To work hard at what I do for a living. And produce Crazy sick electro for the people who appreciate the music!! And shoot my first sanction 800 soon!!!To bring possitive vibes
to my real true friend in life, u know who u are!! Keep on moving my life forward to the best that i can.
History of Miami BassMiami bass (also known as booty music, a term that may also include other genres) is a type of hip hop music that became popular in the 1980s and 1990s, known for applying the Roland TR-808 sustained kick drum, slightly higher dance tempos, and occasionally sexually explicit lyrical content. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly black Miami ghettos such as Liberty City" [1]. Miami bass has never had consistent mainstream acceptance, but has had a profound impact on the development of drum'n'bass and Southern rap.Unterberger has called Maggotron (James McCauley, also known as DXJ, Maggozulu 2, Planet Detroit and Bass Master Khan) the "father of Miami bass". He created the Miami bass sounds with vocoders and what Maggotron referred to as the "thrombic boomulator" to produce the distinctive low-pitched and distorted vocals [2]. In the 80s, the focus of Miami bass was on the DJs and record producers rather than the performers. Record labels like Pandisc were also well-known. "Bass Rock Express" by MC ADE is often credited as the first Miami bass record ever.Luther 'Luke Skyywalker' Campbell, of the crew 2 Live Crew, did the most to popularize Miami bass in the late 1980s and early 1990s. Their The 2 Live Crew Is What We Are, released in 1986, became controversial for sexually explicit and profane lyrics. The 1989 As Nasty As They Wanna Be, and its hit single "Me So Horny", was even more controversial and led to legal troubles for 2 Live Crew and retailers; all charges were eventually overturned on appeal.Miami Bass is closely related to the modern genres of Ghettotech and Booty House, which combine Detroit techno and Chicago house with the Miami bass sound. Ghettotech follows the same sexually-oriented lyrics, hip-hop basslines and streetwise attitude but with harder, uptempo Roland TR-909 techno-style kick beats.
Electro Bass: Robots Don't DieAll the while Bass grew into its own genre without ditching its roots in
total. As MC A.D.E continued to make albums that only peppered its play
lists with Vocoder driven Electro songs built on a solid foundation of
Bass, Dynamix II and DXJ (including all of DXJ's aliases such as the
ominous "Maggotron") would forge forward with the idea of Electro as the
main fuel. Pretty Tony pumped out a few more releases under his primary
alias, "Freestyle", but now grafted Bass onto his methods in the final
years of his work. Joey Boy Records' in house producers known as "Rock
Force" contributed to the sound as "Bass Patrol" in 1988 before the
group's name was reallocated to another act within the label. Dynamix II
alumni such as David Noller, Lon Alonzo, Scott Weiser, and Phil "Bass Junkie" Klein
produced enough material to carry the Electro-Bass sub-genre up to the
present day. The fixed presence of Electro in Miami Bass proved to be an
influence for all involved, no matter how much they necessarily drew from
it directly.
Proto-Bass: Sustaining the 808If Arthur Baker is credited with introducing Roland's TR-808 drum machine
to the Hip-Hop lexicon via "Planet Rock" in 1982, then it must be noted
that it was the NY team of DJ Jazzy Jay and Rick Rubin who first sustained
the 808's kick drum on T La Rock's" 1983 Def Jam debut "It's Yours".
Though the song made little impact that year, it became a template for
bottom heavy rap songs after Arthur Baker re-released it in 1984 on his
"Streetwise/Partytime" label. As Rick Rubin would go on to reuse his
successful formula with Run DMC, LL Cool J, and The Beastie Boys, other
producers cashed in on this model in the mid-80's. Most notably were Miami
producer Amos Larkin III, New York based Mantronix, and an unknown West
Coast rap group named 2 Live Crew. The music that these artists produced
in the year spanning 1984 and 1985 formed a new sound for Black music fans
in the South and on the West Coast: Bass.
FRAJILE RECORDING USA. RECORD RELEASE EVENT @ REVOLUTIONS
Like in minded Bass freakz, Electro head loverz, and also Down To Earth People! People that respect for others.. People that got a good head on thier shoulders.. Have to be into music, for sure!! Same interest in life.. People that are positive about life!! No Drama here!! People that are focus into thier goals in life.. There is a lit bit of info, i just do the best that i can in life to reach my goalz!!
As far as Electro go's I gotta say my parnterz Jame Wolfe and Doug aka Sinistar, and as well UND3RGROUND TECHNICIANZ,Anthony Rother,DynamixII, Kraftwerk,The Mistery Man,Carl Finlow,Soul Oddity,Jackal and Hyde,Aux 88,The Opeartor,DJAX recordingz,IBM,Claro Intelecto,Mandroid,The Advent,Marc Bailey,Silicon Scally,Transparent Sound,Exzakt,Hydraulix,A1 People,Andrea Parker and the list go on and on. I've also been greatly influenced by the king of Miami Bass Amos Larkins,2 Live Crew,Jealous J and Jock D,Afrika Bambaata,Majic Mike,Pete Rock,Grandmaster Flash,Digital Underground, Beastie Boyz, Run DMC,LL Cool J,Public Enemy,Mantronix,and so many many more!! And is far as scratching go I got to say Craze is my favorite D.J. and is well Roc Raida,A-Trak,The X-Ecutioners,Z-Trip,Mix Master Mike,Q-Bert,Noize,Invisibl Skratch Piklz,Cutmaster Swift and Scratch Perverts are also pimp ass D.J. in the world!!!!!!!!
ESPN all day long!!!..
Definition of the soul:
"Life as spirit is the life of the soul, which includes mind and body, but not as [substantive] realities alongside the soul. Spirit is not a 'part,' nor is it a special function. It is the all-embracing [temporal] function in which all elements of the structure of being participate. Life as spirit can be found by man only in man, for only in him is the structure of being completely realized" (Systematic Theology, vol. I, 250).
KRAFTWERK
I deff. got to say God is no.. 1 and My family is 2nd, for sure!!!