Music:

Member Since: 8/5/2007
Band Website: www..dj-notorious-sam.blogspot.com"

.dj-notorious-sam.blogspot.com

Band Members:

Influences:

Ice Cube

A seven-track postscript to AmeriKKKa's Most Wanted (built around a remix of that album's "Endangered Species," with a blistering new verse by Chuck D.), and a booming car tape for short drives, this is why people thought gangsta rap was a good idea at the time. It's got a certain amount of filler and goofiness (like "Jackin' For Beats," with Cube kicking it over a bunch of famous grooves), but it's also got some great quick-cut music from Sir Jinx and the Bomb Squad, and two of the darkest, toughest, truest tracks Cube's ever done: "The Product," a scathing indictment of the system that destroys America's underclass, and "Dead Homies," a clear-eyed look at the aftermath of violence. --Douglas Wolk

P.T

Face Off is Pastor Troy's first major release and he brought his best out. As the lp begins with "Face Off - Intro" with an accapella flow he said all that needed to be told. If you don't know the history of "No Mo Play In GA" which was a Master P. diss, that song alone makes this album well worth checking out. As crunk as the songs are he's adds a heavy metal twist with live guitars to escalate the effects. Before the world heard Lil' Jon, there was the underground crunk music from both Three 6 Mafia and Pastor Troy whos songs are a little more rowdier than what we know of now. "Can You Stand The Game" is the only radio friendly/commercial/non-crunk title on here that is still effective to Face Off's direction. The yelling done by Troy on "I'm Made" fitted well with it's eerie loop and hard kick. The featured artist on "Vica Versa" and "My N***az Is The Grind" gave communion to the ceremony preached by Pastor Troy. He also produced a lot of tracks here and that gives it a unique sound and style that now is being copied throughout hip-hop/rap. Troy tackles society issues with hope and direction and worth the time from this Down South Georgia Boy.

UGK

Long before Chamillionaire was "Ridin' Dirty"(which was questionably changed to simply "Ridin'" when it made radio waves) on the charts, the Underground Kingz were ridin' dirtier than anyone else in the game; and to this day, this is still one of the grimiest records to come from the Dirty South. This is arguably UGK's greatest album(although Dirty Money is also a classic album), and was quite a few years before UGK were first exposed to the mainstream with Hova's "Big Pimpin'."Some people new to the game probably think that Bun B, who makes a guest appearance on seemingly every Southern rapper's album, is some new cat who's trying to make waves in the underground. While I can see why they'd think this(Bun B is always hungry when he raps, leading one to believe he's trying to make an impact on the industry - despite the fact he already has made a significant one), Bun B has been in the biz for well over a decade, alongside his partner in rhyme(although, 'in crime' maybe more appropriate for Pimp C than it is for most), Pimp C. Together, they're the Underground Kingz, who identify themselves by the acronym of UGK. When they first came into the game, the South was obscure; now that it's blown up(especially their native land of Texas), one would think that UGK would get better publicity. Unfortunately the Kingz' publicity still doesn't compare to their skills, and only true heads have been able to check out their undeniably dope music.Highlights? I'd say this album has gems, but in all honesty, it's a complete gold mine. Every single track on this album is a five-star cut, and even the outro has a dope enough beat to warrant it that label, despite the fact it's all shout-outs. Whether it's the smoothed out, Isley-sampled "One Day," the gritty "Murder," the Southern anthem "Diamonds & Wood," or the impressive showing of wordplay on "Touched"(which Jay-Z lifted a verse from on "99 Problems"), this album has something for every hip-hop head. If you're a fan of Southern rap, then you need this album; if you're a detractor of Southern rap, you also need to this album to show you just how great it is. If you're a head who isn't prejudices to coasts or regions, this album will have constant rotation, and you too will be able to appreciate the dopeness that is UGK.

Outkast

OutKast has almost singlehandedly defined the sound of Atlanta rap. Tongue-flippin', rhyme-spittin' and Cadillac-ridin', all with a Southern accent, Big Boi and Dre have proved tobe the South's ideal MCs. ATLIENS continues in the same vein as Outkast's 1994 debut, SOUTHERNPLAYALISTICADILLACMUZIK, with producers Organized Noize back to accompany the duo's laid-back flow. Big Boi and Dre proclaim to prove a point with every rhyme, never wasting a line. They like to think of themselves as outcasts from the hip-hop community--aliens,so to speak. Their tracks have an outer-space feeling to them--a feeling that, ironically, has warmed the community right up to them. They're so out, they're in.

DMX

All the barking and growling in the world could not detract from the fact that DMX is a troubled, tormented soul. On And Then There Was X, the multiplatinum-selling Dark Man X uses his signature fragmented flow with its singsongy vocal inflections to preach, teach, and reveal. Melodramatic storytelling has always been his shtick, whether it's tales of robbing liquor stores, plotting violent murders, or teaching shorties the code of the streets. X's inner conflicts are laid out on "Angel," a dialogue between himself and his Lord, and his ability to acknowledge different perspectives of a situation (i.e., repercussions) on several songs add depth to his character. The anthemlike "What's My Name," with its affirmations "I have no friends" and "I'm not a nice person," proves that money, fame, and popularity do not translate into happiness for DMX. --Celine Wong

Dip$et

One of the most productive and experimental rap gangs out. This is a movement. Some people say they have just blown up in the past 2/3 yrs but the truth is they have been around for ever. they were harlemworld then had beef with mase. cam carried them 4 a while then when they signed with the rock it gave them more money to start bigger projects. so enter jim jones juelz and freeky zeeky. they already have the mixtape game on lock. and have 5 increadible mcs. lyricaly that are def ontop of the game. and if u like the clever doc suse rhymes cam spits then u can count 6 great mcs.
Sounds Like:

By king561sam at 2007-11-02

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Record Label: unsigned
Type of Label: Indie