BURMA CAMPAIGN:
Burma Campaign is to post hardcore what Sonic Youth must have been to the early grunge fans of the late 1980s a glimpse of something new, something fresh, and something soon to be. Hardcore and Emo perished long ago, short-lived scenes that burnt out, but this is neither. While this young Wilmington qaurtet obviously draws from its predecessors in the Hardcore and subsequent Emo scenes of the 1980s and 90s, they, along with several of their local compatriots have returned with a vengeance and a vision to eradicate all that has corrupted what used to be called music. Eschewing the routes of other post-hardcore movements around the nation, the Wilmington scene has gone a route of undeniable and unparalleled ingenuity and depth. Brian, Logan, Nathan, and Forrest are, in many respects, the crusaders for an epoch of creativity and jubilance that we now think of as foreign and anachronistic. To listen to BC and her brothers in arms is to remember what music has been missing for years, a youthful power, desperation, hope, and dare I say playful quality that was driven out of OUR music the same time that someone decided I gave a fuck about who had let the dogs out.
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