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'It was if they'd mugged Funk in an alley way outside, stole its mojo and dressed it up as art rock... like the slick love child of Kurt Cobain and Sly Stone...' Theo Berry (Decode Magazine)
'You can really feel the transition they have made over the last year, bringing in new styles and experiments, without falling in to pretension or style over substance... massive, soaring and overwhelming... Love. It...' Sian Norris (www.rockfeedback.com)
’’Canis De Sexus’, a key work in understanding how arty intent and perfect pop can happily embrace and skip prettily through aural meadows. Urgent, PiL-inflected roars sit alongside jangly C86ness, Chic-funk snuggles up to Only Ones riff-bursts and closer –‘New Order’ – is a more loving homage than Mr Sumner himself could wish for. Oh, and ‘The Pits’ offers the best falsetto since Jagger’s balls un-dropped in the 70s…’ Julian Owen (Venue Magazine)
’They cover ’Heart of Glass’ and make it sound like electro meets late-90s post-rock (say singles-era Mogwai or Fuxa). Elsewhere they sound like Public Image Limited, The Rapture, things on Clone Records, things on Factory Records. Lush...’ Noel Gardner (www.lessonnumberone.blogspot.com)
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