The true story behind the play -- the tragic murder of Honora Parker Reiper, at the hands of her teenage daughter, Pauline, and Pauline's best friend and lover, Juliet Hulme, in Christchurch, New Zealand in 1954:On June 22, 1954, the body of Honora Rieper (Parker) was found in Victoria Park in Christchurch. She had been killed by multiple blows to the head with a brick. On June 23, two teenage girls were arrested, Pauline Parker (Parker's daughter, also known as Pauline Rieper) and Juliet Hulme. Pauline was a girl from a working class background; Juliet Hulme was the daughter of Dr. Henry Hulme, a distinguished physicist who was the rector of University of Canterbury in Christchurch.As a young child, Pauline suffered from osteomyelitis. Juliet suffered from tuberculosis and was sent to the Bahamas as a child to recuperate. The girls initially bonded over their ailments. As their friendship progressed, they formed an elaborate fantasy life together. They would often sneak out and spend the night acting out stories involving the fictional characters they had created. Their parents found this disturbing and worried their relationship was sexual. Homosexuality at the time was seen as a serious mental illness and was also a criminal offense, so both sets of parents attempted to compel the girls to remain separate.In 1954, Juliet's parents separated and her father resigned from his position as rector of Canterbury College and was moving to England. It was then decided that Juliet would be sent to South Africa, for the good of her health, with an added incentive being that the girls would be separated. Pauline told her mother that she wished to accompany Juliet, but Pauline's mother made it clear to her that she would not be allowed. The girls then formed a plan to murder Pauline's mother and leave the country for the United States, where they dreamed they would publish their writing and work in film.The trial was a sensational affair, with speculation about their possible lesbianism and insanity. The girls were convicted on August 30, 1954, and each of them spent five years in prison. They were released with the condition that they never contact each other again. To this day, they have not contacted each other.The murder was touched upon as strong evidence of moral decline less than four months later by the Special Committee on Moral Delinquency in Children and Adolescents in what became known as the Mazengarb Report, named after its chair, Oswald Mazengarb.After her release from prison, Juliet Hulme traveled to the United States and went on to have a successful career as a historical detective novelist under her new name, Anne Perry. She now lives in Scotland. Pauline moved to England, changed her name to Hillary Nathan, and became a Roman Catholic.THE FOLLOWING IS AN INTERVIEW WITH ANNE PERRY (formerly known as Juliet Hulme). After serving her sentence for the murder of Honora Parker Reiper, Juliet Hulme, who had been forbidden by the court to have any contact with Pauline Parker, changed her name to Anne Perry and is now a very popular mystery writer in Scotland.
By L.A. Weekly Theater Critics Monday, March 31, 2008 - 5:45 pm THEATER PICK -- DAUGHTERS OF HEAVEN -- Michaelanne Forster’s play, which is receiving its U.S. premiere here, studies two adolescents who committed a crime that shocked New Zealand in the 1950s. (The play’s subject was also recounted in Peter Jackson’s 1994 film, Heavenly Creatures.) Pauline Parker (Amanda Jones) and Juliet Hulme (Brittania Nicol) are a pair of madly romantic souls who cling to one another in a time of stifling conformity. Besides completing each other’s sentences, they write novels and poems together, listen to Mario Lanza records, and inhabit a pagan fantasy world in which they reign as goddesses. That is, until they murder Pauline’s mother (Brenda Beck) and are put on trial for the act. The play is half-narrated by Bridget O’Malley (Kerry McGrath), a housekeeper for Juliet’s middle-class parents, and her tone echoes the period’s rigid morality (especially against the girls’ platonic lesbianism) while providing a common-sense foil for both the “educated†hypocrisy of Juliet’s parents and the girls’ breathtakingly delusional behavior. Director Judith Bohannon and an extremely committed ensemble grace this tale with a poetic sadness that makes the show a memorable evening, even though the small stage at times seems built for a dollhouse. Jones, in particular, is a talent to watch, and the intensity of her Pauline is almost frightening. Randy Pool’s outstanding costuming authentically re-creates the 1950s, although one actor inexplicably sports the kind of hippie hair that probably would’ve gotten his character at the time arrested quicker than the girls. Alexia Robinson Studios, 2811 W. Magnolia Blvd., Burbank; Fri.-Sat., 8 p.m.; thru April 26. (970) 310-3890. A BrittaniaJones Production. (Steven Mikulan) BACKSTAGE WEST REVIEW Daughters of Heaven March 27, 2008 By Jennie Webb The S-word -- showcase -- sometimes gets a bad rap. A lot of times we're right to roll our eyes and whisper it to each other when we suffer through actor-producers or writer-producers -- or even more painful a prospect, actor-writer-director-producers -- subjecting us to misguided vanity productions. Okay, snotty but still right. Only, what actor -- or writer, or director even -- wants to wait around forever for someone else to recognize his or her talent? And when the actor is very talented and picks a project that, well, showcases that, it's worth a closer look.Young actors Amanda Jones and Brittania Nicol are the impressive talents that have joined forces to mount Daughters of Heaven, Michaelanne Forster's 1991 play about the real-life New Zealand schoolgirl murderers who were the subject of Peter Jackson's film Heavenly Creatures. And in this overwrought but often fabulously melodramatic play, directed by Judith Bohannon, Jones and Nicol are indeed heavenly and spot-on as two disturbingly close friends from different worlds who, together, create their own fantasy life, in which killing a clueless mother -- "the obstacle" to their happily ever after -- is perfectly justifiable. Also giving sterling performances are Brenda Beck and Elizabeth Southard as brilliantly contrasting mothers, and Bennett Liss and Chris DeChristopher as concerned fathers, each impotent for his own reasons. Forster's play relies heavily on post-crime courtroom exposition, and Daniel Jeary handles this well as the prosecuting attorney.The wonderful Kerry McGrath plays Bridget O'Malley, who serves as the evening's narrator of sorts: a Bible-thumping housekeeper way wary of those "disgustingly clever" girls and their perverted activities. This narration helps set the B-movie tone of the play, and Bohannon's smart staging keeps Bridget's eyes everywhere as the extended plot devolves into delightful histrionics. However, it has a hard time recovering. So although the actors do their jobs admirably (a mention also to Jeff Steinkamp, Lindsay Heston, Marty Fortney, and Matt Mowat in smaller roles) and we get to look at smashing costumes by Randy Pool, the production loses steam and doesn't always reach the dramatic extremes it calls out for. But those terrific "murderous" teens aren't bad at all.Presented by BrittaniaJones Productions at Alexia Robinson Studios,2811 W. Magnolia Blvd., Burbank.Fri.-Sat. 8 p.m. Mar. 21-Apr. 26.(970) 310-3890. www.brittaniajonesproductions.com.
Mario Lanza
Anything with James Mason
Daughters of Heaven by Michelanne Forster; Parker and Hulme: A Lesbian View by Julie Glamuzina and Alison J. Laurie