VIDEO GAMES AND SOUND BOARDS
XBOX 360
GEARS OF WAR
PUZZLE FIGHTER HD REMIXED
LOOK FOR ME ON XBOX LIVE
FISTOFTHEWEST
I'd like to meet:
NEW YORK
EDDIE MURPHY
NOAM CHOMSKY
CASTRO
GWB
AUDREY TAUTOU
ROSARIO DAWSON
JACK BLACK AS NACHO LIBRE
WILL SMITH AS FRESH PRINCE
PAM GREIR
SAMUEL L. JACKSON
Megan Fox
ROBERT RODRIGUEZ
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Music:
Music travels to my ears and opens every emotion i have in my body
time after time i listen to classic rock
underground hiphop KoolKeith still on top
ELectronica
HOUSE
westcoast/midwest/south/east coast
every region has its form OF Linguistics that makes music so natural and human.
Movies:
CAPE FEAR REMAKE 91'
DIRTY PRETTY THINGS
RENO 911 THE MOVIE
SUPERBAD
THE QUENTIN TARRANTINO COLLECTION
THIS REVOLUTION
HIGH TENSION
BLACK SNAKE MOAN
YOU GET THE PICTURE, THE MOTION PICTURE?
Television:
WWE RAW WITHOUT THE ROIDS
UFC
NIPTUCK
FLAVOR OF LOVE 1,2,3
ROCK OF LOVE-SAM AND JESS ARE MY FAV ON THE SHOW
WEEDS
CALIFORNICATION
GOT IT GOOD.
Books:
ROLLING STONE
GQ
WRESTLEZONE
MAXIM
JARHEAD
CONVERSATIONS WITH GOD (THANKS GEMZ)
Heroes:
It has been suggested in an article by Roma Chatterji that the hero or more generally protagonist is first and foremost a symbolic representation of the person who is experiencing the story while reading, listening or watching; thus the relevance of the hero to the individual relies a great deal on how much similarity there is between the two. The idea of "identifying" with the hero takes on a very real meaning, in that the hero/protagonist becomes our only key to becoming part of the story rather than remaining merely an observer. If the hero is one with which the observer can't identify very well, the story can seem inaccessible, distant or even insincere. Conversely, insomuch as the reader or viewer relates to and is therefore capable of becoming the hero, they can feel pangs of remorse at the hero's defeats, and relish in his or her triumphs.The most compelling reason for the hero-as-self interpretation of stories and myths is the human inability to view the world from any perspective but a personal one. The almost universal notion of the hero or protagonist and its resulting hero identification allows us to experience stories in the only way we know how: as ourselves.One potential drawback of the necessity of hero identification means that a hero is often more a combination of symbols than a representation of an actual person. In order to appeal to a wide range of individuals, the author often relegates the hero to a "type" of person which everyone already is or wishes themselves to be: a "good" person; a "brave" person; a "self-sacrificing" person. The most problematic result of this sort of design is the creation of a character so universal that we can all identify with somewhat, but none can identify with completely. In regard to the observer's personal interaction with the story, it can give the feeling of being "mostly involved," but never entirely.
