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Although being one of the founders and original members of the COROUZ group, Farzad Farzin left the band prior to the release of their debut album and was replaced by Shervin Sohrabian. Farzin later started to prepare an own album which has today, after numerous revisions in terms of content, title and label, come to be released as Sharareh. The collection is mainly the work of Yashar Sabahi, Arzhang Haghani, Arash Masoudpour and of course Farzad himself as the composer of most titles! The latest edition of the album features 9 tracks and is released on Navaaye Raameshe. While leaving COROUZ Farzin brought with him all titles he had created for the group. One of these titles is Sharareh which reportedly does not refer to a girl-name but rather to the fire-sparkle! Now weather this is an excuse to avoid troubles with the authorities or not, we dont know. The song itself is musically and vocally a pure COROUZ-sounding song. A traditional EURO-TECHNO tune devoted to the popular genre of the 90s. Needless to mention is this THE HIT of the album, already being broadcasted on the LA-based satellite televisions in video format. Actually it was there where I first heard and saw Farzin performing! Toloo too is a song with the COROUZ sound. A guitar-centric MELODY POP tune with LATIN influences. Rhythmic, yet mellow delivered with a vocally balanced performance by Farzin. One of my personal favourites. Written by its lyricist Ezzati as a Farwell song marking the departure of his beloved from the country, Sally is a LOVE BALLAD with a 70s EBI-esque undertone! This song was actually the last song on the list of the albums recordings, replacing a mystical song entitled Khodaa which was lost due to technical unfortune! By the way, the title and theme of this song prove that one can write and sing songs dedicated to ladies! Next comes another song that was originally created to be on COROUZ debut album! Setareh is an OLD-SCHOOL 6/8 song. A well-composed and well-preformed HIT with a nostalgic vibe. Shahre Man being the initial working-title of this album is another NRG song with the COROUZ flavour and some Bezan Berim influences imbedded! Is it only me or does Farzin have some FROUGHI-sound-alike tendencies?! A romantic and well-crafted BALLAD entitled Man o To comes in time to calm you down. The chorus had a very subtle melodic reference to some song that I just cant put my finger .. hours of HERS-KHORI I still havent been able to put my finger on what song it is *LOL*! Eh, let me enjoy the clarinet for a while! daraaram daraaaraaam Thank God we havent heard the PROG POP sound for a while now, but another thing that the domestic industry should give a rest for a while is the pseudo-SWING JAZZ sound! Starting with subtle but still tangible references Ghaased soon turns into a POWER POP song of an OLD-SCHOOL calibre! A very interesting bridge with a hectic melange of ETHNIC/LATIN ingredients. Mashoughe Siyaahi starts off with a borrowed classic piece as an interlude! This is a DARK/DRAMATIC piece with a ROCK overtone and a COROUZ undertone. An old but newly arranged song with no ID-tag has been covered by Farzin as Shalizaar! I have no idea to whom this 70s tune belongs .but maybe YOU know?! A rather nice folk-oriented tune. Sharareh deserves a VERY GOOD mark for its elaborate arrangements and performances, the musical performance in particular! The parallels with COROUZ are both inevitable and highly tangible, but not at all strange considering that the man has been one of the main founders of the project. However, Farzins album is more if a versatile nature with a wide range of styles and some pure 6/8 tracks for the markets demand. And considering his commercial plans for the next album you will most likely come to hear more of this 6/8 sound being delivered! Today, Farzin is active as a composer working on Mehdi Modarres upcoming album Kaghaze Mochaale and Mehdi Sahraees forthcoming, while preparing the follow up to Sharareh with the initial working .
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About Dariush Dariush With numerous fans and followers, Dariush Eghbali is one of the most famous of Iranian singers and songwriters. Dariush is best known for his warm and plaintive bass voice heard in both ballads and political songs. He is also a social activist who directs a recovery center for substance abuse called the Ayeneh Foundation. Eghbali was born in Tehran on February 4, 1951. He spent his early life with his family in Karaj and Kurdistan. In 1971, he was introduced to the public by Hassan Khayatbashi. Dariush's first song that hit the charts was "Don't Tell Me You Love Me," and after the single's release, he immediately achieved recognition in Iranian popular music. Since then he has recorded more that 200 songs, most of which share similar themes. Songs performed by Dariush before the 1979 Islamic Revolution can be categorized mostly as ballads, and although he has recorded a greater number of political songs since the Revolution, he had performed a few political songs before the Revolution as well. Dariush has issued up to 25 albums to date, all of which were at least somewhat successful. Among his songs, those recorded prior to the Revolution as singles have since been compiled on a number of albums. Like almost all Iranian artists (especially musicians) who left Iran after the Revolution, there dwells in Dariush's music a deep need for returning to Iran once again. Through his musical life, Dariush has worked with lyricists like Iraj Jannati Ataee, Ardalan Sarafraz, and Shahriar Ghanbari, as well as renowned composers such as Ahmad Pejman, Farid Zoland, and Varoujan. He also has considerable respect for traditional Iranian poets like Rumi and Hafez. Dariush participated in two films as an actor before the Islamic Revolution, Yaran and Faryad Zir e Ab. In the late '70s Dariush was hospitalized after being sprayed with a caustic substance in an attack by an apparently deranged fan. During treatment he used morphine to relieve the pain, and became addicted. Dariush suffered in this condition until recent years when he was finally able to free himself from the grip of addiction with the assistance of specialists; subsequently, Dariush and two physicians founded the Ayeneh Foundation, which has seen considerable success in its treatment of addicts. Dariush has also developed and participated in radio and TV programming aimed at empowering people to confront and overcome substance abuse. He is also a member of Amnesty International, and has received several awards from the human rights organization. (Dariush had been imprisoned before the Islamic Revolution because of his what he has referred to as his deep beliefs.) After the Revolution, in 1981 he left Iran for England. In a recent international festival of music videos in Bahrain, he was recognized for his representation of contemporary Iranian music. ~ Pouya Partovi, All Music Guide
Boro dige dooset nadaram, esmeto nemikham biaram, boro dige nemikham be yadet, cheshmamo rooye ham bezaram, geryehaye to baram fayde nadare, boro ke dige toro shenakhtamet, begoo be ki begam goftanihamo hala ke be harfe hasooda bakhtamet, man tooye shahre arezoo ham vase to, ye ghasre talayi sakhte boodam, be che shoghi be che zoghi ghalb o din o imoonam o bakhte boodam, boro dige dooset nadaram, esmeto nemikham biaram, boro dige nemikham beyadet, cheshmamo rooye ham bezaram, har dafe yeki dar mizane, axe to miad be yade man, ke mioomadi ba yek gole sorkh, dam damaye sobh soraghe man, che bachegoone negah mikardi, negato bavar mikardam, dobare mirafti o man to sokootam golato par par mikardam, boro dige dooset nadaram, esmeto nemikham biaram, boro dige nemikham beyadet cheshmamo rooye ham bezaram(X), ghesehaye man o to tamoome ama, yerooz to tanha mishini, harire eshghe gozashtamo az too ayneha mibini, ama dige nist on ke ashkato miboosid o to barash nafas boodi, oni ke barash farshe zamino ye sayeboon ba to bas boodi, boro dige dooset nadaram, esmeto nemikham biaram, boro dige nemikham beyadet, cheshmamo rooye ham bezaram!