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Soweto Kinch

About Me

Saxophonist Composer Music Arranger Lyricist MC / Rap Artist Educator Actor Born in London, England in 1978 to a Barbadian father and British-Jamaican mother, Soweto Kinch is one of the most exciting and versatile young musicians to hit the British jazz scene in recent years.He first became interested in music at the tender age of eight, playing clarinet at primary school. He quickly developed a fondness for the alto saxophone and was given his first instrument when he was nine. After meeting Wynton Marsalis four years later he discovered and became passionate about jazz, first concentrating on piano and later, in his teens, focusing on alto saxophone.Soweto's musical influences are as broad as they are diverse. He particularly admires Sonny Rollins for his innovative style and successful appropriation of West Indian music within the jazz canon. Most recently, Soweto has been influenced by baroque and early classical music due to an interest he has in the 17th and 18th century black population of Britain. He is keen to reconstruct the African and classical influences that this community would have had.As an alto player, Soweto is rapidly developing his own sound which is rich, energetic and dynamic and though he clearly has a strong respect for tradition, he is continually exploring his jazz inheritance. In 2001 he established the Soweto Kinch Trio - with bassist Michael Olatuja and drummer Troy Miller, both exceptional young players - which supported Courtney Pine at the former Ronnie Scott's Jazz Club, Birmingham and performed at the Royal Festival Hall and Cheltenham International Jazz Festival. His aim with the Trio was to move audiences with the simplicity of his band and to discover the breadth of sounds and dynamics he could achieve with these basic elements.At the end of 2002, Soweto began work on his début album, extending his band to quartet status with the addition of guitar (Femi Temowo). Working with Dune producer, Jason Yarde also a brilliant alto sax player, composer and arranger, and leader of J-Life he created a stunning album which brings together his love of jazz and hip-hop. On Conversations With The Unseen (Dune Records, DUNECD08), he brings Charlie Parker and Q-Tip into the zone, combining straightahead jazz with funky hip-hop and rap vocals.Conversations With The Unseen was released on Dune Records in April 2003 and launched Soweto on his career as a solo artist, winning a Mercury Music Prize for An Album Of The Year 2003, and earning him the MOBO Award for Best Jazz Act 2003. Urban Music Awards Best Jazz Act 2004 BBC Radio Jazz Awards Best Instrumentalist & Best Band 2004Peter Whittingham Award Jazz Innovation 2004 Mercury Music Prize An Album Of The Year 2003 MOBO Awards Best Jazz Act 2003 BBC Radio Jazz Awards Rising Star 2002 White Foundation International Sax Competition/ Montreux Jazz Festival International Young Saxophonist Of The Year 2002 One of the freshest and most exciting prospects to emerge through British music for years. HIT sheet 'A distinct and commanding way of looking at jazz, at hip hop, and at the whole performance situation. Mr Kinch demonstrates what England has to teach us about narrative hip hop [and] has one of the best sounding new jazz groups Ive heard lately. Dont sleep on Mr Kinch.' The New York Times If theres anyone who still believes that musicians from other nations dont swing as hard as Americans, this group should convince them otherwise. Soweto Kinch is that good. allaboutjazz.com One of the most exciting new voices in British jazz boiling the mix from straightahead to hip-hop with a fresh precocious creativity. Echoes Fresh sound, aggressive virtuosity and raw, bluesy energy mark him out as an outstanding player. Jazzwise Simplky explosive. Promoters, media and audiences are suggesting him as a major new star. Jazz Review Soaring, risk-taking playing. The Times A spectacular musician. The Observer Simply explosive. Promoters, media and audiences are suggesting him as a major new star. Jazz Review One of the best and most original British jazz albums ever made. Jazzwise A new British original with the confidence, skill and vision to take the music far. The Guardian

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Member Since: 3/5/2006
Band Website: sowetokinch.com
Type of Label: None

My Blog

WHY BASEMENT FABLES HAS BEEN PUT BACK

I am awaiting a more detailed explanation from Janine Irons from Dune Records. This will posted up here soon. For now please read the blog 'the war in a rack continues' and holla back. PEACESoweto...
Posted by Soweto Kinch on Sat, 14 Apr 2007 12:08:00 PST

THE WAR IN A RACK CONTINUES!!

THE WAR IN A RACK pt 2Social engineering through music Its now over 7 months since Tales of the Tower Block was released: still the major high street retailers refuse to stock it in the urban music se...
Posted by Soweto Kinch on Fri, 13 Apr 2007 03:49:00 PST

THE WAR IN A RACK!!

After releasing 'A life in the day of B19' in September, 3 months of good reviews in Hip hop magazines and radio play on urban stations, high street record stores still refuse to allow the album into ...
Posted by Soweto Kinch on Sun, 17 Dec 2006 11:52:00 PST

CLICK TO BUY 'A LIFE IN THE DAY OF B19' http://www.dunejazz.com/Merchant2/4.13/merchant.mv?Scre

Don't know why I didn't do this earlier...cut and paste this link, if you want to order the new CD straight from Dune, along with other releases from likeminded manz dem....http://www.dunejazz.com/Mer...
Posted by Soweto Kinch on Fri, 17 Nov 2006 05:05:00 PST