Quick list, as there's plenty of other crap I'd rather wax idiotic on. Here's what shakes my world: Tuneage, camping, traveling, live music/concerts/gigs, rock climbing, surfing, backpacking, skiing, the endless crusade to prove Alex Trebek is a frickin' dumbass without his notecards, mineralogy, geology, cribbage, Scrabble, reading, writing, USA National Parks (the western US is particularly choice), swimming, soccer, vino, sheep without legs so they can't run away from me (kidding... or am I?), the petroglyphs out behind my house (archaeology in general), movies (pretty much any genre, including sap-sucking chick flicks, but only in the correct company), anything cool I can do with my kid, anything cool I can do with my honey... that's enough for now. My knee itches. I guess that's a more immediate interest. It'll pass.
Here's a big pile of rocks I dug out of the ground with my own two big manly hands. They're all from Nuevo Mexico, which is where I pitch my tent nowadays. Go ahead and scroll past... even though I peddle overpriced hunks of ore for the dosh, it's still a pretty dorky endeavor. Pass on through.
Native Gold & Calcite
San Pedro Mine, New Mexico
Smithsonite
Kelly Mine, New Mexico
Fluorite
Ora Mine, New Mexico
Azurite
Hanover #2 Mine, New Mexico
Barite
Ora Mine, New Mexico
Wulfenite
Denver Shaft, New Mexico
Fluorite on Quartz
Glory Hole, New Mexico
Piemontite
Harding District, New Mexico
Barite
Juanita Mine, New Mexico
A true friend stabs you in the front.
In a perfect world, tacos are plentiful, and people who smell like tacos are found in every corner of the globe. Not that a globe has corners. Spheres are devoid of linearity. I think that's why I like women so much. Bras would look totally tard shaped like a pair of Lego sets. Women are cool by any standard, both smooth and curved. I get along better with the lasses than the lads.
Do you live your life with zest and verve? Then you and I can be pals. Just say no to the notion of "normal food." If you're in your 20's and already locked into a static cuisine, I feel a great swell of sadness for you. Plus, it's going to make it tough for us to decide on a place for dinner, considering my distaste for Big Macs. If you live your life like there is no Big Mac, let's be the closest of mates.
I dig folks hip to exploration. Travel is obvious. As said, I'm into globes. Walk the earth with me and we really can be pals. Explore the ethereal pursuits and you're on the Chrimbo card list for sure. I've got my preferences (music, geology, history, backpacking... look to the right), but if you're passionate about anything and everything, and you can share and articulate your passions, it'd be cool having you in the mobile-bank.
Most importantly, though, do you smell like tacos? If you don't smell like tacos, it's a good bet God doesn't love you anymore. That's okay. You and I can still hang out.
No Expectations, No Disappointments:
We make holes in teeth!
You're ridiculous
But more than this
Your pretentious righteousness while staring out of the window
Checking which way the wind blows
It always blows me away
Maybe later
I'll read the paper
It's the same old caper retarded people're breeding
Triple chromosome gonadular seeding
Who gives a crap what you say
Living the Vida a Little Too Loca:
Is it germane, or is it Memorex?
A panda walks into a cafe. He orders a sandwich, eats it, then draws a gun and fires two shots in the air.
"Why?" asks the confused waiter, as the panda makes towards the exit. The panda produces a badly punctuated wildlife manual and tosses it over his shoulder.
"I'm a panda," he says, at the door. "Look it up."The waiter turns to the relevant entry and, sure enough, finds an explanation."Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves."
Thank you, Mr. Foreman. Consider me enlightened and illuminated. I feel all the brighter.
Totally Tubular, Dude:
Run it up the flagpole and see, baby baby.
Have You Ever Been in Love with Someone You Hardly Knew:
Every night you come to me, Every dream you're by my side.
Hot Steamy Narcissistic Word-Waxed Monkey Love
Reflections on the Masturbatory Nature of Blogging
From the Talented Morally Superior Pen of Steve Bringe, Masterblogger
You've got to love the blog. No, that's not right. What I meant to say is you have to love your own blog. It's easy to do, falling in love with your own words.
It's effortless to read and reread your words, the crafty sentence structures, the witty metaphors, the sheer erudite brilliance of your fingers and mind, and smile so proudly that you'd think you'd penned the epic Eleanor Rigby of your generation. I'm reading back over this paragraph and I'll admit it, I'm getting a chunk of literary wood.
Then again, I'm my own best audience. No one is more impressed with me than me. There is an inherent risk to the blog, though, and that comes with its very nature of being the epitome of vanity press. There is no refereeing process, no editor or rejection slips. With the blog you make use of the Great Equalizer, the world wide web, with the hopes that what you post reaches the potential millions of people with the work ethic of a perennially-stoned Bob Dylan fan put in charge of napkin folding at the town homeless shelter, those people who waste work hours frequenting sites like MySpace.
What is the hope? Validation. Same as with anything we do in life. We want validation. What is the value of self-validation, though? That and a bottle of Jergen's and you have yourself a cerebral sausage-toss at best. Falling in love with your own words and writings leaves you hitchhiking to the moon, and quite honestly, we've been to the moon already.
You look outwards, with further hopes of finding others as much in love with your words as you are in love with your words. What do you find? Other vanity press authors equally (if not even greater) in love with their own words. An instant collusion melds this misguided group together, and now we're sporting a championship event circle jerk. I'm a great writer, and you're a great writer. Do you think I'm a great writer? We're all great writers (even though I know I'm a better writer than you).
It's all a delusion. This is what I came to realize after reading over most of what I've written. I've popped out a few songs, I've thrown some effort at a poem or three, and I've delved into cynical commentary like a dog and his nose at another canine's juicy ass. My worth as a writer is all a delusion.
This epiphany is a long time coming. Last summer I visited the Nixon Library in Yorba Linda, California, and there I was actually mulling over some phrases and rhymes with the thought I'd head homeward and jot down a kicker of a poem. On touring President Nixon's boyhood home, what did I spy upon the wall? A poem, written by President Nixon's brother to his grandmother... a poem written (according to the tour guide) when the lad was a mere ten years old. Get this: The meter, the structure, the rhyme, the content, the cohesiveness, the craft, the art of that young boy's poem was light-years better than anything I'd ever attempted.
When you read something good, you know it. What's that aphorism? I know porn when I see it? This boy's poem, if porn, would star three girls with Himalayan breasts artificially defying gravity with netherworld trimmed hedges all pleasuring a man with the good fortune of having three penises whose combined length racks in at a hefty 42 inches. The poem I was mulling about, if porn, would be a hamster dry humping a chalkboard eraser.
I've always admired the works of James Thurber, columnist, essayist, and cartoonist best known for his years with The New Yorker. Perhaps you read his tale "The Catbird Seat" when you were taking AP English in 7th grade. Every writer wants to believe they've carved out their own unique niche on the literary scrawl-wall, but if truth were a guide, the honest "writer" will grudgingly concede there is some author or the other they've tried to emulate at some time. James Thurber is this gifted writer for me.
When pondering writing this blog tonight, I decided to go back and read a few James Thurber stories, selections from his book "My Life and Hard Times." There was that epiphany again, darn it all. There was that recognizing porn again. What James wrote with so little effort and with exceedingly grand talent is good. It's just that simple. When you read something good you know it. These few short stories, all autobiographical tomes, smartly sharp and sharply witty... these are good. What I write is a steaming pile of fly-festering cow squeeze ripening in the summer sun in comparison. If I was trying to emulate James Thurber, I failed with great aplomb.
There's where it rides. With the advent of the blog, the just-add-water instant vanity press revolutionizing publication worldwide, there is the hazard of taking yourself far too seriously. Seeing your words nicely formatted on a public forum of millions instills a delusional whiff of pride. You easily slip into self-imposed titling such as "writer", "essayist", "poet", or "genius on the order a Charles Dickens/John Steinbeck/Homer petri dish stew brought to fruition and given a pen to share with the world." I think a more fitting descriptive title would be "online hobbyist."
I hear some rejoicing from the wings. Don't get all perky from reading this. Even though I've resolved not to take romantic gestures with what I write, this does not mean I've sworn off blogging. It's a wonderful hobby, fulfilling all that a hobby addresses: Fun, relaxation, dedication, focus, and therapy. What you are given leave is suffering another self-important blogger who actually believes they have what it takes to be deemed a "writer" or "poet", at least not without smirking.
So tell me, do you think I'm a great writer? I really think I've got what it takes. I really do.
Madness, Oingo Boingo, The Beat/General Public/Free Radicals/Bang/Dave Wakeling, Save Ferris, Green Day, Hot Hot Heat, Modest Mouse, Bob Marley, Elvis Costello, Goldfinger, MOT, Nick Woodgate, Rancid, Catch-It Kebabs, David Byrne/Heads, Maxi Priest, Dance Hall Crashers, Fishbone, No Doubt, Jimmy Eat World, Morrissey/Smiths,
Call, Echo & the Bunnymen, Bauhaus, Foo Fighters, Phish, Aztec Camera, Altered Images, Hold Steady, Blaqk Audio, The Pretenders, Snakeout, All American Rejects, Yeah Yeah Yeahs, Cars, Dandy Warhols, Mighty Mighty Bosstones, Colour Field, Bangles, Snow Patrol, Section Quartet, Cramps, White Stripes, The The, David Bowie, Pogues, Aquabats, Blink 182, My Chemical Romance, Decemberists, Erasure (pretty much any Vince Clarke incarnation), Yazoo, Charlie Sexton, Blondie, Presidents of the United States of America, Tim Armstrong, Concrete Blonde, The Used, Dollhouse, Age of Chance, Hawthorne Heights, Barbie & The Kens, Mojo Nixon, Plain White T's, Blind Melon, Live, Duran Duran, Stone Temple Pilots, A Perfect Circle, Wilco, Verve Pipe, Utah Saints, Bare Naked Ladies, The Farm,
Jimmy Cliff, Red Hot Chili Peppers, Harvey Danger, Arcadia, Crash Test Dummies, Arcade Fire, OMD, Skunk Allstars, Bow Wow Wow, Agent Orange, Repuplica, Burning Sensation, Specimen, Social Distortion, Sublime, Alarm, Black Flag, Dishwalla, Specials, Muse, Bad Manners, Orange, Alphaville, Better Than Ezra, The Postal Service, Dead Kennedys, Vandals, Los Hooligans, Gym Class Heroes, Jump With Joey, U2, Beatles, Billy Idol, Generation X, Sex Pistols, Devo, Sique Sique Sputnik, 30 Seconds To Mars, Garbage, The Faint, Fine Young Cannibals, Keane, Danny Elfman movie scores, Reel Big Fish, Test Your Reflex, Go Go's, Beck, Big Country (RIP Stuart), Skids, Three O'Clock, Icicle Works, Vampire Weekend, Rain Parade
Strokes, Tears For Fears, 30 Seconds To Mars, Simple Minds, The Jam, Lorca, Johnny Cash, Mr. Bungle, Midnight Oil, Food For Feet, Frankie Goes To Hollywood, Against Me, Hepcat, Royal Crown Revue, Psychadelic Furs, Big Bad Voodoo Daddy, Aggrolites, Polecats, Amphetameanies, Prince Buster, Reel Big Fish, New Order, The Ataris, Red Jumpsuit Aparatus, Siouxie and the Banshees, The Nails, The Creatures, The Bravery, Thompson Twins, Babble, The Police, Scissor Sisters, Thomas Dolby, Toy Dolls, Vixtrola, Violent Femmes, UB40, Depeche Mode, Letters to Cleo, The Cure, The Glove, REM, The Killers, Franz Ferdinand, Adam & the Ants, She Wants Revenge, Sparks,
XTC, INXS (RIP Michael), LCD Soundsystem, Voice of the Beehive, Crunch!, Suggs, Drawback, The Psychotics, Flyleaf, Howard Jones, Max Q, Briggs, Angels and Airwaves, +44, AFI, Death Cab For Cutie, Taking Back Sunday, Beck, Oasis, Nirvana, Finger Eleven, Missing Persons, Mindless Self Indulgence, Fun Boy Three, Fastball, Panic! At The Disco, Berlin, Suburban Lawns, Weezer, Flying Lizards, Cowboy Junkies, Butthole Surfers, Living End, Janes Addiction, They Might Be Giants, Gene Loves Jezebel, MGMT, Love & Rockets, Tin Tin, Radiohead, B-Movie, Sugar Ray, Untouchables, Blancmange, Spandau Ballet, Kaiser Chiefs, Soft Cell,
Matchbox Twenty, Eve 6, Time Zone, Trans-X, Flesh For Lulu, Franz Ferdinand, Ultravox, The Hippos, Fall Out Boy, X, Flirts, The Church, Edelweiss, Talk Talk, Public Image Limited, The Clash, Big Audio Dynamite, Dead Milkmen, Fratellis, Primitives, Pixies, Dickies, Foxboro Hot Tubs, Stray Cats, Underworld, World Party, Clientele, Network, Buzzcocks, The Academy Is..., The Transplants, HelloGoodbye, Dashboard Confessional, Say Anything, Aiden, Eisley, Thrills, Shins, Hives, National, Interpol, Junior Senior, Spoons, Freedom High, Kooler Kings, Felony, Wide Boy Awake, Nine Inch Nails, Voodoo Glow Skulls, Coal
Chamber,
Sevendust, Human Waste Project, Big Sandy & His Fly Right Boys, No Use for a Name, Sons & Daughters, The Whigs, Times New Viking, Raveonettes, Bodysnatchers, Ziggy Marley, Hot Chip, Goldfrapp, Nada Surf, Magnetic Fields, The Creepers, Burning Spear, Eek-A-Mouse, Dexy's Midnight Runners, Cobra Starship, Offspring, Third World, Toots & the Maytals, Selecter, Jack Johnson, Everclear, Marcy Playground, Blue October, Shiny Toy Guns, Cute Is What We Aim For, Prince Buster, Tiger Army, Cherry Poppin' Daddies, Dead Man's Party... there's more... I'm pretty sure there's more... I know there's more. I dig music.
They get one picture. Just one. If you want to slobber over a Nutty Boys Playgirl, head to any one of the innumerably countless "Stalker Sites" available for perennial law enforcement suveillance. Here you go, your one snap of Madness...
Pretty slick, says you. Pretty slick says me. Come 1999 at Sonic Studios in Philly, PA, I completed my childhood quest of getting the seven Mad Lads to autograph a photo print (not a print off a photo, but off the actual negative, courtesy of the photographer) that I'd had since the wee years, 'round about 11 or 12. With the final swish of the Sharpie (that would be from Mike Barson), my childhood sadly came to an end, and my wife (now ex) stopped being a pedophile.
Here's another cool flick, this one the liner notes to "Mad Not Mad", Madness' final studio album prior to disbanding in 1986 and subsequent reformation in 1992. The two dudes of note are on the left, Clive Langer and Alan Winstanley, the blokes at the mix, engineering and producing all that Madness had to offer.
Oft lauded as the "8th and 9th Members of Madness", I got a chance to interview Clive and Alan in 1999, while they were at Westside Studios (London) working with the lads on the album "Wonderful." Very cool dudes they were. Maybe I'll post the interview. It's a fine read and a finer listen.
Movies are cool. I dig heap many movies. Heap! Of that heap, here is a selection of my favorites, and I'm going to tell you why. If you don't care, you'll break my heart. But I'll get over it. Look there. I'm already over it. Quite honestly, you're not worth the therapy. We'll always have Reno; no one can take those memories from us, those fleeting days of unexpected bliss. You were so beautiful, I never even considered, I never ever dreamed that it would end like this. But I'll get over it. I hope you find what you're looking for. Really, I just want you to be happy. Don't look at me. I don't want you to see me weep.
I've got World Party in the cd-rom right now. "Ship of Fools" is a groovy tune. I don't think it came out the same year as "The Adventures of Buckaroo Banzai Across the 8th Dimension", but it's in the same decade, and the 80's ceased being a segmented ten years for me, maybe around 2002. It's now referenced as the "early 80's" and "late 80's." I'm pretty ceratin both "Ship of Fools" and "Buckaroo Banzai" came out in the early 80's. I know Buckaroo did.
The first viewing was on HBO when the family was holed up in a Costa Mesa (city) La Quinta Inn while the house was being fumigated for termites. For some reason termites get going in So Cal. Anyhow, I couldn't figure out what the hell the movie was about, only that there were Rastafarian aliens and CPA aliens. That, and it was completely transfixing, the way three gay dogs on the front lawn are, with some of the coolest dialog I'd ever heard uttered.
"Remember, wherever you go, there you are."
"What's with the watermelon?"
"It's not my goddam planet, understand Monkeyboy?"
"Where are we going?"
"Planet Ten!"
"When?"
"Real soon!"
"You, John Bigbootie, you carry my overthruster, and you, John O'Connor, you stick-a by my side."
What else to say? John Lithgow's most brilliant performance ever, that's what you get with this flick. If you want to see where his "Third Rock from the Sun" prep work went down, get Buckaroo Banzai. Oh, and Peter Weller, best known as Robocop, did a fine job, too (as Buckaroo, the protagonist). And perennial weirdo Jeff Goldblum shows up in an early gig dragged out like a Pride Parade Roy Rogers. Best of all, this was my college years' cult film. Many nights in many dorm rooms were wasted watching this flick, which only got better by the time you hit the bottom of a bottle of Jose Cuervo.
Costco has the "Family Guy" box sets for $16.99 a pop, which means I'm going to catch up on all the episodes neglected-past. Did you notice that they changed Meg's voice from before the show was cancelled to after the show did the Comedy Central blockbuster shuffle and was picked up again by Fox? Did you also notice that Drew Barrymore was the voice of not only Chris' homicidal teacher but also Brian's girlfriend Jilian? Did they think this would pass by unchallenged? Well, I do love Drew Barrymore, that lovable scamp whose career wasn't ruined by starring with a Reese's-addicted animatronic tree stump as a child (unlike everyone else in E.T.) Now I'm kind of pissed at myself for bringing it up. I still love you, Drew. You know my love is true. Why do you torment me? Why do insist on sending me messages with your blinking?
I'll plug her flick in hopes of amends. Since it's important to show a soft effeminate-side to my otherwise gruff, cynical, crapophile and manly epicrust, let me recommend "50 First Dates." First off, it's an off-kilter treatment of what has become a horribly generic and formulaic cinematic genre, the so-noted "chick flick." Penguins and a projectile-heaving walrus and Dan Aykroyd and a for-once-in-his-life tolerable Adam Sandler, along with his belly-parasite buddy Rob Schneider actually earning his table scraps with a marginally memorable para-racist performance as a Polynesian slacker, makes for an enjoyable hour and a half with your honey, after which you'll probably get laid (by a woman). Secondly, it's got Drew. Sigh. I would walk 1000 miles through medical waste just to stand in her trash. And thirdly, the soundtrack is exquisitely gnarly. Take your 80's new wave hits and hit them up with a bluebeat groove. "Hold Me Now" sounds just that much sweeter clipping chords on the upbeat. Right, and the film is all gooey with romantic warmth and lovey-dovey good tidings, a remarkable feat given that amnesia is the romantic vehicle. Logical conundrums be damned. The ending makes my groin tingle with happiness. Two resounding thumbs up, if I'm going to be wrangled in to watching a chick flick.
It's sacreligious to say such things, especially to all the SCA plastic sword weekend medievalphiles who steal their sister's Madonna Wannabe lime green tights for the basics of their Renaissance Faire attire (taking no note of the centuries betwixt), but it needs to be said: Terry Gilliam was wasting his talent on Monty Python.
Wow. That was pretty cool. I made an entire paragraph by using one complex sentence. Does that count as a true paragraph? Maybe not. That one sentence conveyed the equivalent of five paragraphs, though. It was like a freaking bowl of grammatical Total.
Anyway, Terry Gilliam only came alive when he started doing flicks like "Time Bandits." I say "Bandits" rather than "Baron" because "Bandits" is the first one I saw in the theaters, and it moved me more than "Star Wars" did the first time I saw that paradigm-skewing blockbuster. The surreal frailties of "Time Bandits" masked a more powerful commentary of the nature of theism, which again is probably retributive sacreligious treatment from an already ironic director/writer.
Often accused of hijacking the themes of George Orwellian anti-utopian sentiments, "Brazil" fell in line with Terry's liberation from penning goofy animations for Python. And "12 Monkeys", the only film where I felt Brad Pitt actually deserved some Oscar attention, middle finger and all, was redemption for any nicked-Orwell accusations. There might have been inspiration there, but "Monkeys" was the best flavor of originality, in presentation, scripting, and execution.
Why so much lip service to Gilliam films other than the one I picked as my favorite of the favorites? Because there's not too much exciting to say about "The Fisher King." It doesn't have the Dali-esque overtones, it lacks the quirky dialog so intricately woven into Gilliam's other films. What I like so much about "King" is it is a modern day parable. And unlike other dead on arrival attempts at cinematic parable (anyone remember "The Last Samurai"? I bet even Crazy Cruise wants to forget that one), the audience isn't force-fed the morality play, instead being sustained by a gentle spooning into the psyche. Robin Williams and Jeff Bridges give performances to rival any they have done (and garnered more attention for, including an Oscar for Robin). If you haven't checked out "The Fisher King", do it the honor and yourself the favor. Choice flick.
I'm going to point it out (or maybe I'm going to grosse pointe it out... right, new joke writers... you're all f'ing fired... go on strike or something... I bet you prefer shaven howler monkeys), even though it really doesn't make too much of a difference. Click up to that scene where we first meet Minnie Driver's character, spinning vinyl at the local tunewave generator. On to the turntable goes a 2Tone record, which was the label The Specials launched back in the late 70's. The song that starts playing is a Specials song, their rendition of "Pressure Drop" (a Toots original). The problem with this is "Pressure Drop" is a latter day Specials song, which came out almost a decade and a half after 2Tone closed its doors (the single was released on Kuff Records, for the trivia-hounds). So unless someone's bootlegging new Specials tuneage onto bogus 2Tone labeled 180 gram audiophile quality plastic, a hair of artistic liberty was taken with the sounds and visual of the movie. It makes me wonder which song was actually queued up by Minnie. I've paused and frame-by-framed through that scene to no avail. The disc is at such an angle and flashes by too quickly to get a read of the label text.
All told, it doesn't really matter, for "Grosse Pointe Blank" is the finest dark comedy on the planet. I once thought "Heathers" would forever hold that spot in my cavernous heart, but the immense void is better suited to John Cusack and Minnie Driver. Really now, who would ever have thought "Mirror in the Bathroom" would make for such a clean cut addition to a to-the-death fight scene (which ends with John skewering the baddie through the eye with an insurance company Bic). The word genius is used with such overtread regularity that I'm not going to lean on it as a descriptive. Sooperdoopermegagrandegenius is closer to the mark. Dan Aykroyd and John's sister Joan put in award-fodder perfomances as well, all ideally quirky for what in essence is a chick flick on meth. Popcorn!
Everyone is allowed one guilty pleasure. I have about thirty, but this is the only one I'll admit to, as it is the only one I can't be incarcerated for. Kevin Smith is a potty-mouthed Arthur Miller. Like Miller, his scripting is almost entirely dialog-driven. Unlike Miller, you don't come away feeling like you need a shower to wash the filth of self-loathing off yourself. No, for Kevin Smith films, you want the shower to wash the splatter from anal sex jokes off yourself.
There are so many Smith movies from which to choose (although I have yet to see "Mallrats"). The original "Clerks", done on less than a shoestring, redefined indie filmmaking, where it was no longer necessary to have a static shot grainy black and white of two men, in Amsterdam, sharing a fish while speaking Hunanese dialect Chinese, and the most dynamic thing to happen through the whole film is a sexually-confused man with one shoe untied rides through frame. Kevin Smith made independent film accessible and fun.
That said, I'm going to go with "Clerks 2" as the choice from the Kevin Smith canon. The performance wrought from the post-neophyte Jeff Anderson had me choking out a few tears at movie's end. And the dialog... entirely inspired. I can't really get into the actual gags without ruining the film. Just be prepared to pee a few drops when the Pillowpants scene hits the screen.
I'm going to make this quick: Tim Burton is my favorite filmmaker. All his films should be in this lineup, but that would bog down the others unfairly. Why "The Nightmare Before Christmas", then, rather than movies like "Beetlejuice" and "Edward Scissorhands"? The answer is biased but simple. Danny Elfman, former frontman for Oingo Boingo and Tim's consistent film scorer (except for those few years where the two were pissed off at each other, reportedly because Danny stole Tim's girlfriend) is amongst my favorite music composers (both rock and movies), and it is in "Nightmare" where we get to hear Danny's pipes, seeing as he's the singing voice for Jack Skellington. Okay, I'm done with Tim's flicks. Truly. They're all excellent.
There are two stories to go with this film, one a recent tale when in Best Buy looking for the DVD, and the other from back in college when I first saw the flick. Neither is very heartwarming, and both are more than a little wretched.About a year ago I went in search of "The Cook, the Thief, His Wife, and Her Lover", not really remembering the film all that well, just that it was really funky and in the intervening 15 or so years I'd forgotten just what made it so funky. Off to Best Buy I went (I ultimately got the disc off Amazon), and through the aisles of DVDs I perused. Jetting back and forth through the aisles was a boy of maybe 5 years, knocking DVDs off the shelves, running into customers, and screaming obsenities that are best reserved for, well, Kevin Smith films. The parents, in the next aisle over, couldn't have been so oblivious. My best guess is they chose to ignore the little shit, instead betting on other's unwilling tolerance and the social qualm of avoiding confrontation at all costs (except when armed with a 44 and driving the 101 through LA). It was only a matter of time before the kid drew blood, either his own or someone else's. And I was thinking, "For the love of Christ, people, this isn't a pool party at Tommy Lee's. Pay attention to your kid." Within minutes the howling began. And within seconds I was out of there, without my DVD. I think one of the other patrons smacked the kid, or maybe tripped him. Bully on them.
What does that have to do with the film? Nothing. Absolutely nothing. It's a warning to negligent parents, though. Not everyone is going to put up with your brat. Get a leash, or leave them at home. Or be a real parent. My kid was always well-behaved, not entirely said out of bias, but from the comments of those who were charmed by the boy through the years.
Right. I got the DVD off Amazon a few weeks later, and it really hurt remembering why the movie touched me so. For some shameful reason I can't quite finger, the movie left me a little horny. Have you seen this film? Beautiful cinematography, with the Wife moving from one color room to the next color room while her dress changed shades, a metaphor for her drastically shifting moods. With the beauty comes the crass, though, with the nude Wife and Her nude Lover making their escape in the back of a butcher's truck filled with hanging rotten meat. The Thief ultimately kills the Lover, and the Cook prepares his corpse so the Wife can feed the Lover to the Thief. You see? Why would anyone get a halfmast branch off something so... disturbing. I love this film. It doesn't make me randy on subsequent viewings, but the rush of that first viewing still haunts the memories. Therapy is a good idea but won't be happening, and this is a gorgeous but sick movie.
If you didn't love these iconic movies, you probably were neglected as a child, sent to one too many of the aformentioned pool parties at Tommy Lee's, or maybe rented out as a pinata in East LA on the weekends. Twice now Indiana Jones filmed here in New Mexico. The first shoot was for "The Last Crusade" in the late 80's, with the late River Phoenix doing some train shots on the Cumbres & Toltec Scenic Railway that goes between Chama, New Mexico, and Antonito, Colorado. The scene where young Indy grabs on to the water tower spout and swings around to kick the bad guy, that was on the New Mexico side of the border. More recently, scenes for "The Kingdom of the Crystal Skull" were shot in two New Mexico locations, the first down in the southern part of the state near Deming, and the other again towards Chama in the north, in a small valley called Ghost Ranch; this is also where famed southwestern artist Georgia O'Keefe held residence through most of her adult life, painting the mountain and desert-scapes of the region.
"Temple of Doom" is the best of the three, even though I'll be met with grunts and groans and gripes of disagreement. I just feel George Lucas is at his best when he's in a shitty mood and goes all dark and morbid. How cool is it watching the movie's asshole bounce and scrape off a canyon wall before being ripped asunder by crocs? I love the skipping noise and dust that was rotoscoped in as his tatted skinhead hits the wall.
You know, on that Deming shoot; there is a very distinctive flora in southern New Mexico, including the statuesque Chihuahuan Yucca. The location is a stand in for Morocco. However, unless they digitally map out the inevitable yuccas that grow everywhere around Deming, it's going to completely give away that they didn't film in Morocco. It was like with the young Indy scenes for "Crusade." They start at Double Arch in Arches National Park, near Moab, Utah, and then suddenly they're some 500 miles east in the mountains of northern New Mexico, and then they're some 100 miles away in the San Luis Valley of southern Colorado. Did they think it would go by unnoticed?
For the same reason as "Temple of Doom", the second installment in the original Star Wars trilogy is my favorite. I'd really love to express all the reasons why I dig the Star Wars movies so much, but I run the risk of sounding like an even bigger live-at-home-with-mom-and-her-poodle-and-steal-her-social-se
curity-check-rather-than-get-a-job-even-though-I'm-37 dork than I already am (I have my own house, for the record. Haven't lived with mum and pup since I was 18. And I own my own successful business. And I get along just fine with women. And I don't like poodles in the least). And really, what can I say that hasn't been expressed a googol times already? The Star Wars movies changed forever the way movies are made, and that grandiosity wasn't lost on me, even as a pre-teen watching the movies for the first time.
Again, Lucas is at his best when he's tackling dark themes. It's why "Revenge of the Sith" is the best of the prequels... which I've never seen, I've just heard that from the dorks who actually did go to see it.
The Writers Guild bites big green slimy weenies dipped in brake fluid and encrusted with a spicy blend of cavy droppings and walrus eye boogers. I'm beginning to lose interest in TV and am starting to take interest in things like Mexican taxidermy No, no, not stuffing dead Mexicans. Iguanas and armadillos and the like... well, maybe that guy Pepe, but he had it coming, always stealing my plums and playing that freakin' Spanish polka and parking his rustbucket Chevelle across my driveway. You know his car, I'm sure. It's got the horn that blares "Livin' the Vida Loca" and the plastic Jesus on the dash, sun-faded on the backside, adding to the mythos that Jesus was a white dude (if seen from the back).
In olden days, before 2008, back when there was fresh and lively TV, there was a show called "Life" starring a Zenmaster ex-con police detective. It was about the most clever thing to hit the soon-to-be-obsolete analog airwaves in many harvests. I enjoyed this show very much.
Beyond that, tops go to "Family Guy," the epitome of irreverence and wit. I mean, how cool is it that the first broadcast money-shot was an animated ploy with a dog and a baby? Moderated, a bottle of Jergen's, a sunburn, and an unfortunate camera angle had more than a little to do with it. It's the appearence of evil is what it is. Friggin' hilarious.
"Rescue Me" is what all good drama series should aspire to be - Denis Leary is a frightfully smarmy-smart boy. Nary a forgetfulness about "Scrubs." Almost forgot, and then I remembered. And all those PBS documentaries go down pretty well, except the ones about politics. We all know which way PBS leans, as if they had a right leg twice as long and a left leg twice as short.
Yes, and fine, it's out there already. No use ignoring the ripe and festering disdain. Let's be honest and upfront about it all. There really isn't anything on TV that's an intellectual oasis in the desert that is my life. The void, the black and desolate void. I'll fill it with cheap booze and even cheaper señoritas. Bring me a bucket and a Consuela, amigo. This cantina is smokin' caliente! Arriba!
Reading is food for the mind, and I've got a big freaking fatty fat fat fatty fat fat fat glutton of a headspace. Science journals and texts (geology and archaeology top the list), history texts (particularly the history of science and natural philosphy), psychodramas, classic science fiction (H.G. Wells, Ray Bradbury, Isaac Asimov, Philip K. Dick), the complete works of Charles M. Schultz's "Peanuts Gallery", Gary Larson's "The Far Side" collections, the work of essayist/columnist/cartoonist James Thurber... these are a few of my favorite things. When the dog bites, when the bee stings, I kick their jumpin' jivin' candy-ass five ways from sideways... where was I?
One of the click-tied books I finished in the past few moons is "Hitler's Scientists - Science, War, and the Devil's Pact" by John Corwell. Not that I wasn't already thinking along these hypocritical lines, but it really drove the point home about how US-based eugenics programs closely mirrored their German counterparts in the early inceptions of the 20th century (long before genocide became all the rage - I'm not equating the United States with Nazi Germany). State-mandated sterilizations for the mentally ill were an actuality in California. Try to get away with that nowadays. The Govenator will have nothing of it, I'm sure.
Go with this noise. 2008's Mindscrew-a-Palooza has commenced, something that I've wanted to do since the early college years. I've started reading the Bible (King James red-letter edition) and Charles Darwin's "The Origin of Species" in tandem. Worldview Cage Match, yeehaw! This isn't the first run through for either book; I took a shot at both in younger years. The kid in me likes the frosted side. The grown-up in me likes the heretic side.
My dad. My mom. My son.
Avast ye, matey. Here lies thar cursed code.