The
Foundation Recording Studios is based out of Eastern Indiana. We provide professional recording, mixing, production and mastering services..
The
Foundation Recording Studios Reviews @ RigBuzz.com
Dates that are not shown on the schedule are open. Our Schedule is shown in the blog entry titled "Recording Calendar". Any date that is not on the schedule, blank, or dates entitled with "Open" are available for booking. Dates entitled "Closed" or otherwise are not available. You must only book time for recording. Band does not have to be present for mixing or mastering.
Check
out our calendar for Recording Dates !
Contact Info:
To discuss projects, scheduling and rates please contact. We prefer e-mail and
not being messaged via myspace.
Email: [email protected]
Address:
The Foundation Recording Studios
1107 Maple Street
Connersville, Indiana 47331
Website: http://www.myspace.com/foundationrecording
Recording
Our recording sessions are fast and efficient; with quick setup and tear down
times for each instrument. 1/3 deposit is required to book dates. Payment for
each session is required at the end of the session, no exceptions.
Mixing
We provide superb mixing services at a very low cost. Our engineer, Joey Sturgis, has over five years of experience in mixing multi-track recordings. Mixing is an integral part of the recording process to make your hard-work and songs sound as best as possible. It takes a very complete understanding of your genre and direction so that your recording will sound the way its meant to be. Joey has a ten year background of music theory, and experience in working with all sorts of genres from country, hip-hop, blues and jazz, to rock, alternative, emo, heavy/death metal and hardcore. Anyone can record a band, but it takes an experienced engineer to translate that recording to an overall polished mix via mixing. This is what separates us from all the other studios. We'll mix it and make it sound anyway you want it.
Mastering
We offer professional
digital mastering that is competitive with commercial mastering. In other words,
your cd will sound the same on anything it's played on, and your cd will be as
loud as any commercial cd. Mastering is important to you because if you want your
recording to measure up in the real world, it will have to be "sonically maximized"
(aka mastered) in order to compete with the millions of cds that are already out
there. No one likes having to change the volume every time they switch cd's, and
no band wants to seem weak compared to other bands by having a CD that isn't as
loud as most commercial CD's on the market. This is especially important to record
labels as the label wants to release a quality product that is the best it can
possibly be. And this is what mastering will do for you. Full payment for sessions
is required before finished product is sent.
Gear List: (the basics)
A/D & D/A:
-RME FIREFACE 800 (20 channels in real time)
-MOTU 8028 MKIII (selling $900.00)
-PRESONUS FIREPOD (selling $400.00)
-MACKIE BIG KNOB
MIC PRE:
-GREAT RIVER ME-1NV (single channel)
-MACKIE ONYX 800R (eight channels)
-VINTECH X73 (soon)
MICROPHONES:
-AUDIO-TECHNICA AT3035
-AUDIX D2 (x2)
-AUDIX D6
-AUDIX i5
-BEYERDYNAMIC M 201 TG
-NEUMANN KM184 (MSP) (soon)
-SENHEISER E609
-SENHEISER MD421 II (x2)
-SHURE SM57 (x2)
-SHURE BETA 57
-SHURE BETA 52
-OKTAVA MK-012 (MSP)
-RODE NT1000
-RODE K2 TUBE MIC
SOFTWARE:
-NUENDO 3.2
-SOUND FORGE 8.0
-WAVES PLUGINS
-UAD POWERED PLUGINS
OTHER:
-MOGAMI AND MONSTER CABLES EXCLUSIVELY
-POD XT (classix, fx, metal, and bass packs)
-POD XT PRO (classic, fx, and metal packs)
-DDRUM TRIGGERS
-IBANEZ TUBESCREAMER TS9DX
-RE-AMP v2 RED
-MORELY TRIPLER
-MORELY A/B/Y
-DUNLOP CRYBABY 535-Q WAH
-MARTIN MAHOGONY ACOUSTIC
-ESP LTD F-400 (active EMG 81's)
-PARKER FLY DELUXE (soon)
-KORG X50 SYNTHESIZER
-KORG KAOS PAD V3