Can't Stop The Machine sample vids on Youtube!
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AMERICAN HEAD CHARGE - JUST SO YOU KNOW
(Dutch Death Squad Full Version Edit)
It's probably unintentional, but one conclusion you can draw after watching
American Head Charge's new documentary "Can't Stop the Machine" is that
these guys aren't nearly as screwed up as they'd like you to think. If
anything, the engaging film suggests there's a real tenacity and some
serious drive behind the notoriously drug-addled local metal band.
American Head Charge debuts "Can't Stop the Machine" - which is available on
DVD in a package that includes a CD of live and unreleased tracks - with a
Saturday-night gig at First Avenue. Godhead, Bleed the Dream and Oblige are
also on the bill. The night will also see the return of guitarist Karma
Cheema, who left AHC for what turned out to be a brief stint playing with
Los Angeles quartet Otep.
Vocalist Cameron Heacock and bassist Chad Hanks formed the group after
meeting in 1996 while they were both drying out in Hazelden. They kicked
around locally for a few years and eventually signed a deal with Rick
Rubin's American Recordings label, which led to 2001's "The War of Art."
The disc hit stores amid a flurry of sensationalistic press about the
group's hard-living ways. But despite a series of high-profile tours
(Ozzfest and a worldwide stint with Slipknot), AHC never really broke out of
the underground and Rubin ultimately passed on the band's second album,
2005's "The Feeding." Yet AHC's rabid fan base, probably stronger abroad
than at home, has kept the guys going amid numerous lineup changes and the
April 2005 death of guitarist Bryan Ottoson.
In "Can't Stop the Machine," Hanks and Ottoson's replacement, Benji Helberg,
both speak openly and surprisingly lucidly about AHC's troubled past. They
candidly discuss substance abuse, AHC's penchant for stealing band members
(both Ottoson and Helberg were lifted from Black Flood Diesel) and the
shocking loss of Ottoson, who died in his sleep on the tour bus after a
fatal combination of prescription drugs and booze. (Those who prefer their
rockers incoherent and full of profanity, meanwhile, can focus on the
rambling, seemingly disinterested Heacock.)
Archival footage of festivals, music videos and studio recording sessions
are masterfully edited together with the interviews to provide a glimpse
into the life of American Head Charge. And it's all there, from the thrill
of playing to thousands of fans to the backstage tedium of applying stage
makeup and grooming each other.
Saturday marks the start of a tour that will keep AHC on the road through
the end of June. After that, they plan to hit the studio and, presumably,
continue to live up to what might as well be the band's motto: "Can't Stop
the Machine."
Amy Freeborn
Xtaster