Music:
Member Since: 10/25/2005
Band Website: christopherportman.com
Band Members: Myself: Programming, Sequencing, Songwriting, Composing, Drums, Percussion (acoustic and electronic), Guitars (acoustic and electric), bass, keys, pianos, glockenspiel, MIDI-controllers, pedals, amps, power cables, various electronic devices that emit noise, Apple laptops, and environment samples captured via my M-Audio Microtrack 24/96.
Anyone I Decide to Work With: Who are good at what they do.
Influences: Smashing Pumpkins, Billy Corgan, Jimmy Chamberlin, George Martin, Roy Thomas Baker, Mark Ronson, Eluvium, Lamb, Depeche Mode, Orbital, Trent Reznor, My Bloody Valentine, The Cure, Joy Division, New Order, Dredg, Echo and the Bunnymen, Keane, Fleetwood Mac, Interpol, Sigur Ros, Mogwai, Explosions in the Sky, The Album Leaf, Ladytron, The Knife, Marsheaux, Editors, The Postal Service, Moby, M83, Rich Mullins, Neko Case, Shawn Colvin, Portishead, Brian Jonestown Massacre, Imogen Heap, Radiohead, Thom Yorke, Phil Keaggy, Death Cab for Cutie, Everything But the Girl, Hooverphonic, Portishead, U2, Coldplay, Sarah McLachlan, Chemical Brothers, Daft Punk, MORE ThaN MaCHINEs, Drop Trio, Tori Amos, Leadbelly, Neil Young, George Harrison, The Beatles, Johnny Cash, Willy Nelson, Terry Scott Taylor, The Choir, Daniel Amos, The Jimmy Chamberlin Complex etc. etc.
Songs That Can Be Found on The Soundtrack of My Life:
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Here's the video of The Smashing Pumpkin's hit song, 'Tarantula,' found on their newest album, 'Zeitgeist.'
Interestingly, Billy pronounced it: "TAH-RAN-TOOLA" during the SOS Live Earth Festival in 07. Maybe others noticed. But I've heard him pronounce it properly during interviews. Meaning he was likely expressing his usual dry whit—something all of us Pumpkinites have come to expect and love. Every bit as much as the cultivated mystique of his public persona, one that is ever-shifting, always as wildly and thematically as his albums—from the furtiveness of the acoustic guitar/'glitchy' drum machine-laden 'Adore,' to the epic grandiosity of the mid-90s double-disc release of 'Mellon Collie & The Infinite Sadness.' And now we have 'Zeitgeist' with its soul-stirring, borderline preachy, "Doomsday is nigh!" lyrics, backed by a brilliant, swarming wall of distorted guitars (ala-Roy Thomas Baker), built upon an earthquake of melodically pounded drums (ala-Jimmy Chamberlin). Billy clearly has a message here, which seems to have shifted from the old, "God is empty just like me," to "For God and Country I'd die."
Billy has become this kind of larger than life character who somehow manages to remain successfully hidden amongst the shadows. His soul seems to have grasped something genuine that was previously lacking. And he wants other spiritual seekers, those with eyes still open, to also find and take hold of this light he's already found. He's not asking for a podium and a camera. Or maybe he is. But his purpose is intentionally clandestine. He's letting his music do the talking. His role has become that of a messenger, his gift to the spiritual seeker—glimpses of awareness, of meaning, and of purpose. God's purpose for giving each his variegated gifts—whatever those gifts may be—is ultimately to bring His light and love to a world gone mad, to offer a state of peace during the short trip on this downward spiral. This much, Billy has admitted to seeing & believing. May he be all that God wishes him to be.
If you want a better, hi-rez version, then go: HERE
Artist on Artist: Mark Ronson & Samantha Ronson
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Sounds Like: I suppose it sounds like whatever you hear when listening to it. Dreary bliss? A melancholy robot contemplating whether or not it actually exists? A robot doused in chemicals, then set aflame? A Sigur Rós, Depeche Mode-esque ripoff? They're your ears. You make the choice.
Record Label:
MachineLand Productions
Type of Label: Indie