difficulties. The whole trick was to let yourself go. That thought shone through his whole being as the result of his life: let yourself go. Once you did that, once you had given up, yielded, surrendered, renounced all props and all firm ground underfoot, once you listened solely to the counsel in your own heart, everything was gained. Then everything was good, there was no longer any dread, no longer any danger."
- Herman Hesse
"'Does it rue thee? Does it rue thee much?' Such words were like the patterns of the aprons and kerchiefs and the coloured border at the top of the stocking, already somewhat assimilated to the present because of having come so far, but still mysterious visitants."
- Robert Musil
"Any life, however long and complicated it may be, actually consists of a single moment - the moment when a man knows forever more who he is."
- Jorge Luis Borges
"An American can fill up a space in having his movement of time
by adding unexpectedly anything and yet getting within the included space
everything he had intended getting."
- Gertrude Stein
"He will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail."
- William Faulkner
"I was a young man, starving and drinking and trying to be a writer. I did most of my reading at the downtown L.A. Public Library, and nothing that I read related to me or to the streets or to the people about me. It seemed as if everybody was playing word-tricks, that those who said almost nothing at all were considered excellent writers. Their writing was an admixture of subtlety, craft and form, and it was read and it was taught and it was ingested and it was passed on. It was a comfortable contrivance, a very slick and careful Word-Culture. One had to go back to the pre-Revolution writers of Russia to find any gamble, any passion. There were exceptions but those exceptions were so few that reading them was quickly done, and you were left staring at rows and rows of exceedingly dull books. With centuries to look back on, with all their advantages, the moderns just weren't very good."
- Charles Bukowski
"Are the dead restored? The books say no, the night shouts yes."
- John Fante
"Our task is to go beneath the tranquillity of creed and tradition in order to overhear the echoes of wrestling and to recapture the living insights. The way to truth is an act of reason; the love of truth is an act of the spirit. Every act of reasoning has a transcendent refrence to spirit. We think through reason because we strive through spirit. We think through reason because we are certain of meaning. Reason withers without spirit, without the truth about all life. Wise criticism always begins with self-criticism. The criticism of reason, the challenge, and the doubts of the unbeliever may, therefore, be more helpful to the integrity of faith than the simple reliance on one's own faith."
- Abraham Joshua Heschel
"....and I saw there, in the auditorium, young American girls, for the first time. And have loved them as flesh things emanating from real life, that is, in contrast to my own, a scraping and floating through the last three red and blue stripes of the flag, that settles the hash of the lower middle class. So that even sprawled there in the snow, with my blood and pompous isolation, I vaguely knew of a glamorous world and was mistaken into thinking it could be gotten from books."
- LeRoi Jones
"He had been born in Ohio, had studied in Paris and Rome, had taught in Ecuador and Japan. He was a recognized art expert, and it puzzled people why, during the past ten winters, he chose to bury himself at St Bart’s. While endowed with the morose temper of genius, he lacked originality and was aware of that lack; his own paintings always seemed beautifully clever imitations, although one could never quite tell whose manner he mimicked. His profound knowledge of innumerable techniques, his indifference to ‘schools’ and ‘trends’, his detestation of quacks, his conviction that there was no difference whatever between a genteel aquarelle of yesterday and, say, conventional neoplasticism or banal nonobjectivism of today, and that nothing but individual talent mattered—these views made of him an unusual teacher. St Bart’s was not particularly pleased either with his methods or with their results, but kept him on because it was fashionable to have at least one distinguished freak on the staff. Among the many exhilarating things he taught was that the order of the solar spectrum is not a closed circle but a spiral of tints from cadmium red and oranges through a strontian yellow and a pale paradisal green to cobalt blues and violets, at which point the sequence does not grade into red again but passes into another spiral, which starts with a kind of lavender grey and goes on to Cinderella shades transcending human perception. He taught that there is no such thing as the Ashcan School or the Cache Cache School or the Cancan School. That the work of art created with string, stamps, a Leftist newspaper, and the droppings of doves is based on a series of dreary platitudes. That there is nothing banal and more bourgeois that paranoia. That Dali is really Norman Rockwell’s twin brother kidnapped by gypsies in babyhood.
He dreamed of mellowing his pigments as the Old Masters had done—with honey, fig juice, poppy oil, and the slime of pink snails. He loved water colours and he loved oils, but was wary of the too fragile pastel and the too coarse distemper. He studies his mediums with the care and patience of an insatiable child—one of those painter’s apprentices, lads with bobbed hair and bright eyes who would spend years grinding colours in the workshop of some great Italian skiagrapher, in a world of amber and paradisal glazes. At eight, he had once told his mother that he wanted to paint air. At nine, he had known the sensuous delight of a graded wash. What did it matter to him that gentle chiaroscuro, offspring of veiled values and translucent undertones, had long since died behind the prison bars of abstract art, in the poorhouse of hideous primitivism? He placed various objects in turn—an apple, a pencil, a chess pawn, a comb—behind a glass of water and peered through it at each studiously: the red apple became a clear-cut red band bounded by a straight horizon, half a glass of Red Sea, Arabia Felix. The short pencil, if held obliquely, curved like a stylized snake, but if held vertically became monstrously fat—almost pyramidal. The black pawn, if moved to and fro, divided into a couple of black ants. The comb, stood on end, resulted in the glass’s seeming to fill with beautifully striped liquid, a zebra cocktail."
- Vladimir Nabokov
"There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills, and wandering round the silent house, as though it feared to wake the sleepers, and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and besides them lies the half-cut book that we had been studying, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain."
- Oscar Wilde
"We pack the physical outline of the creature we see with all the ideas we have already formed about him, and in the complete picture of him which we compose in our minds those ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen....in whom I can distinguish the charming mistakes of my childhood, and who, incidentally, is less like his successor than he is like the other people I knew at that time, as though one's life were a series of galleries in which all the portraits of any one period had a marked family likeness, the same (so to speak) tonality..."
- Marcel Proust
"In all those stories the hero
is beyond himself into the next
thing, be it those labors
of Hercules, or Aeneas going into death.
I thought the instant of the one humanness
in Virgil's plan of it
was that it was of course human enough to die,
yet to come back, as he said, hoc opus, hic labor est.
That was the Cumaean Sibyl speaking.
This is Robert Creeley, and Virgil
is dead now two thousand years, yet Hercules
and the Aeneid, yet all that industrious wis-
dom lives in the way the mountains
and the desert are waiting
for the heroes, and death also
can still propose the old labors.
- Robert Creeley
"The hero is he who is immovably centered."
- Ralph Waldo Emerson