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Maxfield Parrish

Modernistic-Abstractionist-Art...consists of 75% explanation and 25% God knows what!

About Me


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A Hill Prayer December 1899
Mural
Maxfield Parrish was born on July 25, 1870 in Philadelphia, Pennsylvania to Stephen and Elizabeth Parrish. His parents named him Frederick, but he later adopted his maternal grandmother's maiden name as his Christian name. At the time of his birth he lived at 324 North Tenth Street in Philadelphia.
Aquamarine
In 1884, he traveled in Europe with his parents and studied at Dr. Kornemanns's school in Paris. He contracted typhoid in Honfleur, June 1885. They returned to the United States in 1886.
The Garden of Allah
In 1888, Maxfield Parrish became a student at Haverford College in Haverford, Pennsylvania. He graduated in 1892 and was a member of Phi Kappa Sigma.
Aircastles 1904

The Dinky Bird

Deep Snow
In the summers of 1892 and 1893 he painted at the seaside in Annisquam, Massachusetts in a studio he shared with his father.
In 1892, Maxfeild Parrish became a student at Pennsylvania Academy of Fine Arts.
Arithmetic
School Days (Alphabet)
In November of 1893, his painting "Moonrise" was exhibited at the Philadelphia Art Club. It was his first oil painting to be exhibited.
Glen
Old Oak Glen
In 1900, Parrish contracted tuberculosis, and then suffered a nervous breakdown. Around that time, he switched from illustrations to oil painting.

Golden Hours
His oil paintings became very popular, with their brilliant colors and magical luminosity, until well into the 1940s.
To achieve these magical effects, he would apply numerous layers of thin, transparent oil, alternating with varnish over stretched paper, a painstaking process that achieved both high luminosity and extraordinary detail.

Harvest
The tuberculosis hung on and Parrish went to Arizona to convalesce in the dry heat there. While in Arizona, he was commissioned to do a series of landscapes. He began painting and traveling on commission and his career took off.
Arizona
View in the Grand Canyon of the Colorado
Parrish worked at his home in Cornish, New Hampshire, called The Oaks. The Oaks was a popular destination for guests during the summers but in the frozen New Hampshire winters, Parrish dedicated himself to his painting.
Lullbrook Farm
Mountain Farm
Peaceful Night
In 1905, Parrish's met Susan Lewin, a 16-year old girl hired as a nanny for his son Dillwyn. Her image appears often in paintings from this time through the 1920s.
Her Window
Parfum
Pandora
October
Over time, Susan became Parrish's assistant, model for his paintings, and eventually his lover.
Moonlight
His wife, Lydia, and Maxfield grew increasingly estranged and she left him in 1911. Susan stayed with Maxfield for another 50 years.
Pan by a Stream
Old King Cole
He was particularly drawn to such contemporary English artists as the Pre-Raphaelites, Rossetti, and Lord Leighton. Parrish took an immediate interest in Leighton's art, his lifestyle, and these shaped Parrish's artistic vision, and most certainly contributed to the creation of his curious blend of naturalism, fantasy and romanticism.
The Reluctant Dragon 1901
Lady Violetta and the Knave
Puss In Boots 1913
Maxfield Parrish so dominated the images America loved that in the 1920's one out of four homes had his world of make-believe hanging on their walls.

Land Of Make Believe
In a survey taken in 1925, van Gogh, Cezanne and Parrish were thought to be the three greatest artists of all time. Consequently, Maxfield Parrish was the single most popular American artist of the early decades of the 20th century.
Egypt
Wife: Lydia Austin (ethnologist, m. Jun-1895, d. 1953) Son: John Dillwyn Parrish (b. 1904) Son: Maxfield Parrish, Jr, (b. 1906) Son: Stephen (b. 1909) Daughter: Jean (b. 1911)
The colors appearing in Parrish's works were so bold that even today cobalt blue is still referred to as "Parrish blue."

The Mill Pond
Christmas Eve
Christmas Morn
In successive years Maxfield Parrish garnered major commissions for many national magazines and books, including a yearly calendar contract with Edison Mazda (General Electric).

Primitive
Venetian Lamplighter 1922
The Lamp Seller of Bagdad
Spirit of the Night
Riverbank
His success attracted a group of fellow artists and also admirers of his estate, called "The Oaks," near Cornish, at Plainfield, New Hampshire. He personally designed and built much of the building complex by himself with the help of a local carpenter. By the 1900's there were many artists and intellectuals in full-time residence at Cornish. The area had become an artist colony in its own right and even attracted President Woodrow Wilson to reside there during the summers.

Manager
In the years from 1904 to 1935 Parrish was never at a loss for work. His fame grew and his commissions soared up to $2,000 per illustration. This was a time when illustrators were celebrities.

The Idiot
Man In An Apple
In 1922 Parrish completed a painting that was a pinnacle for him in many ways. This painting entitled 'Daybreak' features his daughter Jean, an artist in her own right, and Kitty Owen, the daughter of William Jennings Bryan. It was laid out with dynamic symmetry, embodied classical elements, and featured a mountainous "Parrishscape" in its background; in short, 'Daybreak' was quintessential Parrish. The ensuing art print of this painting is thought to be the most widely sold art print in history.

Daybreak 1922
From 1931 onwards Parrish painted landscapes for a calendar series as well as for greeting cards and playing cards.

Shufflin
In 1960 Parrish stopped painting altogether after Susan Lewin, his model and companion of 55 years, married at the age of 70. Maxfield Parrish quietly passed away at the age of 95 at "The Oaks" on March 10, 1966. He had lived to see his work continually recognized and revered by successive generations throughout the world.

Sheltering Oaks
Dreaming, 1928 There was originally a nude woman seated by a large tree. After publication, Parrish decided to remove the girl and change various elements. He never completed the job. This painting clearly demonstrates his technique.

My Interests


"DREAM GARDEN" 1914, oil on panel
the maquette from which his stunning DREAM GARDEN mural at the Curtis Publishing Company building was fashioned. In the only collaboration of his artistic career, Parrish’s 2ft 1 1/2in x 6ft 6in DREAM GARDEN was enlarged and translated into a 15ft x 49ft favrille glass mosaic by Louis Comfort Tiffany. Installed in the Curtis lobby in 1915, the mosaic was hailed at the time as ‘a veritable masterpiece’. This painting is a wonderful complement to the FLORENTINE FETE murals exhibited at the National Museum of American Illustration, which, like DREAM GARDEN, were commissioned for the Curtis Publishing Company building in Philadelphia.

"...it is rather interesting to be alive and think of things; to take delight in the trivial qualities of the material world around you, having discovered long ago you don't have to go so far afield to get it. I sometimes think the dawn of a new day, the magic silence of mid-winter is about all there is, and however that may perhaps be, it is good to know no better."
- Maxfield Parrish

"PRESENTATION PIECE FOR THE FLORENTINE FETE -A Call to Joy" 1910, oil on stretched canvas
This smaller artwork was created to convince the Curtis Publishing Company to commission Parrish for the 18 panels that make up A FLORENTINE FETE. Created between 1910 and 1916 for the girls’ dining room at the publishing house, the murals were widely reproduced throughout the years, including use as art prints and on the cover of the first women’s magazine, the Ladies Home Journal. The murals, Parrish’s largest, and arguably greatest, work became most beloved by the public in the process, and in 1917 the hall in which they were exhibited became known as the Maxfield Parrish Dining Room, ‘the most beautiful dining room in America’.

Pueblo Dwellings 1902

A Strong-Based Promontory

Saint Patrick 1903

Easter Boy with Lillies 1905

Black Isles

Before Dawn

Illustration for "L'Allegro" December 1901

The Pied Piper 1909

Maxfield's Restaurant in San Francisco, CA is named for Maxfield Parrish. They have the original Pied Piper mural on display in the bar area. http://www.maxfields-restaurant.com

Gulnare of the Sea 1910

Sleeping Beauty 1912

Enchantment (Cinderella) 1913

Ecstasy 1929

Contentment

Dreamlight

Enchanted

Hilltop

Morning (Spring) 1922

Waterfall

Stars

I'd like to meet:

/a

Music:


MAXFIELD PARRISH (1870-1966) "MY DUTY TOWARDS MY NEIGHBOR/ MY DUTY TOWARDS GOD" 1898, oil on canvas/ oil on panel, frame: oak and white pine

MY DUTY TOWARDS MY NEIGHBOR/ MY DUTY TOWARDS GOD was created in 1898 for the Mrs. Parsons Memorial Chapel at the Trinity Episcopal Church in Lenox, MA. The artwork remained in the church until its sale to a private collector in early June 2006, and has never before been publicly exhibited. At the church, in its position above the fireplace as placed by Parrish’s hands, it was rarely seen by visitors, as the chapel was later converted to a nursery school. Art historian Coy Ludwig said of these small murals, executed on pine boards, that they ‘have the interesting Pre-Raphaelite quality sometimes seen in the products of the Arts and Crafts Movement in America.’ There is no doubt that the faces and costumes are reminiscent of Rosetti and Waterhouse. The frame, with its design, colors and lettering, all executed by the artist, is also derivative of the Arts and Crafts Movement. Parrish obviously felt that such a commission deserved the full treatment, and that if he had left the framing up to the congregation he would have lost control of the total effect he wished to create. As a complete object, it stands as a testament to the artist’s many talents and vision. It is his only diptych and truly is unique amongst his oeuvre.

Enya - Caribbean Blue

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Water on Field of Alfalfa 1902

Princess Parizade Bringing Home the Singing Tree

Dream Castle in the Sky

Getting Away From It All

Sing a Song of Sixpence 1910

"There are countless artists whose shoes I am not worthy to polish--whose prints would not pay the printer. The question of judgment is a puzzling one." - Maxfield Parrish

In 1930 Parrish told the Associated Press: “I'm done with girls on rocks.”

Night is Fled (Dawn) 1918

Moonlight Night Winter 1942

Little Sugar River at Noon c. 1922-24

Jack Frost 1936

Movies:


Village Brook 1941

Dusk 1942

At Close of Day 1954

Hunt Farm 1948

Peace of Evening 1950

New Moon 1958

The Tempest 1909

Spring

Solitude

Sunlit Valley

The Prince

White Birches

"The hard part is how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, of air and space."
- Maxfield Parrish

Winter Night

Television:

The Maxfield Parrish suite in Rogues Manor, Eureka Springs, Arkansas

Griselda 1910

A Venetian's Night Entertainment 1903

Reverie

Seein' Things

1/3/24

1921

1923

Books:



Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe—
Sailed on a river of crystal light,
Into a sea of dew.
“Where are you going, and what do you wish?”
The old moon asked the three.
“We have come to fish for the herring fish
That live in this beautiful sea;
Nets of silver and gold have we!”
Said Wynken,
Blynken,
And Nod.
The old moon laughed and sang a song,
As they rocked in the wooden shoe,
And the wind that sped them all night long
Ruffled the waves of dew.
The little stars were the herring fish
That lived in that beautiful sea—
“Now cast your nets wherever you wish—
Never afeard are we”;
So cried the stars to the fishermen three:
Wynken,
Blynken,
And Nod.
All night long their nets they threw
To the stars in the twinkling foam—
Then down from the skies came the wooden shoe,
Bringing the fishermen home;
’T was all so pretty a sail it seemed
As if it could not be,
And some folks thought ’t was a dream they’d dreamed
Of sailing that beautiful sea—
But I shall name you the fishermen three:
Wynken,
Blynken,
And Nod.
Wynken and Blynken are two little eyes,
And Nod is a little head,
And the wooden shoe that sailed the skies
Is a wee one’s trundle-bed.
So shut your eyes while mother sings
Of wonderful sights that be,
And you shall see the beautiful things
As you rock in the misty sea,
Where the old shoe rocked the fishermen three:
Wynken,
Blynken,
And Nod.
The Pool at Villa d'Estebr
In the Gardens of Isola Bella

Heroes:


Cadmus Sowing the Dragon's Teeth 1908

Canyon

Circes

The Lantern Bearers 1908

Interlude: The Lute Players 1922

Jason and His Teacher 1908

Winter Evening

Sinbad Plots Against the Giant 1907

My Blog

Los Angeles, CA Times article refers to MP’s work

From his pen flows the Sierra Nevada John Muir Laws created 2,800 pictures of an ecosystem. What comes through on the pages? Slack-jawed amazement at the natural world.By William BoothWashington PostJ...
Posted by Maxfield Parrish on Wed, 16 Jan 2008 05:12:00 PST

Twelfth Night and museum outing, Newport, RI

  Seize Saturday: Twelfth Night and 24-hour play festival 01/12/2008 01:00 AM EST Part circus, part parade Westerly's Twelfth Night pageant  part circus, part parade, part opera  is today...
Posted by Maxfield Parrish on Wed, 16 Jan 2008 05:10:00 PST

J.C. LEYENDECKERS WORK INSPIRED ROCKWELL AND MORE AMERICAN ORIGINAL: A STYLE APART

J.C. LEYENDECKER'S WORK INSPIRED ROCKWELL AND MORE AMERICAN ORIGINAL: A STYLE APART A> 'America's "other" illustrator' is focus of new exhibit at Gari Melchers Home and Studio in Falmouth, which welco...
Posted by Maxfield Parrish on Tue, 11 Dec 2007 04:38:00 PST

Stephen Parrish (Maxfield’s father) Catalogue Raisonné

Stephen Parrish Catalogue Raisonné Published By The Old Print Shop   Shown left, Stephen Parrish / The Etchings: A Catalogue Raisonné, which is being published in November. Right, at The Balti...
Posted by Maxfield Parrish on Thu, 15 Nov 2007 05:30:00 PST

Maxfield Parrish: Knee-Deep in Parrish Blues

Amanda Barnell October 22, 2007 Amanda Barnell is an inspiring artist who provides original content for many newspapers and websites. This article was originally published in Maxfield Parrish Pri...
Posted by Maxfield Parrish on Thu, 25 Oct 2007 04:02:00 PST

Quotes from and about MP

Thank you for allowing me to use colors as rich and deep as you please. I had always wanted to do so, yet was never allowed because of the color capabilities of our lithographers today. Now that I ha...
Posted by Maxfield Parrish on Wed, 17 Oct 2007 04:45:00 PST

Artcyclopedia - with links

..> " Relationships:  Studied under the great Brandywine illustrator Howard Pyle...> Original works by Maxfield Parrish available for purchase at art galleries worldwide   --> ...
Posted by Maxfield Parrish on Wed, 17 Oct 2007 04:41:00 PST

a NH daytrip

Road Trip - Charlestown to Lebanon By Barbara Radcliffe Rogers --> Published: -->The placid farms and pastures along the Connecticut valley were not always so serene. The river was the major route...
Posted by Maxfield Parrish on Wed, 17 Oct 2007 04:33:00 PST

MA auction featuring Parrish print

Antique Estates Auction Central Mass Auctions Inc. 508-612-6111Thursday, October 25th Auction @ 6:00 PM - Preview @ 3:00 PMVernon Hill Post 435267 Providence St. Worcester, MAImportant Early American...
Posted by Maxfield Parrish on Wed, 17 Oct 2007 04:28:00 PST

Restoring three murals 7/9/04

Maxfield Parrish panels return to Delaware for TLC The 1933 DuPont mural showing the three panels now fully restored ..> Matthew Mickletz and Yeonjoo Kim work on restoring one of the Maxfield Pa...
Posted by Maxfield Parrish on Sat, 17 Mar 2007 12:03:00 PST