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Z O R R O

I AM ZORRO

About Me


. . . Zorro was a mestizo born in the 1790s in Alta California, son of the Asturian Captain Don Alejandro de la Vega and a native woman warrior, Toypurnia. The young Diego is sent to Barcelona by his father to complete his education, shortly before the French Army of Napoleon Bonaparte invades Spain. In the occupied Barcelona of early 1810s, Diego de la Vega discovers his first love and becomes a fighter against foreign oppression. His travels also enable him to learn much of the characteristic Zorro-like skills: acrobatics from swinging on ship masts, fencing from the Spanish master Manuel Escalante, various tricks from gypsies and a ship's cook, and a disguise patterned after a swashbuckling pirate. After the French defeat, De la Vega returns to California, where he decides to continue the fight against the tyranny of his enemy from Spain, pompous Don Rafael Moncada and the landowning nobility—the caballeros—over the people of California. To avoid being recognized, De la Vega assumes the secret identity of Zorro. In his crusade he is helped by his mute servant Bernardo and Tornado, his horse. . . .
. . . with his wordly inanities, his foppish ways, and foolish talk, he was not only wearing a mask, but was playing a deliberate and studied part.
. . . In 1821, during the Mexican War of Independence, Governor Don Rafael Montero (Ex-Moncada) finally discovers the secret identity of Zorro and lays a trap to catch him. The two enemies fight in De la Vega’s mansion, accidentally killing De la Vega’s wife, Esperanza. Don Diego is captured and imprisoned, his home burned down and his infant daughter, Elena, kidnapped and brought up by Rafael Montero as his own daughter during his exile in Spain.Twenty years later, Montero returns to California and makes a plan to separate the region from the new Republic of Mexico, ruled by General Santa Anna, buying California with the gold of a secret mine in the Californian desert. This enterprise is fueled by slave labor in the mine and a clear intent to kill all personnel after the gold is extracted.De la Vega escapes from prison with the intention of taking revenge on Montero and telling Elena her true origin. He also trains a young delinquent, Alejandro Murrieta, as a new Zorro. In the final fight, both Montero and De la Vega die. The new Zorro and Elena get married. Murrieta (now known as Alejandro De la Vega) continues the fight against injustice at least until 1850, when California becomes the 31st US State. Zorro continues his heroic crusade in American California, with the approval and support of his wife Elena and son Joaquín. . . .
There is a ZORRO in every one of us!
This One Time at ZORRO Camp!!...
Always looking for Me!
Z O R R O has been adapted for many movies. They include:The Mark of Zorro, (1920) with Douglas Fairbanks Don Q, Son of Zorro, (1925) with Douglas Fairbanks The Bold Caballero, (1936) with Robert Livingstone Zorro Rides Again, (1937) with John Carroll as a modern-day descendent, Jim Vega Zorro's Fighting Legion,(1939) with Reed Hadley The Mark of Zorro, (1940), with Tyrone Power Zorro's Black Whip, (1944) with Linda Stirling as an 1880s female descendent, The Black Whip Son of Zorro, (1947) with George Turner Ghost of Zorro, (1949) with Clayton Moore Zorro, the Avenger, (1958) with Guy Williams The Sign of Zorro, (1958) with Guy Williams The Erotic Adventures of Zorro, (1972) with Douglas Fey La Gran Aventura del Zorro, (1974) Mexican Western idealizing the Guy Williams portrayal of the character (see TV, below). With Pedro Armendáriz Jr as the villain. Set in a very primitive San Francisco Bay Area. The Mark of Zorro, (1974) with Frank Langella Zorro, (1975), Zorro meets the spaghetti western, with Alain Delon as Don Diego fighting the corrupt Colonel Huerta. Zorro, The Gay Blade (1981), a parody, with George Hamilton. Zorro breaks his leg just before he was to set out on an adventure, and sends his gay twin brother, a master with the whip, in his stead. The Mask of Zorro (1998), an anti-Zorro playing against tradition, with Anthony Hopkins as an aged de la Vega and Antonio Banderas as Alejandro Murrieta, a misfit outlaw who is groomed to become the next Zorro. The Legend of Zorro (2005), The sequel to the 1998 'The Mask of Zorro' again starring Antonio Banderas.
"Get life into you! I would! If you had half the courage and spirit this Señor Zorro, this highwayman, has! He has principles and he fights for them. He aids the helpless and avenges the oppressed. I salute him! running the risk of death or imprisonment!"
My Wife is very Pretty!
MEET THE ONES WHO BELIEVE IN PEACE FOR HUMANITY Custom Contact Tables

My Interests



"We seek him here, we seek him there, those soldiers seek him everywhere. Is he in heaven? Is he in hell? That demmed elusive Fox?"

My Sword Is A Good Friend!

Movies:

The Mark of Zorro (1920) .. Film from 1920 that fell out of copyright."Mark of Zorro" was the transition between Douglas Fairbanks' early career as a brash ... all » all-American hero and the lavish 1920s costume adventures. This was his swashbuckler film. The "Mark of the Zorro" movie was remade in 1940 with Tyrone Power.

THE LEGEND OF ZORRO

Television:



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Zorro is an extremely agile athlete and acrobat, using his bullwhip as a gymnastic accoutrement to swing through gaps between the city's roofs, and is very capable of landing from great heights and taking a fall. Although he is a master swordsman and marksman, he has more than once demonstrated his more than able prowess in unarmed combat, even against as many as twenty armed opponents.His calculating and precise dexterity as a tactician has enabled him to use his two main weapons, his sword and bullwhip, as an extension of his very sleight hand. He never uses brute strength, more his fox-like sly mind and well-practiced technique to outmatch an opponent.Zorro has a medium-sized dagger tucked in his left boot for emergencies. He has used his cape as a blind, a trip-mat--and when used effectively--a disarming tool. Zorro's boots are also weighted, as is his hat, which he has thrown, frisbee-like, as an efficiently substantial warning to enemies. Usually he uses psychological mockery to make his opponents too angry to be coordinated in combat.
Those who cause trouble will face Zorro's justice!

Books:



"It is a noble horse I have. Perhaps you heard a peculiar cry from my lips? My beast is trained to act at that cry. He gallops away wildly, making considerable noise, and the soldiers follow him. And when he has gone some distance he turns aside and stops, and after the pursuit has passed he returns to await my bidding. No doubt he is behind the patio now. I shall punish the captain and then mount and ride away."
His horse, Tornado, has well lived up to his name, outrunning entire armies, overtaking enemies miles away, even catching up to a full speeding train so that Zorro could save his wife and son. As an inspiration to the crowds that love Zorro dearly, he rears up in the distance, with the sun behind him, and Zorro raises his sword to symbolize victory to the people of his beloved country.
ME AND MY WIFE!
Señorita."I hope someday I will find out who you are." Zorro says, "The knowledge might be a disappointment to you, Señorita.""Oh no, never. The mask may disguise you but it will never hide that you are brave and a gentleman."
Zorro's latest appearance is in the Telemundo series Zorro: La Espada y La Rosa. In the 1998 film The Mask of Zorro, a younger protagonist, Alejandro Murrieta was accorded the title, and is called Zorro in his own 2005 adventure The Legend of Zorro. (In this second appearance, Murrieta has also achieved the status of "Don" and has renamed himself Alejandro de la Vega.)
Zorro (often called "El Zorro" in early stories) was created in 1919 by pulp writer Johnston McCulley, and first made his appearance in The Curse of Capistrano, serialized in the pulp magazine All-Story Weekly. The character's visual motif is, typically, a black costume with a flowing Spanish cape, a flat-brimmed Andalusian-style hat, more appropriate to a California caballero than the wide sombrero the character wore in the original, and a black cowl mask that covers the top of the head from eye level upwards. (The mask covered his whole face in the original.) In addition, his favored weapon is a rapier which he often uses to leave his distinctive mark, a large 'Z' made with three quick cuts. He also uses a bullwhip, like the later Indiana Jones. In the original story, he used a pistol, but this has rarely been seen since.
ZORRO is my HERO!