The Soviet Union, The Wire (VERY MUCH), man-made constellations of space-based lasers, man harems, The South Fourth Street Hustlaz, starting a consulting firm and making jillions from lucrative government contracts, internet, eating, not eating, sleeping, not sleeping, Rodchenko
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Stuff from the haunted future.
(What the fuck is she talking about? Trip Hop? Oh wait, you just mean Sean Paul.)
Sonic Youth, The Fall, The Misfits, The Cure, Talking Heads, Everybody Loves Eno, New Order, Suicide, The Homosexuals, Cybotron, Liars, Hot Chip, The Knife, The Diplomats, Clipse, Ca$h Money, Ludacris, only bass-heavy r&b, the omnipresent Daddy (J)Yankee doppler effect on Rodney Street, basically anyone who is lucky enough to be produced by my supa producaz: Timbaland (esp. classic/fat Missy), Just Blaze, Neptunes (still? no...maybe.), Swizz Beatz and the way he dances.
Totally sick of: car alarms + the ice cream truck song.
Ashes and Diamonds, Man with a Movie Camera, You Got Served, My Architect, The Century of the Self 1-4
You best get familiar...
The respective eras of my great men:
(clockwise from top) The Wire, Futurama, 24, The West Wing.
Not pictured: Good Eats, Twin Peaks, Freaks & Geeks.
Less notably, anything about or targeting teenagers, and/or groupings of characters manifesting the golden gender (3:1) ratio.
The Book of Rule (D&K), The Structure of Soviet History (Suny), Demian (Hesse), The Unbearable Lightness of Being (Kundera), The Sorrows of Young Werther (Goethe), Crime and Punishment (uhhhh), The Postmodern Condition: A Report on Knowledge (Lyotard), and all that other stuff by various Jewish-European dudes saying Marx was actually right, but only the really, really smart people get it because it also involves Freud