UNIDAD DE TRANSMISION profile picture

UNIDAD DE TRANSMISION

Unidad de transmision (1989-1993)

About Me

UNIDAD DE TRANSMISION (God light and burning machines) live at MUSEUM year 2000 Buenos Aires ARGENTINA
Get this video and more at MySpace.comUNIDAD DE TRANSMISION (Prision virtual) live at CENTRO CULTURAL RECOLETA year 1991
Get this video and more at MySpace.comUNIDAD DE TRANSMISION Let's Change The Way (live) at AUDITORIO MAXI year 1993
Get this video and more at MySpace.comMATIAS KRITZ: MUSICIAN / PRODUCERIn 1989 he forms UNIDAD DE TRANSMISION, the first industrial band of Argentina, together with Carlos Shaw. In the course of time, they manage to develop a great number of fans and supporters to this style. In 1992 they win the Centro Cultural Recoleta award for best new artist. In 1993 they sign a contract with a record company, and record their first EP of remixes called PRISION VIRTUAL. During the same year, UNIDAD DE TRANSMISION makes different shows, e.g. at the Auditorium MAXI 1 and 2 on 9 de Julio Av. where the tickets were sold out. This leads to two consecutive shows at the CASA SUIZA. At the end of 1993, due to different musical preferences, they decide to split up and begin their solo careers. Therefore, in 1994, Kritz forms CARNE PARA CERDOS, an industrial project that includes a quota of conventional instruments (guitar bass and drums) to the programming. Alter a short time, presents his first EP named CPC and with this new project catches the attention of the media and launches his first video clip in high turnover on MTV. He is also interviewed by MUCH MUSIC and by several newspapers, magazines and local radios, such as ROCK AND POP, EL CLARIN, PAGINA 12, ROLLING STONE, MADHOUSE, etc. In 1998 presents his second record of CARNE PARA CERDOS named PAIN MANAGER, and not only makes the musical interlude of a radio show on ROCK AND POP (TIEMPOS VIOLENTOS), but also his first work as artistic producer for the disc SUDAMERICAN PORNO by JESUS MARTYR. This record is edited in Spain by the company REPULSE RECORDS. Thus, Kritz begins a great amount of productions for bands as NOISELAB, 448, VIRTUAL, etc. In 1999 signs a contract with EDEL MUSIC and launches the reissue of PAIN MANAGER. In the meantime, he is hired by the record company TOWER RECORDS, working for them for three years. In 2000, together with UNIDAD DE TRANSMISION, he makes a show with the Belgian band FRONT 242, in front of an audience of 2500 fans of electronic music. At the end of 2001, together with Raúl Cariola, Osko Cariola (ex SANTOS INOCENTES) and César Andino (CABEZONES), creates the production company RESONADOR, with the aim of joining forces and knowledge of artistic productions. From that year onwards, Matías Kritz works in band productions such as CUNDEY MOLEN, SKINMASK, SUBLOW, INFIERNO 18, POOMPIWOM, CABEZONES (opening of Tiempos Violentos) among others. In 2003, Kritz presents his fourth album, the first one in Spanish, called "Cruz de Noche". In this new project, under his own name, Kritz approaches a sound more electronic -in song format-, with an influence much more British rather than American, regarding the sound. Cruz de Noche counts on the presence of guests such as Raúl Cariola, Osko Cariola, Emilio Ihlenfeld (guitar player of SOMA), Martin Delahaye ex bass player of PANZA and now (202), Diego Cariola (bass player of 202), and Sara Ugarte ex vocalist and guitar player of VENUS, the Chilean band. The album contains 11 songs that cover distortion, climate and acoustic moments. In 2006, after many years working on productions only, Kritz takes up again his solo project in English, CARNE PARA CERDOS, and begins the recording of QUANTIZE LIFE" (3rd album by CPC and 6th of his career). On the other hand, during 2006, Kritz composes "CAMINO POLAR", an EP of demos, and continuation of "CRUZ DE NOCHE", which has a free distribution on the internet. Nowadays, Kritz is working on the live presentation of "QUANTIZE LIFE" for 2007. He can also be seen playing live as guest keyboard player together with 202 (Ex Santos Inocentes) and devoted to his digital art works and photography.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CARLOS SHAW:Born in Buenos Aires son of the singer and composer of a Latin Music Style Called "Boleros" Raúl Shaw Moreno. With musical inspiration , in 1986 enters into the Electronic music studying Synthesis and Systems M.I.D.I. already in 1993 he Records the first album of EBM .(Electronic Body Music ) in Argentina forming "UNIDAD DE TRANSMISION" band. After leaving the Group in 1995, Carlos decides to focus his soloist career and continues working under the Aka "Frecuencia Infinita" beginning with participations in compilations with but of 25 records to his credit and carrying out remixes for various Argentine artists, as also composing music for the Dj Romina Cohn working in her EP published by the famous DJ Hells label "Gigolo-Records" (Germany). At the end of the 2003 carried out a tour of 25 presentations by several Argentine provinces as exclusive artist of Marlboro trademark. For that tour the cigarette manufacturer published a release "ELECTRONIC MUSIC" with 8 tracks all composed by Shaw and was the historic quantity of 54.000 copies the ones that were delivered to the assistants of the different shows carried out in that tour. In October 2004 took place the launch of the vinyl disk published by the European label Huron Records which has 3 songs of his own property and a version of the classic track Blue Monday (New Order). In March 2005 Motorola Latinoamerica launched to the market its compiled Motomix 05 with an edition of 220.000 copies to distribute in Latinoamerica where the theme Your Stile is included sharing place in this production with artists of the size of Soulwax, Swayzak, Felix Da Housecat, Metro Area, Franz Ferdinand, etc. Shaw has played a fundamental role in the development of the Argentine Electronic scene, whether diffusing this culture by means of its shows, musical production of new artists, commercial jingles and always required by the most important Djs of Argentina & Brasil to produce or for remixing their works. Along his career he has accompanied to international figures of the size of THE PRODIGY (1998), FRONT 242 (2000), NITZER EBB (2006) and as headliner in the most important clubs & Festivals of Argentina and Brasil like Pacha, Big One, Super Club, Niceto, Mint, Bue Festival, Creamfieds, Sonar Sounds, Crobar, South American Music Conference, Spin Club (Porto Alegre ,Brasil), Skolbeats Festival (Sau Paulo, Brasil), In June 24 2006 was a First Argentine Musician (of Electronic Music) to play in CHINA at JJ-Disco (Beijing China). Two ways to perform live: Dj Set, or Live Band Performing One is an original show for Clubs playing his music from a Laptop, in real time adding synthesizer and his voice, all mixed in a console with the concept that has a DJ with 2 turntables. And another like band where he performs his set with others guest musicians, are SHAW POWER TRIO, where it remains clear that the control of the dance floor never belongs exclusively to Djs but also a band can do a powerful musical set of 3 hours without spaces between a tracks and another passing through climates and hypnotics melodies, with voices perfectly harmonized, mixing musical concepts like Rock, Electro, Disco and Techno.

My Interests

Music:

Member Since: 7/1/2006
Band Website: matiaskritz.com + carlosshaw.com
Band Members: Matias Kritz:Vocals + programing / Carlos Shaw:Backing vocals + programing
Influences: Daf/ Front 242/ Cabaret voltaire/ Nitzer-ebb/ Skinny puppy/ Front line assembly/ Bi god 20/ Meat beat manifesto/ Depeche mode/ Ministry/ Revolting cocks
Sounds Like:

Try the BEST MySpace Editor and MySpace Backgrounds at MySpace Toolbox !
Type of Label: None