Member Since: 7/1/2006
Band Website: black-rat.com
Band Members: Liz Hextall : (Flute)
After years of asking Santa for a piccolo, it was recommended that Elizabeth should try the recorder first, so during her first week at infant school, her teacher was good enough to give her individual lessons. Having mastered most of the instrument by going up to primary school, the flute (the piccolo's bigger friend) was the next on the agenda. Due to no instrument availability she was forced to try the trumpet.This lasted briefly because her front teeth fell out!
Next was the violin which was hopeless. The Head teacher then decided that because she couldn't read music properly and did everything by ear, Elizabeth had no musical ability whatsoever. Private flute tuition followed (ahem!) and flute grade 5 passed with merit before leaving Primary school. Eat your words Headmaster.At the age of 14 liz was playing in John Cleveland college concert band, touring Europe frequently and also assissting a music teacher on Saturday mornings, thus leading to the only job she's ever known or done, private music tuition in flute, clarinet, sax, keyboard, recorder, and music theory. This, incidently, leads the ex-Head teacher to comment "How well you've done for yourself" everytime they bump into one another.After eight years of putting up with the band bullies, Liz had had enough and left to concentrate on playing with the Heart of England Recorder Orchestra of which she is still a Lead descant.Other forays have included 'Three Piece Suite' a wind trio with her friends from the J.C.C band, jamming at the Burbage 'Cross Keys' Irish session, gatecrashing 'Bodgers Mate' gigs and folk nights with Jim Hiron's in Sharnford. Liz joined Black Rat in May 2003 after some prodding by Tony Haggis and is learning how to master a microphone.Steve Hamilton : (Mandolin, Vocals)
Some of the first things people ask when they meet me is "What was Nick Drake like?" and"Why did you leave London?" I tell them that Nick was a good lad and that I left because I hadoutgrown the suburbs.My Mother was musical so I may have got something from her side of the Family. She was brought up inpre-war Germany, but hers is more of a love of the classics than of Traditional music.It seems a great shame to me that the English either don't realise that they have a musical heritage,or they feel it is something to be ashamed of. I think it was Joe Boyd who said that we had probably beentold that our heritage was worthless, initially by the Normans, and that theirs was much better and that weshould look up to them. We don't seem to have recovered yet.When I was young I used to spend a lot of my sleeping hours up near the ceiling of my bedroom,presumably in some 'out of body' experience. I can't do it now, but then I am much taller and can reachthe ceiling if I need to anyway.Working with Black Rat is a bit like going to see one's Grandmother. She gives you ice cold milk in cupwith sugar so it tastes sweet. Her kitchen cupboard smells of desiccated coconut and 'Down Your Way' is alwayson the radio when you turn up at her house on Sunday.I love it!Jamie Marlow(Lead Guitar/Mandolin/Vocals
Born within a stones throw of Heathrow Airport, so always liked noisy things, planes, trains, electric guitars, ("What's that?").
Mostly played rock and blues guitar so this is a relatively new departure, although I've always listened to and admired folk based music and musicians.
Looking forward to a long and fruitful career as a Rat!
Biggest problem is going to be avoiding breaking a leg whilst negotiating a rather large box of strange guitar effects pedals!Tony Haggis : (Fretless 5 String Bass and Soldering Iron)CD Replication Company: “ we are just checking we have licences for the all fonts you used on the CD cover .. we don’t recognise the font you used for the title .. what is it? â€Tony: “ Black & Decker Router Font “
Playing bass in Black Rat seems a minor part of my duties – I mainly get to do the more techie jobs like fixing leads and equipment – serves me right for telling them I am an electrical engineer. However, I did get to design the Black Rat logo and do the CD artwork. It’s amazing what PhotoShop can do.
For less arty minded here is some tedious technical info on the equipment I use:Bass Warwick Streamer 5 string fretlessStrings Rotosound Tru-Bass RL88 black flat-woundStrap A nice piece of leather I cut 5 inches wide –5 string bass is bloody heavy !Gimmicks LED fret markers – black strings on a blackfretless fingerboard in the dark corner of thestage – I need at least some help !Thanx go to www.FretFX.comAmp Eden Nemesis NC320 4x10 320 watt combo –it certainly shifts some air whilst being lightenough to shift JPedal Board:Korg DT10 tunerBoss LM-2B Bass LimiterBoss GEB-7 Bass EqualiserBoss CE-2B Bass ChorusBoss DD-3 Digital DelayPost effects pre-amp – feeds the bass drum mic into the amp– keeps the engine room tight.Tony Haggis I. Eng. M.I.T.E D.M.S.(you can get these sorts of letters after your name if you don’t piss about in science class at school)Rick Cox : (Drums/Vocals)Equipment
Plays Premier & Mapex Orion Drums, Paiste, Zildjan & Istanbul cymbals, Seamus Okane Bodhrans
Previous Bands include
Stretch (Dream in Colour),They call her faith,Inside moves,Radio Talkshow,
The Heist.
Influences: Steve-Folk
Rick-Pop/Rock
Liz-Big Band/Folk/Classical
Tony-Folk/African Zydeco
Jamie-Blues/Folk
These are just the genres of groups we have played in but we have influences from all over the musical spectrum.Check out this video: Black Rat@The Alchemist
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Sounds Like: We can't really answer this as we're not sure if there's a band quite like us!Part of our signature tune at Dorset 2007Live at The Sharnford Arms
Record Label: April Wood Music
Type of Label: None