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Down Two Then Left!!

Darius Milhaud (1892-1974)

About Me

Hello everyone and welcome to Darius Milhaud's Myspace page. This page is dedicated to one of the most gifted and prolific classical composers of modern classical music. He has been an inspiration to many great composers and musicians during the time of his music life and will continue on as an inspiration to many others in the future. Born in Aix-en-Provence on September 4th, 1892, Milhaud studied in Paris at the Paris Conservatory where he met his fellow group members Arthur Honegger and Germaine Tailleferre. He studied composition under Charles Widor and harmony and counterpoint with André Gédalge. In addition he studied privately with Vincent d'Indy. As a young man he worked for a while in the diplomatic entourage of Paul Claudel, the eminent poet and dramatist, who was serving as ambassador to Brazil.On a trip to the US in 1922, Darius Milhaud heard "authentic" jazz for the first time, on the streets of Harlem, which left a great impact on his musical outlook. Using some jazz movements, the following year, he finished composing "La Création du Monde" ("The Creation of the World"), which was cast as a ballet in six continuous dance scenes.He left France in 1939 and emigrated to America in 1940 (his Jewish background made it impossible for him to return to his native country until after the Liberation); he secured a teaching post at Mills College in Oakland, California.From 1947 to 1971 he taught alternate years at Mills and the Paris Conservatoire, until poor health, which caused him to use a wheelchair during his later years (beginning sometime before 1947), compelled him to retire. He died in Geneva in 1974.

My Interests

I'd like to meet:

Notable students of Milhaud:Iannis Xenakis Morton Subotnick Dave Brubeck Bill Smith Burt Bacharach Benjamín Gutiérrez Sáenz Steve Reich Karlheinz Stockhausen (though he left his studies early) William Bolcom Charles Dodge Philip Glass (During a summer camp where he challenged Aaron Copland's opinion) Stanley Hollingsworth His compositions are particularly noted as being influenced by jazz and for their use of polytonality (music in more than one key at once).Milhaud (like his contemporaries Paul Hindemith, Bohuslav Martinu and Heitor Villa-Lobos) was an extremely rapid creator, for whom the art of writing music seemed almost as natural as breathing. His most significant works include Le Boeuf sur le Toit (ballet), La Création du Monde (a ballet for small orchestra with solo saxophone, influenced by jazz), Scaramouche (for Saxophone and Orchestra, transcribed also for two pianos), and Saudades do Brazil (dance suite). His autobiography is titled Notes Sans Musique (Notes Without Music), later revised as Ma Vie Heureuse (My Happy Life).
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Music:

OperasChristophe Colomb (1930) Médée, text by Madeleine Milhaud (his wife and cousin) (1939) Bolivar (1950)BalletsL'Homme et son désir, Op. 48, for four wordless singers, solo wind, percussion, and strings '"Le Boeuf sur le Toit", Op. 58 (1919, after Cocteau) La Création du Monde, Op. 81, for small orchestra (1923)OrchestralSymphonies Symphony No. 1 Symphony No. 2 Symphony No. 3 Symphony No. 4 Symphony No. 5 Symphony No. 6 Symphony No. 7 Symphony No. 8 Symphony No. 9 Symphony No. 10 Symphony No. 11 Symphony No. 12 Saudades do Brazil, Op. 67 (1920, initially for piano, arr. for orchestra) Suite provençale, Op. 152b, for orchestra (1937)ConcertantePiano Cinq Études pour piano et orchestre, Op. 63 (1920)Le Carneval d'Aix, Op. 83b, fantasy for piano and orchestra (1926)Scaramouche, for alto saxophone and orchestra (1939, rearrangement of the original theatre music for saxophone and small ensemble) I. Vif II. Modéré III. BrazileiraConcerto pour batterie et petit orchestre, Op. 109, concerto for percussion and small orchestraWindsSuite française, Op. 248 (1944) 1. Normandie 2. Bretagne 3. Île de France 4. Alsace-Lorraine 5. Provence West Point Suite, Op. 313 (1954) Deux Marches, Op. 260 (1960) Introduction Marche funèbrePianoLe bœuf sur le toit, for two pianos (1919) "Saudades do Brazil", (1920) Botofogo Scaramouche, transcription for two pianos of the original theatre music (1936, originally for saxophone and ensemble)ChamberString quartets (The 14th and 15th string quartets can be performed separately as well as simultaneously as a string octet. For a curious 19th-century example of a composer writing works for simultaneous performance, see Pietro Raimondi.)String Quartet No. 1 String Quartet No. 2 String Quartet No. 3 String Quartet No. 4 String Quartet No. 5 String Quartet No. 6 String Quartet No. 7 String Quartet No. 8 String Quartet No. 9 String Quartet No. 10 String Quartet No. 11 String Quartet No. 12 String Quartet No. 13 String Quartet No. 14 String Quartet No. 15 String Quartet No. 16 String Quartet No. 17 String Quartet No. 18 La Cheminée du Roi René (Woodwind Quintet)VocalMachines agricoles, Op. 56, for one singer and 7 instruments, with texts taken out of a catalogue for agricultural machines (1919)

Heroes:

I consider Bach, Mozart, Beethoven, Stravinsky, Duke Ellington and all of the great composers as one of my heroes. I would also like to express my graditude to my friends, family and colleges Francis Poulenc, Arthur Honegger, my beautiful wife Madeleine, and my son Daniel.