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MOVIES,
BOOKS,
TRAVELS,
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507
DALI MEETS ESCHER
DALI
ANYNONE THAT I COULD STAND OR HE COULD STAND ME OR SHE COULD STAND ME!
SUMMER 2007-LJUBLJANA(SLOVENIJA)
Muppet Show
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Jamiroquai, Traveling Without Moving (Live)
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David Bowie & Nine Inch Nails- I'm Afraid of Americans
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AFROJAZZFUNK,
ROCK,
CLASSIC,
PROGRESSIVE,
EXPERIMENTAL...
Herbie Hancock & The Headhunters - Chameleon (Part 1 of 2)
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Herbie Hancock & The Headhunters - Chameleon (Part 2 of 2)
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ANTONIONI's Zabriskie Point
ANTONIONI's
L'eclisse - final scene
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JEAN COCTEAU
La belle et la bête (1946) - Original Trailer
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TARKOVSKY's Mirror
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ALAIN RESNAIS L'annee derniere a marienbad
INGMAR BERGMAN - Persona
VERTIGO(ALFRED HITCHCOCK),
SOLARIS-STALKER(TARKOVSKI),
TRUST
(HARTLEY),
IN THE MOOD FOR LOVE(WONG KAR-WAI),
THE MATRIX-V FOR VENDETTA(THE WACHOWSKI BROTHERS),
REQUIEM FOR A DREAM-?(DARREN ARONOFSKY),
MEMENTO(CHRISTOPHER NOLAN),
PAN'S LABYRINTH(GUILLERMO DEL TORO),
CITY OF GOD(FERNANDO MEIRELLES),
AMELIE(JEAN-PIERRE JEUNET),
PROSPERO'S BOOKS(PETER GRENAWAY),
THE IPCRESS FILE(LEN DEIGHTON),
AMORES PERROS/Love is a Bitch
(ALEJANDRO GONZALEZ INARRITU),
PERSONA(INGMAR BERGMAN),
DON'T LOOK NOW(NICOLAS ROEG),
ASCENSEUR POUR L'ECHAFAUD/Elevator to the Gallows (LOUIS MALLE),
LE MEPRIS/Contempt-
A BOUT DE SOUFFLE (Breathless)-
PIERROT LE FOU(Crazy Pete), (JEAN-LUC GODARD),
THE THOMAS CROWN AFFAIR(NORMAN JEWISON),
UN CHIEN ANDALOU (An Andalusian Dog)-
L'ÂGE D'OR(The Golden Age)-
LE FANTOME DE LA LIBERTE(The Phantom of Liberty)-
EL ANGEL EXTERMINADOR(The Exterminating Angel)(LUIS BUNUEL)
HIROSHIMA MON AMOUR- L'ANNEE DERNIERE A MARIENBAD(ALAIN RESNAIS)
JOHNNY GOT HIS GUN(DALTON TRUMBO)
ALFRED HITCHCOCK - Vertigo
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CAROL REED - The Third Man
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SPACE 1999,
THE TWILIGHT ZONE,
X-FILES,
BATTLESTAR GALACTICA,
HEROES
space 1999
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SALVADOR DALI & WALT DISNEY's "Destino."
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CESARE PAVESE(22/03/1950)
DEATH WILL COME WITH YOUR EYES
This death that accompanies us
from morning till night,
sleepless,
deaf,
like an old regret
or a stupid vice.
Your eyes
will be a useless word,
a muted cry, a silence.
As you see them each morning
when alone you lean over
the mirror.
O cherished hope,
that day
we too shall know,
that you are life and nothing.For everyone death has a look.
Death will come with your eyes.
It will be like terminating a vice,
as seen in the mirror
a dead face re-emerging,
like listening to closed lips.
We'll go down the abyss in silenceEDGAR ALLAN POE
THE RAVEN
EDGAR ALLAN POE
A DREAM WITHIN A DREAM
Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow -
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand -
How few! yet how they creep
Through my fingers to the deep,
While I weep -- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?.
TIM BURTON-Vincent
OSCAR WILDE
SONNET TO LIBERTY
Not that I love thy children,
whose dull eyes
See nothing save their own unlovely woe,
Whose minds know nothing,
nothing care to know,
But that the roar of thy Democracies,
Thy reigns of Terror,
thy great Anarchies,
Mirror my wildest passions like the sea,
And give my rage a brother-
! Liberty!
For his sake only do thy dissonant cries
Delight my discreet soul,
else might all kings
By bloody knout or treacherous cannonades
Rob nations of their rights inviolate
And I remain unmoved-
and yet, and yet,
These Christs that die upon the barricades,
God knows it I am with them,
in some things.
THE TRIAL(extract)
FRANZ KAFKA
"In front of the law
there is a doorkeeper.
A man from the countryside
comes up to the door and asks for entry.
But the doorkeeper says
he
can't let him in to the law right now.
The man thinks about this,
and
then he asks
if he'll be able to go in later on.
'That's possible,'
says the doorkeeper,
'but not now'.
The gateway to the law is open
as
it always is,
and the doorkeeper
has stepped to one side,
so the man
bends over
to try and see in.
When the doorkeeper
notices this
he
laughs and says,
'If you're tempted give it a try,
try and go in
even
though I say you can't.
Careful though: I'm powerful.
And I'm only the
lowliest of all the doormen.
But there's a doorkeeper
for each of the
rooms
and each of them
is more powerful than the last.
It's more than I
can stand
just to look at the third one.'
The man from the country
had
not expected
difficulties like this,
the law was supposed to be
accessible for anyone at any time,
he thinks,
but now he looks
more
closely at the doorkeeper in his fur coat,
sees his big hooked nose,
his
long thin tartar-beard,
and he decides
it's better to wait until he has
permission to enter.
The doorkeeper gives him a stool
and lets him sit
down to one side of the gate.
He sits there for days and years.
He
tries to be allowed in time and again
and tires the doorkeeper with his
requests.
The doorkeeper often questions him,
asking about where he's
from and many other things,
but these are disinterested questions
such
as great men ask,
and he always ends up
by telling him he still can't
let him in.
The man had come
well equipped for his journey,
and uses
everything, however valuable,
to bribe the doorkeeper.
He accepts
everything,
but as he does so he says,
'I'll only accept this so
that
you don't think there's anything you've failed to do'.
Over many years,
the man watches the doorkeeper almost without a break.
He forgets about
the other doormen,
and begins to think
this one
is the only thing
stopping him from gaining access to the law.
Over the first few years
he
curses his unhappy condition out loud,
but later, as he becomes old, he
just grumbles to himself.
He becomes senile,
and as he has come to know
even the fleas in the doorkeeper's fur collar
over the years that he has
been studying him
he even asks them to help him and change the
doorkeeper's mind.
Finally his eyes grow dim,
and he no longer knows
whether it's really getting darker
or just his eyes
that are deceiving
him.
But he seems now to see
an inextinguishable light begin to shine
from the darkness behind the door.
He doesn't have long to live now.
Just before he dies,
he brings together all his experience
from all this
time
into one question
which he has still never put to the doorkeeper.
He beckons to him,
as he's no longer able to raise his stiff body.
The
doorkeeper has to bend over deeply
as the difference in their sizes
has
changed very much to the disadvantage of the man.
'What is it you want
to know now?'
asks the doorkeeper,
'You're insatiable.'
'Everyone wants
access to the law,
' says the man,
'how come, over all these years,
no-
one but me has asked to be let in?'
The doorkeeper can see
the man's
come to his end,
his hearing has faded,
and so,
so that he can be heard,
he shouts to him:
'Nobody else
could have got in this way,
as this
entrance was meant ONLY FOR YOU.
Now I'll go and close it'."
Women in Art
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FRANZ KAFKA-THE TRIAL,
VLADIMIR NABOKOV-LOLITA,
SAMUEL BECKETT-FIN DE PARTIE,
ADOLFO BIOY CASARES-LE INVENCION DE MOREL,
ALDOUS HUXLEY-BRAVE NEW WORLD
JOSEF K,
CAPTAIN MARVEL,
JUDGE DREDD,
WILE E.COYETE,
TAZ,
DUFFY DUCK,
PINK PANTHER...
LOUIS KAHN MY ARCHITECT