$1.49 Day, Tuesday. $1.49 Day, Woodward's.******************************I'm not going out anymore. No more. I'm quitting socialising. Okay, maybe once in a while. No, but seriously, I'm not going out anymore.******************************I'd like to date Cindy Sherman. Such a good scandal.******************************I aspired to get my portrait drawn by Al Hirschfeld, but that ain't gonna happen. Now I'd like to get on the Leonard Lopate Show.******************************"Socialism or death!" said Chavez. So fucking great.******************************Let's not talk about Sleater-Kinney.******************************Loud motorcycles really annoy me. Like, hardcore annoy. They should die. The bikes, I mean. Not necessarily the bikers. Not necessarily.******************************I really dig my neighbourhood. My current favourite spot is Stem Open Kitchen, but I also enjoy the diner on Camden Street. Do you know about Camden? It's only a block long and is lined with warehouses. But this diner is great precisely because it's hidden.******************************I love everything about the concepts "austere" and "angular". The connotations, the sensations, the rhythms. On the other hand, I hate everything about "quirky", especially when used to describe any aspect of an independent film (especially a character). Quirky must die.******************************The best part of "La Notte" is when Marcello Mastroianni and Jeanne Moreau attend the party and meet Monica Vitti, beleaguered by ennui. Jeanne asks the bourgeois and world-weary Monica how old she is, and she replies, "Twenty-two and many, many months."******************************"Theatre is the beginning and end and actually everything, while cinema belongs to the whoring and slaughterhouse trade," Bergman told the newspaper.
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