From boy I felt attracted by this fascinating instrument that demands as much ability of physical coordination, like temperament and patience. Listening to my first discs of Genesis there by. .80, I could not distract my attention of the facility with which Chester Thompson and Phil Collins to pair, constructed as much musical quality with their talents and polirithms. Motivated and peculiar, I already began in this difficult art to an age outpost (21), of the hand of my senior instructor Alexander Varela, with whom I began to know the complex that locks up the technique of this instrument and the focus necessary to obtain a worthy sound. I left prematurely as much challenge for family reasons and of time, but never I stopped thinking about this, in which causes, in which it wakes up, in which gets passionate. I studied thus in discontinued occasions with different occasional professors until meeting present professor and friend Mr. Silvio Ottolini (www.myspace.com/silvioottolini). He definitively knew from his educational quality to attract to me the world of the battery not to leave it again never and to understand that a sound of quality in tempo is enough to be able to enjoy this wonderful instrument. Thus I reunited already of great to a friendly group in equality of conditions (we are all fhaters and workers) to create NLH, the band which we enjoyed music and we amused to our friendly with covers of. .80/..90 (The Police, David Bowie, Kiss, Toto, Billy Idol, INXS, Level 42, etc). At the moment (floor the 40) itself studying I will do and it by always, in order to feel by my same one, the same admiration that of boy to me the great musicians brought about who I knew to listen: Stewart Copeland, Phil Collins, Omar Hakim, Steve Gadd, Jeff Porcaro, Vinnie Colaiuta, and so many more.
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