Arrington de Dionyso profile picture

Arrington de Dionyso

"The James Bond of Free Improvisation."

My Interests

Music:

Member Since: 12/1/2006
Band Website: krecs.com/oldtimerelijun
Band Members: Arrington de Dionyso uses performance as a vehicle for driving through the nameless territories held between surrealist automatism, shamanic seance, and the folk imagery of rock and roll. Arrington performs on the bass clarinet, jaw harps, and his voice with a distinctly multiphonic ability inspired by Tuvan throatsinging and the ecclesiastics of Albert Ayler and Don Van Vliet. Pushing the envelope between musicality and pure energy, between shamanic ecstacy and lunacy, he enwraps rooms with resonant sound. He tours constantly, and has performed or/and recorded with notable improvisers throughout the U.S.A., Canada, Italy, France, Israel and Lithuania. He presents workshops on improvising with the voice in conjunction with his travels around the world.
Influences: ARRINGTON DE DIONYSO: WORKSHOP INFORMATION Unleashing the Voice in Creative Music: From Raw Expression to Refined Technique: A performance / workshop with Arrington de DionysoThe human voice is the oldest instrument of artistic expression and our primary means of day-to-day communication. Cultivating an awareness of vocal ability and understanding the process for removing vocal limitations is a useful undertaking for any person. The purpose of this workshop is to help individuals free their voices. Participants will leave the workshop with an enhanced understanding of the expressive capacity of the voice across cultures, and the tools to expand their own voices beyond everyday speaking and singing.In this workshop we will explore the voice as an instrument of the body and soul. Participants will receive instruction in extended techniques used by contemporary musicians and sound poets, while gaining awareness of multiphonics as practiced in a number of traditional and non-traditional settings, with particular emphasis on Tuvan throat singing. Instruction in these enriching techniques will be accompanied by discussion of aesthetic concerns related to the musical cultures covered.The workshop will be limited to 12 students, so that each participant may have the opportunity to perform for each other in an intimate, supportive environment. This workshop is excellent for those working in interdiscliplinary fields, with interest areas in music, dance, theater, poetry, visual arts, healing sound, and ethnomusicology.
Sounds Like:
Record Label: K Records
Type of Label: Major

My Blog

PINE CONE ALLEY CATALOG

Pine Cone Alley began in 1989 as a cassette label. From 89 until about 1995 I released over ten hours of self-recorded four track cassette tapes. I get a lot of inquiries about these tapes= trust me, ...
Posted by Arrington de Dionyso on Fri, 14 Dec 2007 08:28:00 PST

Old Time Relijun new bio- test

"In the ancient of days, we gathered up from the mud." Olympia, Washington. New Year's Day, 1995. A dark and smelly basement. Three young musicians gather to tackle the vast songbook of Arrington ...
Posted by Arrington de Dionyso on Mon, 25 Jun 2007 04:36:00 PST

Throatsinging Question?

so- your question was this-What place, if any, does the music and culture of the nomads of Tuva have in the west? How has it influenced your own music? etc etc. RESPONSE-I think I have gone through se...
Posted by Arrington de Dionyso on Sun, 22 Apr 2007 03:06:00 PST

A Most Fucked Up Tour Story

folks= this was written as it was happening in 2002. There's a lot of details not included here because I wasn't sure if my mom would find it online someday or not...someday I would like to re-edit th...
Posted by Arrington de Dionyso on Sat, 17 Mar 2007 01:45:00 PST

The King of Chaos

The King of Chaos by Kate M. Johnson A man named Arrington de Dionyso is sleeping in my living room tonight. He is going to sleep after playing a concert in my living room. I'll call it a concert for ...
Posted by Arrington de Dionyso on Sat, 17 Mar 2007 12:16:00 PST

Back from Japan, more touring

Shows with Maher Shalal Hash Baz were all so incredible, each night so different. We did several shows, in Tokyo and Kyoto I think, doing the entire songlist from "L'Autre Cap" in the same order as th...
Posted by Arrington de Dionyso on Mon, 05 Mar 2007 02:32:00 PST

Interview in French from Belgian Website

from www.mille-feuille.fr (November 2005?)Pas seulement leader de l'incandescent Old Time Relijun, Arrington de Dionyso est aussi un passionnant personnage musicien, aujourd'hui capable de tenir un se...
Posted by Arrington de Dionyso on Sun, 14 Jan 2007 10:28:00 PST

review of art/music performance

Yves Brochard's review of Arrington de Dionyso's expo and performanceMarch 26th at Atelier Cardenas Bellanger, Paris."Breath of Fire" (1) This Sunday, at the gallery (2), Arrington de Dionyso playssur...
Posted by Arrington de Dionyso on Mon, 11 Dec 2006 01:18:00 PST

Review of "Breath of Fire"

Arrington de DionysoBreath of FireWritten By: Clifford AllenRating 9.0Tracing the course of free music from the Bowery to the Tibetan steppes might seem a tenuous proposition, but it's not improbable....
Posted by Arrington de Dionyso on Sat, 02 Dec 2006 10:13:00 PST

Bio and Workshop information

Arrington de Dionyso uses performance as a vehicle for driving through thenameless territories held between surrealist automatism, shamanic seance,and the folk imagery of rock and roll. Arrington perf...
Posted by Arrington de Dionyso on Sat, 02 Dec 2006 09:09:00 PST