1. God Loves You!
The Bible says, "God so loved the world that He gave His
one and only Son, that whoever believes in Him shall
not perish, but have eternal life"
The problem is that
2. All of us have done, said or thought things that are
wrong. This is called sin, and our sins have separated
us from God.
The Bible says "All have sinned and fall short of the
glory of God." God is perfect and holy, and our sins
separate us from God forever. The Bible says "The wages
of sin is death."
The good news is that, about 2,000 years ago,
3. God sent His only Son Jesus Christ to die for our sins.
Jesus is the Son of God. He lived a sinless life and then
died on the cross to pay the penalty for our sins. "God
demonstrates His own love for us in that
while we were yet sinners Christ died for us."
Jesus rose from the dead and now He lives in heaven with
God His Father. He offers us the gift of eternal life --
of living forever with Him in heaven if we accept Him
as our Lord and Savior. Jesus said "I am the way, the
truth, and the life. No one comes to the Father except
by Me."
God reaches out in love to you and wants you to be His
child. "As many as received Him, to them He gave the right
to become children of God, even to those who believe on
His name." You can choose to ask Jesus Christ to forgive
your sins and come in to your life as your Lord
and Savior.
4. If you want to accept Christ as Savior and turn from
your sins, you can ask Him to be your Savior and Lord by
praying a prayer like this:
"Lord Jesus, I believe you are the Son of God. Thank you
for dying on the cross for my sins. Please forgive my sins
and give me the gift of eternal life. I ask you in to my life
and heart to be my Lord and Savior.
I want to serve you always."
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A Tribute to Harold Ivory Williams Jr.
The Lord has blessed me with lots of sisters and brothers but only 1 of them is my biological sibling. Harold Ivory Williams Jr.(birth name contrary to the discog stats below,) named after out father, is my only brother. We are 7 years apart in age, he being the eldest. He started playing piano (like myself) at the tender age of 3 years old. He became an accomplished pianist ...I did not...LOL.
We were raised in church where my grandmother, father and mother were the Pastors at one time or another and my father the Bishop of the organization we belong to, Mount Calvary Holy Church of America(www.mchca.org) and he was the church organist. He was in demand all over in the city and up and down the East Coast. The first track below is a selection on the 'The Best Of James Cleveland and the Gospel Music Workshop of America' CD. The song was written, arranged, and performed by my brother Harold in the 70's. Another selection 'Ye That Believe in God' was also recorded with James Cleveland, a family friend. I will be compiling a list of works by Harold as a tribute to my one and only brother whom I love very much.
He was heralded by many in the late 60's - 80's as a musical genius, electronic wizard (long before technology became the norm and was consequently revered as being ahead of his time. He played an active part in the History of the Jazz-Rock Fusion era playing with Miles in the early 70's considered the ELECTRIC PERIOD - ROCK, FUSION, FUNK as you will see below. Several tracks are listed . Listen in.
He is equally proficient at all genres of music to include Jazz, Gospel, and Classical music and was a student of the renowned Peabody Institute of Music receiving many accolades while there and so labeled a virtuoso.
He has appeared as a solo artist at Carnegie Hall. He has performed with Miles Davis, James Cleveland, George Duke, Sounds of Philly, Albertina Walker, Well known jazz-rock musicians from Poland include violinist Micheal Urbaniak and singer Ursula Dudziak, Herbie Hancock, Chick Corea and more and many while yet a teenager prodigy. I will attempt to update the list as I get data.
He was on the pinnacle of acclaimed international success before being forced to stop due to a debilitating illness. He currently plays piano at Mount Calvary Word of Faith where our parents pastor in Raleigh, NC.
James Cleveland, Harold, and Verlin Sandler sing on the following song. The song is erroneously entitled "I Gave My All to You" on the CD but should be entitled 'Give" as the song indicates.
I am currently searching for more work to post. Check back for updates.
God Bless,
Elder Hope Mason
Partial Discography from www.discogs.com:
Harold "Ivory" Williams / artists (H)
Real Name: Harold I. Williams
Name Variations: All | Harold "Ivory" Williams | Harold Williams
Releases in: All Genres, Jazz, Funk / Soul, Electronic
Miles Davis - The CBS Years 1955 - 1985
LP5-B2 Thinkin' One Thing And Doin' Another (5:45)
Synthesizer - Harold "Ivory" Williams
Sound Track from finding Forrester:
Black Satin -
Appears On:
Miles Davis - Big Fun
Label: Columbia Records
Piano - Harold
"Ivory" Williams (tracks: 1.02), Ife (21:34)
Genre: Jazz
Style: Fusion
MFSB
Label: CBS/Sony
Piano - Harold Williams*
Released: 1973
Genre: Funk / Soul
Style: Funk, Disco
Producer - Gamble-Huff*
(The following review is from www.rhapsody.com:)
M.F.S.B. -- or Mother Father Sister Brother -- were a Philadelphia-based collective drawn together through their studio work for the legendary songwriting team Gamble and Huff. Having backed the best of the Philly soul crop (including the Spinners and the O'Jays), M.F.S.B. began playing and recording on their own, releasing their eponymous debut in 1973. The album showcased the collective's fondness for deep soul grooves and extended jazz-influenced jams, and sold respectably. Later that year, Don Cornelius approached Kenny Gamble about writing a theme song for his newly syndicated television show, Soul Train . Gamble gathered the members of M.F.S.B. into the studio with vocal group the Three Degrees, and recorded what would later be called "T.S.O.P.," which stands for "The Sounds of Philadelphia." The song proved immensely popular, topping pop and R&B charts. M.F.S.B. would go on to record more albums (flirting with disco in a couple of them), but waning interest led the group to disband after 1980's Mysteries of World.
Tracklisting:
A1 Freddie's Dead (7:13)
Written-By - C. Mayfield*
A2 Family Affair (4:23)
Written-By - S Stewart*
A3 Something For Nothing (3:00)
Written-By - K. Gamble* , R. Chambers* , T. Bell*
B1 Back Stabbers (6:32)
Written-By - G. McFadden* , J. Whitehead* , L. Huff*
B2 Lay In Low (3:45)
Written-By - C. Gilbert* , Leon Huff*
B3 Poinciana (5:54)
Written-By - B. Bernier* , N. Simon*
Miles Davis - On The Corner
Keyboards - (tracks: 1 to 4)Chick Corea , Harold "Ivory" Williams , Herbie Hancock
Tracklisting:
1 On The Corner (2:58)
2 New York Girl (1:27)
3 Thinkin' One Thing
And Doin' Another (6:40)
4 Vote For Miles (8:49
More
Panthalassa: The Music of Miles Davis 1969-1974urszula - album reviews
Singer Urszula Dudziak's second recording as a leader and first American record introduced to the jazz world a somewhat bizarre stylist. By sometimes using electronics to distort her voice and displaying a very wide range along with the ability to improvise freely, Dudziak was quite unique. All ten selections on this out-of-print Arista LP (including "Zavinul," "Mosquito Dream," and "Just the Way You Are," which is no relation to the later Billy Joel hit) are originals by the singer, with the emphasis on "original." The backup group includes guitarists Reggie Lucas and Joe Caro, keyboardist Harold Ivory Williams, and a guest appearance on one song by Dudziak's husband, Michal Urbaniak, on lyricon. ~ Scott Yanow, All Music Guide
Urszula Dudziak - Urszula (LP)Arista Records, New York, #AL4065Urszula Dudziak : voice, electronic percussion
Michal Urbaniak : lyricon on Track # 7
Basil Farrington : bass
Reggie Lucas : guitar
Joe Caro : guitar
Harold Ivory Williams : keyboards1. Papaya (Dudziak) 4:02
2. Mosquito (Dudziak) 4:25
3. Mosquito Dream (Dudziak) 2:34
4. Mosquito Bite (Dudziak) 4:23
5. Just the Way You Are (Dudziak/M. Scott) 3:22
6. Sno King (Dudziak) 4:34
7. Butterfly (Urbaniak) 4:34
8. Zavinul (Urbaniak) 5:15
9. Funk Rings (Dudziak) 2:16
10. Call Me Monday (Dudziak) 5:12Recorded: Probably in N.Y., in 1975
1976Michal Urbaniak - Body English (LP)
Michal Urbaniak : violin, violin synthetizers, lyricon, farfisa organ, polymoog
Urszula Dudziak : vocal, percussion, synthesizer
Harold Ivory Williams : keyboards
Basil Farrington : bass
Joe Caro : guitar
Steve Jordan : drums
Bernard Kafka : voice
Earl Crusher Bennet : conga1. New York Polka (Urbaniak) 5:52
2. Afterglow (Urbaniak) 1:38
3. Zad (Urbaniak) 6:50
4. Sevenish (Z. Namyslowski) 6:43
5. Body English (Urbaniak) 6:03
6. Quintone (Urbaniak) 2:33
7. Lyricon (Urbaniak) 6:58
8. Satin Lady (Urbaniak) 5:49
9. Zomar Land (D. Smallwood/H.I. Williams) 1:11Recorded in New York in 1975 or ’76.
The folks at Sony/Legacy haven't been neglecting the later, electric-era Miles Davis albums. Recently reissued are Big Fun, originally a two-record set with four very different side-long tracks, now lengthened with the addition of four tracks first released on The Complete Bitches Brew Sessions boxed set (Columbia/Legacy C2K 63973; Miles Davis (t) with Steve Grossman, Wayne Shorter, Carlos Garnett (ss) Sonny Fortune (ss, fl) Bennie Maupin (b cl, fl) John McLaughlin (g) Herbie Hancock, Chick Corea, Joe Zawinul (el p) Larry Young (org, celeste) Lonnie Smith, Harold I. Williams (p) Khalil Balakrishna (el sitar) Bihari Sharma (tambura) Ron Carter, Dave Holland, Harvey Brooks, Michael Henderson (b, el b) Billy Cobham, Al Foster, Billy Hart, Jack DeJohnette (d) Airto Moreira, James "Mtume" Forman (perc) Badal Roy (tabla); Disc 1 (73:54): GREAT EXPECTATIONS (11/19/69)/ IFE (6/12/72)/ RECOLLECTIONS (2/6/70)/ TREVERE (11/28/69). Disc 2 (68:39): GO AHEAD JOHN (3/3/70)/ LONELY FIRE (11/28/69)/ THE LITTLE BLUE FROG (11/28/69)/ YAPHET (11/18/69); the still-controversial On The Corner, Miles and producer Teo Macero's grand experiment in layering rhythms and using overdubs to create a uniquely funky polyrhythmic musical environment, with fresh notes by reissue producer Bob Belden and saxophonist Dave Liebman, full personnel credits, and in richer sound than the Lp, which was quite long for vinyl (Columbia/Legacy CK 63980; Miles Davis (t) David Liebman (ss on 1) Carlos Garnett (ss on 2, ts on 4) Bennie Maupin (b cl on 2) John McLaughlin (g on 1) David Creamer (g on 2-4) Herbie Hancock (el p, synth) Chick Corea (el p) Harold "Ivory" Williams (org, synth) Michael Henderson (b) Colin Walcott (el sitar on 1, 3, 4) Khalil Balakrishna (el sitar on 2) Billy Hart, Jack DeJohnette, Al Foster (d) Don Alias (perc) Badal Roy (tabla); NYC, June 1, 6 & 7, 1972; 1.ON THE CORNER/NEW YORK GIRL/ THINKIN' OF ONE THING AND DOIN' ANOTHER/ VOTE FOR MILES; 2. BLACK SATIN; 3. ONE AND ONE; 4.HELEN BUTTE/ MR. FREEDOM X; 54:46); and another very long double-album set, Get Up With It, a hodgepodge of material from sessions over a four-year period that ranges from the lengthy dirge for Duke Ellington, "He Loved Him Madly," to the simplistic R'n'B of "Red China Blues," complete with a blues harmonica solo by Wally Chambers. This set also features extensive notes by Liebman that put the music into perspective. (Columbia/Legacy C2K 63970; Disc 1 (59:58): HE LOVED HIM MADLY (6/19 or 20/74)/ MAIYSHA (10/7/74)/ HONKY TONK (5/19/70)/ RATED X (9/6/72). Disc 2 (64:04): CALYPSO FRELIMO (9/17/73)/ RED CHINA BLUES (3/9/72)/ MTUME (10/7/74)/ BILLY PRESTON (12/8/72).
1977Michal Urbaniak - Urbaniak (LP)Tanpress SX 1837 (Poland) and Inner City Records, #1036 (New York)Michal Urbaniak : violin, lyricon
Zbigniew Namyslowski : alto sax and flute
Urszula Dudziak : voice, percussion
Kenny Kirkland : Fender piano, Poly-Moog, Mini-Moog
Robert Anthony Bunn : bass
Lurenda Featherstone : drums1. The Breaker (Dedicated to Wojtek Fibak (Urbaniak) 7:03
2. Strife (Namyslowski) 6:13
3. Mountaneers (Urbaniak) 4:00
4. Weird Creatures (Namyslowski) 7:03
5. Jasmine Lady (Namyslowski) 8:22
6. Always Ready (Urbaniak) 7:08
7. Stray Sheep (Namyslowski) 5:88 (?)Recorded at Powerplay Studios, Zurich, Switzerland, August, 1977 and for the US release, additional recording at Secret Sound Studios, New York, August 1977.Notes: The US and the Polish versions are not exactly the same due to US re-recordings and overdubs. The song times shown above refer to the US version. On the LP cover of the US version, Michal introduces Namyslowski as his "dearest friend, first big influence, fantastic musician, leader, composer and arranger". This was Zbygniew’s first American recording, and Michal predicts that the US audience "will hear more of him in the future" (Which, unfortunately, did not happen… although he did play on next year’s "Ecstasy"). Never released on CD.Michal Urbaniak’s Fusion - Smiles Ahead (LP)MPS (Metronome) Records, Germany, #68-165Michal Urbaniak : violin
Urszula Dudziak : voice, electronic percussion
Harold Ivory Williams : keyboards
Robert Anthony Bunn : bass
Joe Caro : guitar
Transcending Sonship : rhythm-sounding color (drums, percussion, voice)
Steve Jordan : drums
Emmet Chapman : stick1. Smiles Ahead (Urbaniak) 11:00
2. Hymn of the Uranian Sequels (Ivory Williams) 7:04
3. Piece for 15 Strings (Chapman / Urbaniak) 4:40
4. In the Wake of Awakening (Bunn) 6:36
5. Aflatus (Urbaniak) 5:11
6. Schwarzwald Vibes (Urbaniak) 3:00
7. Sunday Melody (Dudziak) 1:20
8. Autobahn (Dudziak) 4:54Recorded: November 1976 Tonstudio Zuckerfabrik, Stuttgart, Germany, and Jaunary 1977 Dick Charles Studio, New YorkNotes: Song #3 contains one of the first recordings which uses the Chapman Stick; Mr. Chapman is playing it himself! Never released on CD.Urszula Dudziak - Midnight Rain (LP)Arista Records, New York, #AL4132Urszula Dudziak : voice, electronic percussion
Michal Urbaniak : violin, lyricon, tenor sax, additional keyboards
Harold Ivory Williams : keyboards
Robert Anthony Bunn : bass
Ray Mantilla : percussion
Steve Gadd : drums
Dom Um Romeo : percussion
Leszek Swierszcz : trumpet1. Lover (Rodgers and Hart) 4:24
2. Misty (E. Garner) 6:03
3. Night in Tunisia (Gilelspie/Parker) 4:43
4. Midnight Rain (Urbaniak/E. Sheldon) 4:56
5. Peole Say… (Dudziak) 5:22
6. Bluesette (T. Thielemanns/N. Gimbel) 4:40
7. Cuckoo’s Nest (Urbaniak/M. Scott) 12:24Recorded: C.I. Studio (New York?), Mixed at Atlantic StudiosNotes: A more "classical" vocal approach and production, corresponding to the more "mainstream" label releasing the record. Great line-up of supporting musicians, as always. Produced by Michal. Never released on CD.
John Lee - Gerry Brown Group
Jon Faddis (tp) Randy Brecker (tp, flh) Barry Rodgers (tb) Gary Bartz, David Sanborn (as) Michael Brecker, Ernie Watts (ts) Ronnie Cuber (bars) Hubert Eaves (p, org, clav) Harold Ivory Williams IV (org, p) Ian Underwood (syn) Rob Franken (syn, org) Ray Gomez, Reggie Lucas (g) John Lee (el-b) Gerry Brown (d, per, timp) Mtume (cga, per, vo) Tawatha Agee, C.P. Alexander, Donald Smith (vo)
Electric Lady Studios, NYC, circa early August, 1976
MILES DAVISPANTHALASSA - The Music Of Miles Davis 1969 - 1974Columbia, 19981. In A Silent Way / Shhh / Peaceful / It's About That Time
2. Black Satin / What If / Agharta Prelude Dub
3. Rated X / Billy Preston
4. He Loved Him Madly
Reconstruction and Mix Translation By BILL LASWELLMiles Davis, Wayne Shorter, Carlos Garnett, Dave Liebman, Joe Zawinul, Chick Corea, Herbie Hancock, Cedric Lawson, John McLaughlin, Reggie Lucas, David Creamer, Pete Cosey, Dominique Gaumount, Colin Walcott, Dave Holland, Michael Henderson, Harold Williams, Khalil Balakrihna, Tony Williams, Jack DeJohnette, Al Foster, Bada Roy, Don Alias, Mtume
Miles Davis - Seattle 1970 [no label 2CD Torrent #118527] live at Seattle Center Arena, Seattle WA, October 4, 1970. Lineup: Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b); Jack DeJohnette (d); Airto Moreira (perc); Jumma Santos [Jim Riley] (perc). Includes Tk 8 "On the Corner" outtake recorded June 12, 1972. Lineup: Miles Davis (tpt); Carlos Garnett (ss); Bennie Maupin (bcl); Lonnie Liston Smith (org); Harold I. Williams (el-p, synth); Michael Henderson (el-b); Al Foster (d); Jabali Billy Hart (d, perc); James Mtume Forman (cga, perc); Badal Roy (tabla). Ex- AUD stereo for the concert
Miles Davis - 1972 & 1974 Sessions [no label 1CD Torrent #146146] Tks 1-7 The Jabali Sessions at Columbia Studio, New York, NY, June 12, 1972. Lineup: Miles Davis (tp); Carlos Garnett (ss); Bennie Maupin (bcl,fl); Herbie Hancock (p); Harold Ivory Williams (kb); Lonnie Liston Smith (kb); Michael Henderson (b); Al Foster (d); "Jabali" Billy Hart (d,pc); James Mtume Forman (pc); Badal Roy (tabla). Tks 8-13 Unknown Sessions at Columbia Studios (Studio E?), New York, NY November 6, 1974. Lineup: Miles Davis (kb); Dominique Gaumont (g); Reggie Lucas (g); Pete Cosey (g, pc); Michael Henderson (b); Al Foster (d); James Mtume Forman (pc). Ex SBD stereo. TT 53.01m
..
The selection Black Satin - Miles Davis is performed on several CD’s.
• Release Date: 06/04/1996
• Label: SONY
• Catalog No.: 64915
• UPC: 074646491522
• Sales Rank: 2,518
In the '70s, the Three Degrees bridged the gap between Philly soul and disco, moving from lush soul to seductive dance music within the course of their career. Although they had a few hits in the mid-'60s as an R&B vocal group, their career didn't really take off until the mid-'70s, when they signed to Philadelphia International and Gamble & Huff began producing their records. The Best of the Three Degrees: When Will I See You Again covers the trio's time at Philadelphia International, when they had a number one pop hit with "TSOP (The Sound of Philadelphia)" and a number two pop hit with "When Will I See You Again," in addition to a string of minor R&B hits
..
Album Credits
Performance Credits
The Three Degrees Primary Artist, Primary Artist
Tony Williams Flute, Saxophone
Reggie Lucas Guitar
Richard Barrett Conductor
Karl Chambers Drums
Roland Chambers Guitar
Don Renaldo Strings
Bobby Eli Guitar
Norman Farrington Drums
Sheila Ferguson Vocals
Eddie Green Piano
Norman Harris Guitar
Leon Huff Piano
Anthony Jackson Bass
Vince Montana Vibes
Lenny Pakula Organ
T.J. Tindall Guitar
Larry Washington Bongos, Conga
Harold "Ivory" Williams - Piano
Earl Young Drums
Zach Zachary Alto Saxophone
Valerie Holiday Vocals
Fayette Pinkney Vocals
Ron Baker Bass
Tony Williams Flute, Saxophone