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Jie-Song

human behavior makes an intensely beautiful yet limited sensehuman behavior makes an intensely beaut

About Me

Far, far above them, a planet that is not earth hangs majestically, its hard barren surface drawing its own kind of warmth from the icy blanket of dark hollow space. The planet is kept from an utter and unending loneliness by only a few things, one of which is the sound of its own rotation echoing through the unrolling black abyss, which speaks to it like the voice of a mother to her unborn child. The stars, though distant, are another source of comfort, who serve the planet as the sparkling text to an ancient and geometrically perfect prose, narrating the meaning of why each thing has been and shall always be positioned exactly where it is. But the most prized of the planet’s few possessions, are its moons; its precious, precious moons, each a charismatically sculpted jewel, each its own uniquely formed answer to the question of beauty.
The planet is distracted from its loneliness primarily by the attention given to these moons; in its tireless work towards their care. This mighty rock holds the smaller spherical jewels in its gravity, smoothly revolving them and easing them firmly around its own orbit, such that the entire surface of their bodies are exposed to the light and heat of the sun. The planet does so without rest, as these moons are its only instructor on the subject of love. It is an exercise in gentility and discipline for this planet, massive and mighty, for it must be perfectly wise in its exerted gravity so as to preserve the orbit of its coveted celestial companions. If the gravity of the planet is too strong, then the moons shall either crash into violent obliteration against its surface, or be repelled into the arms of infinite space, sent along a path from which nothing returns.
In nature, such examples exist in abundance: the natural magnetism of two objects – their inherent will to push and pull – fixing their degree of companionship at a specific, harmonious distance. Whether we might give the name of emotion or love to describe these forces of relationship, is arguable; but perhaps unimportant. What can be said is that such entities as planets have been ordained with mastery over their own gravity; while tragically, human beings rarely graduate beyond mere amateurs in their ability to negotiate the attractive forces that bind and repel them. For human intimacy is too a matter of magnetism, with its own terrible risk of violent collision or irretrievable loss.
- JieSong Zhang (October - November'06)

My Interests

I'd like to meet:

Stone Forest Ensemble @ The Orpheum Theater, Los Angeles (Kollaboration LA '08)
[E.Violin/Emcee, Cello, Beatbox, Hand-drum, Pipa]

....
Stone Forest Ensemble @ Kollaboration NYC '06
(Grand Champion Performance)
[E.Violin/Emcee, Cello, Beatbox, Hand-drum, Japanese Flute]

..
Stone Forest Ensemble @ the Delancey (NYC '05)
[E.Violin/Emcee, Cello, Beatbox, Hand-drum]

..
Cello and Emcee Duet ('03)

..

Sensory Data (music video; man as machine; '03)

Music:

STONE FOREST ENSEMBLE: String Ensemble with African and Middle Eastern Drums, Beatbox, and traditional Chinese Musicians.

World Music/Classical/Hip-Hop.

New sound, new thought, new culture.

My Blog

Check out this event: Red Blood of the Dragons Psyche

Hosted By: Jie-Song ZhangWhen: Thursday Jun 05, 2008 at 6:00 PMWhere: Salomon Arts Gallery83 Leonard St, 4th Fl (Tribeca)New York, NY 10013United StatesDescription:First show of Chinese contemporary a...
Posted by Jie-Song on Mon, 12 May 2008 04:02:00 PST

part 3 of (now) 4 - unfinished, first draft

*     She rests her head upon his right shoulder, the greater part of her face buried into his chest. Her physical weight is unnoticeable, but her presence makes what weakly glowing light th...
Posted by Jie-Song on Thu, 09 Nov 2006 01:58:00 PST

[part 2 of 3, first draft/unfinished]

  *     Her eyes always close at the piano, ushering all things into the dark and silent before placing a finger on the instrument. Spreading her arms then hands as widely as achievable...
Posted by Jie-Song on Thu, 19 Oct 2006 10:19:00 PST

part 1 of 3, unfinished piece

Endlessly watching the motion of the flocks at flight, he sought a sense of powerful flutter in all things. Birds set in perfect drift, wings lifting, falling, beating furiously at battle with the sky...
Posted by Jie-Song on Sat, 26 Aug 2006 11:46:00 PST

Cocoon

An artistic incubation lies in the waiting; an escape from the patterns of our modern world to train my essential self. I, excited for this impending cocoon, am also trying to approach it pa...
Posted by Jie-Song on Sun, 16 Apr 2006 01:21:00 PST

Sensory Data (2002)

[written 2002; posted at the request of Dan Forslund]   Sensory Data     The mind is designed to be a delicate device Refined in time to be intelligent precise Experiences shape, ...
Posted by Jie-Song on Tue, 07 Mar 2006 10:34:00 PST

Meditation Feb. 12-13, 2006

A page upon which no word has begun, is a world with no walls, an infinitely expanding space.   Thus our writing does not occur so much on the page, but in this emptiness  the eyes do not face a...
Posted by Jie-Song on Mon, 13 Feb 2006 05:55:00 PST

A Skin Surrounding All

A few sips of tea later, I ponder the notion of harmony in words. The possibility that words and sentences might interlock so softly and perfectly like chosen pitches of sound, belonging by the w...
Posted by Jie-Song on Fri, 27 Jan 2006 02:39:00 PST

A Droplet of Water and All of the Darkness in the World

- A Droplet of Water and All of the Darkness in the World - In a darkness where no eye observes, a room in which the bold voice of black erupts across the face of each wall and extends itself in all ...
Posted by Jie-Song on Thu, 01 Dec 2005 02:05:00 PST

excerpt from Manifesto (Winter '04 - Spring '05)

The feet of Man stand upon the Earth, propping his frame upright as the tree, his head raised just far enough from the ground to see the distance that separates his self from all things. Though the t...
Posted by Jie-Song on Thu, 01 Dec 2005 02:04:00 PST