Marion Cotillard

The Paris native got in tune with her desire to become a performer early in life, and soon began honing her talents as both an actress and a singer. As fate would have it Cotillard's parents were both active members of the Paris theater community who lovingly nurtured their daughter's creative talents and encouraged her to pursue a career on the stage and screen. It was precisely this support that encouraged Cotillard to pursue a career in film, with her auspicious film debut in director Philippe Harel's 1994 romance The Story of a Boy Who Wanted to Be Kissed coming when the emerging actress was just 16. While Cotillard's sensitive performance in the film indeed marked the arrival of a skilled young actress, it wasn't until the release of Taxi in 1998 that audience truly perked up to the promise of this emerging talent. Cotillard was nominated for a Most Promising Actress award at the 1999 César ceremonies thanks to her performance in Taxi. She went on to appear in the second and third installments of the series while simultaneously drawing notice for performances in Haute Tension director Alexandre Aja's 1999 debut Furia and Gilles Paquet-Brenner's dark family drama Pretty Things -- which earned Cotillard her second César nomination. While the elusive César award had been well within her grasp twice before, Cotillard finally got a grasp on the coveted trophy as the result of her role in Amélie director Jeunet's A Very Long Engagement. Cast as a vengeful prostitute who sets out to punish the person responsible for the death of her love, Cotillard won the Best Supporting Actress award at the 2005 Césars and cemented her arrival as a formidable onscreen talent. At this point in her career, Cotillard was an increasingly familiar face to stateside film fans thanks to supporting roles in such films as Tim Burton's Big Fish and Jeunet's international arthouse hit, yet as with any great actress, she was still willing to take the kind of risks needed to take her career to the next level. Subsequent roles in Guillaume Nicloux's A Private Affair and Abel Ferrara's Mary proved that she was most certainly up to the task, serving nicely to offset the mainstream sweetness of efforts like the airy 2003 romance Love Me If You Dare. In 2006, Cotillard was back on stateside screens, this time opposite international superstar Russell Crowe in director Ridley Scott's A Good Year. If anyone at this point had doubted Cotillard's abilities as an actress, those reservations would be put to the ultimate test when she assumed the role of a lifetime in the 2007 Edith Piaf biopic La Vie en Rose. Cast as the enigmatic French songstress who went from being a common street busker to a national icon, Cotillard found the perfect cinematic vehicle to combine her duel talents for acting and singing, and drew near unanimous praise from critics both foreign and domestic. ~ Jason Buchanan, All Movie Guide