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The Pregnancy Stork

“See me with your ears, open like a book”

About Me

WE'VE EMIGRATED! THE STORK FLEW SOUTH AND WEST AND NOW RESIDES ATOP A CHIMNEY IN SEATTLE, WASHINGTON. HER NEST IS FILLING WITH NEW SONGS, SOON TO BE COMING YOUR WAY.
BRAND NEW POSTINGS! Hear two tracks never before made available on MySpace. First is RISE OF THE STACHYBOTRYS, a dense, six-minute stroll through a bacteria-laden field of thick, opaque sheets of distorted keyboard and guitar, courtesy of Georgeanne Laidlaw's first solo EP, 2002's THE ELOPEMENT LADDER, a record that Gerard Sirius of La Discorde Mensuel claims “Is where Miss Laidlaw finally obliges us by peering over the wall of her own inscrutability.” Second is JAZZ SCARECROW, a brief but exuberant exercise in horn and key-based cacophony from The Pregnancy Stork's self-titled 2007 album, a slice of sound offering a tempo forceful enough to move small objects measurable distances. ALSO NOW PLAYING ARE: STARPOWDER, a reverberating sonic mantra from the 2005 release SPACESHIP ELLEVEN, The Pregnancy Stork's second album, a conceptual fifteen-song arc inspired by the noted children's book of the same name, written by Mary Wilson Harver, the creator of “The Little Wooden Darlings”. Second is INTO THE CELESTIAL AVIARY, a sweeping tapestry of droning and chirping, also from SPACESHIP ELLEVEN. Lastly comes HONG KONG DRIVING SCHOOL, a cacophonic backseat ride from The Pregnancy Stork's 2002 debut, MY MOTHER WILL NEVER DIE.
"The Pregnancy Stork's third LP is a promethean surge forward...a soaring and searing fever dream birthed from a dark, tumescent imagination" - CHARTBUSTER MAGAZINE
THE PREGNANCY STORK • AVLRC LP-045 • RELEASED ON 6/23/07 ON BUNDLE OF JOY RECORDS (AN IMPRINT OF A VERY LIMITED RECORDING COMPANY INC.)
TRACK LISTING: 1. What Egg said to Sperm (The Walls are Thin) • 2. March of the Rugby Mums • 3. Tread Gently (The Acorn Girl) • 4. Miserable Metal Horses • 5. Sleepy Car Crash • 6. Animals & Oranges • 7. Jazz Scarecrow • The Stork will Carry Me to my Grave
"What egg said to sperm, was heard by all, for the walls are thin, ushering in the Spring"
A SHORT INTERVIEW WITH GEORGEANNE LAIDLAW
(The following appears on the blog ON ONE LEG
, a Dutch fan site.)
On One Leg: We love Animals & Oranges. What does this mean?
Laidlaw: Oranges have pips, so do zebras.
OOL: Zebras have pips? How is this possible?
Laidlaw: Pips are what? Seeds, the vessel of future generations. We all have pips.
OOL: No, Georgeanne, you have eggs.
Laidlaw: Just try biting into me, sister, you'll find a pip or two.
ANOTHER SHORT INTERVIEW WITH GEORGEANNE LAIDLAW
(The following originally appeared in the March/April issue of Lost & Sound.)
L&S: Could you illuminate what The Stork Will Carry Me to My Grave means? It seems something of a signature song for you guys.
Laidlaw: Well, our titles are always open to interpretation, as is our music. Essentially, it’s a rumination on the nature of eternity/finality, the idea that we are born through death and die by birth.
L&S: Do I sense a Buddhist philosophy here?
Laidlaw: You're asking me to tell you what you sense?

My Interests

Music:

Member Since: 3/23/2007
Band Members: Wayne Trotto, Michael Kozusko, Georgeanne Laidlaw, William Yockey, William Hackett, David Continho
Influences: Sun Ra, Spike Jones, Johannes Brahms, Alfred Teef, Francisco Gabilondo Soler, Early post-Syd Barrett Pink Floyd, and your drunk uncle at the piano.
Sounds Like: "They are to musical composition what an elephant is to furniture. Viva Les Pregnancy Stork!"- La Discorde Mensuel.The third full-length, the self-titled The Pregnancy Stork, sounds something like the previous releases, 2005's Spaceship Elleven and 2002's My Mother Will Never Die, but there is more emphasis on moments of "clear instrumentation" and an obvious shift in tone, with songs like March of the Rugby Mums and Tread Gently (The Acorn Girl) ushering in a new, effervescent and near-giddy quality to their repertoire, harkening back to leader Georgeanne Laidlaw's 2002 solo EP, The Elopement Ladder. The Ottawa-based sextet, experimental soundsmiths of a determined anonymity, once again recorded in their remote and secretive Fuzzy Bear Studios, purportedly a ramshackle farm building somewhere in the Algonquin Provinicial Park region of Southern Ontario. Their catholic approach to recording, utilizing a diverse array of traditional and acutely non-traditional instruments, has put them at the forefront of the marginally-existent "classical noise" scene in their home province, a position they steadfastly refuse to acknowledge.
Record Label: A VERY LIMITED RECORDING COMPANY
Type of Label: Indie