Tennessee For Damien Echols

LETTER TO YOU THE SUPPORTERS FROM MR. DAMIEN ECHOLS, Finally What D's letter says: I want to thank everyone for coming to this site, and for caring about the case. It is your attention which has kept me from losing all hope over the years. It is your support which keeps me going. I'm certain I also speak for Jason and Jessie when I say that we cannot thank you enough. I've been locked up for 13 years and have never actually seen the internet, but still consider it a miracle. It allows people all over the world to keep track of what goes on in Arkansas, and thats a very important thing. It lets our authority figures know they are not operating in a vacuum. It is for that reason that I would ask everyone to please help spread the word. Tell a friend, send an e-mail, or anyone else you think may help. Every single action makes a difference. THANK YOU VERY MUCH FOR YOUR TIME, YOUR INTEREST, YOUR ENERGY, AND YOUR SUPPORT. IT MEANS MORE THAN YOU CAN BEGIN TO IMAGINE. YOURS,Dhttp://www.youtube.com/watch?v=H9VvNgs_j6sDAMIEN LIVES TO LEARN! ANYTHING. IF YOU ARE INTERESTED IN SOMETHING LET HIM KNOW! TELL HIM ABOUT IT, WHATEVER IT IS. DON'T BE WORRIED THAT IT IS STUPID OR DUMB TO YOU. HE MAY NOT BE ABLE TO WRITE YOU BACK BUT TRUST ME HE WILL READ YOUR LETTERS.AND WILL NOT JUDGE YOU. THEY REALLY DO LET HIM KNOW YOU ARE OUT THERE AND HE IS NOT ALONE. HE IS ALONE SO, SO MUCH IN THAT SHITTY LITTLE CELL EVERY LETTER, EVERY PICTURE (FROM COPY PAPER ONLY) SHOWS HIM THERE IS LIFE REALLY GOING ON OUTSIDE THOSE CONCREATE WALLS HE LOOKS AT EVERYDAY, ALLDAY! YOU HAVE NO IDEA HOW MUCH HE ENJOYS HEARING ABOUT YOUR DIFFERENT LIVES. PLEASE DO NOT TALK ABOUT THE CASE BECAUSE OF LEGAL REASONS HE CANNOT RESPOND ON THOSE COMMENTS. HIS ADDRESS IS DAMIEN ECHOLS SK 931 VARNER UNIT P.O. BOX 400 GRADY, AR 71644 PEN AND PAPER ARE RARE IN THE LIFE HE LIVES. PLEASE CONSIDER GIVING A BUCK OR TWO TO HIS COMMISSARY FUND TO PAY FOR THESE THINGS AMONG ALOT OF OTHER STUFF. HE HAS TO PAY FOR ANYTHING HE NEEDS. EVERYTHING! YOU CAN GO TO THE WM3.ORG SITE AND GO TO COMMISSARY FUND AND GO THROUGH THE ADC SITE AND SEND MONEY STRAIGHT TO HIM WITH YOUR VISA OR MASTERCARD CREDIT OR DEBIT CARD. LETTER BELOW FROM DAMIEN....... Get Your Own! | View Slideshow WM3.org .. width="425" height="350" .. http://www.wm3.org/live/howtohelp/linkbanners.php----------- ------------------------------------------------------------ --------- Damiens ART In 1994, Damien Echols, Jason Baldwin, and Jessie Misskelley Jr. were convicted of the vicious slayings of three eight-year-old boys in West Memphis, Arkansas. Had it not been for two HBO documentaries, and help from such celebrities as Winona Ryder, Henry Rollins, Eddie Vedder, Supersuckers and Metallica, the world might have thought justice was served. But the camera revealed the two highly publicized trials to be bizarre, twentieth-century witch-hunts. The three teens were convicted with no physical evidence in what should have resulted in mistrials. The police botched the investigation, and lost evidence that might have exonerated the defendants. Echols awaits death by lethal injection in solitary confinement. Baldwin received life without parole, and Misskelley got life plus forty. To learn more about the WM3, visit wm3.org.---------------------------------------------------- ----------------------------Interview: Echols Creating His Master Key From the Low Quality Lock: An Introduction to Damien's Artwork. - By Anje Vela and Lady Monster|AV|: Damien, I know you are limited with space and materials. Where do you create your artwork?_|DE|_: All of the artwork is made here in my cell, where I am twenty-four hours a day for the most part. I’m usually sitting balanced on the edge of my bunk hunched over whatever I’m working on, which is balanced on my knees.|AV|: You are working on a couple of collage pieces with your wife Lorri, what has this done for your relationship?|DE|: I feel like the pieces that Lorri (my wife) and I are working on together are just the beginning. I’ve always wanted to work on projects with her, but there was never time. Between work and working on the case, there just never was time or energy to spare. We’re both really enjoying it, and we talk about it a great deal – the feel certain pieces give us, the current that runs through it, etc. This could very well be something we continue to do together for the rest of our lives.|AV|: How would you describe your art? How do you create your collages and paintings? |DE|: I believe the artwork could be described in many different ways, on many different levels. The collages, for example…I could say that they’re a bunch of things that I found and glued together, but there’s more to it than that. I’m constantly on the lookout for things that resonate with my own energy, or the energy I’m feeling at a particular time. The whole point of the collage is to catch a split second of a subtle, living, dynamic current and make that split second concrete. If you do it successfully, then the viewer will catch at least a small glimmer of where you were at when it came together. The human psyche is filled with constantly shifting seams, which hold the fabric of “me” together. A collage is an interpretation of one of those seams, in the same way that you could try to describe the color of a sound.The paintings are a little harder to articulate, and require a little back-story. In the 1500’s there was a man named John Dee who was the court astrologer to both Queen Mary I and Queen Elizabeth I. He had a partner named Edward Kelly who acted as a sort of visionary medium for him in the experiments they conducted. Through their own spiritual and psychological exploration they realized that reality is like an onion – one layer wrapped around the next – and that it was possible to peel each layer aside and peek at the one beneath. The more wisdom a person acquires through spiritual growth, the more layers of reality they would be able to peel back and understand. These levels were labeled “aethyrs,” and there are thirty in all. Each aethyr has a sort of guardian angel that embodies the wisdom and energy that is to be found on that particular level. The aethyrs are outside of us, they’re what make up the universe, as we know it – but they are also inside of us. They’re the different levels of our own psyche or “soul.” At any rate almost all of my paintings are representations of the guardian angels of different levels of reality.|AV|: What kind of relief, if any do you get from creating art?|DE|: The relief I get from creating art is being able to express enthusiasm. It allows me to physically manifest intellectual and emotional currents that develop and grow inside of me. It’s a way of being able to show someone what love looks like, or sadness, or anything else. |AV|: How do you acquire your art materials? Do you have paintbrushes? If not, then please tell us what you use. |DE|: My materials are acquired from different places. Sometimes it’s a pile of old magazines and a disposable razor, other times it’s paints ordered from a prison-approved catalog. When I paint I don’t like to use a brush, I prefer Q-tips cotton swabs. I don’t plan on doing any more paintings; it’s out of my system now. The paintings displayed at the show will be the last, I believe. I’ll keep going for a short while longer with the collages, but eventually I’ll exhaust them and move on to something else.|AV|: How do you feel about your premiere art show in San Francisco?|DE|: I am tremendously excited about the art show in San Francisco, almost as excited as If I were going to be there in person. I’ve been participating in all the planning and such, and there aren’t many things “out there” which I get to have a hand in, so this is a pretty big deal for me. I’m hoping that the people who get to see it enjoy themselves even half as much as I’ve enjoyed working on it.|AV|: What tools do you have access to creating your artwork? Where does the paper come from? Do you have canvas? If not, then please tell us what you use.|DE|: I don’t have many tools when it comes to making an art project. I pick up bits and pieces where I can. I’ve traded comic books for a canvas, food for paint, an old AM/FM Walkman for a pad of art paper. Sometimes I’ve just painted on cardboard. I had to use Q-tips at first, because I had no brushes. Then, after I got brushes, I never used them because I had gotten used to using Q-tips.|AV]: How are you able to cut each individual piece you place on your collage paper? Does the prison provide you any tools? If so, what are they? (i.e. paper/scissors/etc..)|DE|: The only thing the prison ever gave me was a disposable razor to shave with – and that’s what I use to cut out pieces for a collage. My fingertips were shredded for a month or so, until I started to develop calluses. It takes a great deal of practice. Just pick up a razor blade and try to cut out some small detail of a photo, and you realize it’s a lot harder than it sounds. I’ve actually ruined pieces because my fingers bled on the paper, or I ended up getting blood on whatever image I was cutting out. It makes you become even more proud of and attached to the ones you manage to put together.|AV|: With your drawings and paintings what tools do you use for these?|DE:| I have two pencils, which I draw with, and I use them sparingly, because there are no more once they’re gone. I use a lot of saliva when I draw. I don’t like clean lines in a drawing, so I lick my thumbs and use the wetness to smudge and smear the graphite. I like to cover the entire space with that smudgy grayness.|AV|: What does your art mean to you?|DE|: Whatever art form I’m working at – painting, collage, sketching – the process is almost like automatic writing for me. I completely disappear and the project becomes what it wants to be. Hours will pass before I realize it. When it’s over I can barely hold my eyes open, and my neck and back will be sore for a couple days afterwards. I absolutely cannot rest until the piece is complete, it won’t let me. It refuses to let me walk away until it comes out how it wants to come out. If art is not sentient, then there’s no point wasting time with it. I look at artwork as an energy current made visible.DAMIEN SAYS, . "Unfortunately, you can't send me any art supplies,” Echols recently lamented. “I have to make do with whatever I come across. My collages are made with a stack of old magazines.” Since his arrest 13 years ago, he has written five books by hand. The digital world may be refreshingly absent from his artistic vision since Damien has never seen a website or even a CD.DAMIEN HAS PUT HIS HEART IN THESE ART PIECES, IF YOU GET A CHANCE TO PURCHASE ONE YOU WILL NOT BE DISAPPOINTED!!!!!