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The music on this page (and all music made by me) is free to share under a Creative
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born Hull UK now lives in le Mans France.-----------------------------------------------------
----- drummer with infamous punk band 'les portementeaux', the 1st and only punk group to have a number 1 hit in France.----- solo improvised experimental sound performance & improvised cinema (live drums/electronics triggering sound and moving image).-----------------------------------------------------
----------------------------------Drums, experimental sound..noise, video & performance. artistish Shamanigans drumthump digikal media viddy'oh projektion sawnd samplin plunderphony'ahh & tribalic electrocasionally. ------------------------------------------------------------
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now concentrating on solo shows, theatre & installations. Combining the interaction of sound (live drums, ableton live, panart hang, electronics, found/recycled objects, toys, & electronics, with real time video projections.-----------------------------------15 albums, 4 solo albums. To date, more than 4000 concerts & exhibitions worldwide both solo and with numerous bands/artist collectives.................................................
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.......recent album 'GAPAMARI', released on Julian Copes label 'Fuck off and Di'.--------
prolongation of this project are the 'europa' recordings with mr H. big up...oh, by the way, Hull city council, it was me that took the old 1960's 'Ferensway' signpost in 2001, it is safe and sound with me in France, you will be happy to know it has appeared in 2 films and 3 exhibitions. if you want a photo of it next to the Eiffel tower don't hesitate to get in touch. just wanted to get that off my chest.!.....................................................
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en solo ou aussi je collabore à des projets des groupes ( naapol, shrouti ) théâtre, danse, et des experimentations sonore, un travail de création et d'improvisation live,
musique punk à la musique électronique, expérimentale, au rock'n'roll, la poésie sonore, la nouvelle cinéma 'live'...
