GUN! was originally coded circa 2k, an experiment in breakbeat (de)konstruktion. Locking himself away in a cold, dank room, the result of these shenanigans was AUDIO PERVERSION TACTICS : a highly volatile mix of overdriven analog drum samples, text files & executables rendered as RAW sound bytes, and enough bass to make ranch dressing drip down a young girl's thighs.
2k1 witnessed the release of an even more experimental slab of digital hate, konceived in white hot noise and mangled breakbeats as an unauthorized soundtrack to William Gibson's seminal cyberpunk novel Neuromancer. CHIBA CITY BLUES was released on (the now defunkt) MP3.com to moderate success, with several tracks placing high on the industrial, noise, and IDM charts. The disc, unfortunately, was lost in the elektrik ether, as the masters were stolen and the unholy hard drive upon which the 1s & 0s were engraved was sacrificed and eaten by a vicious tribe of techno-cannibals.
GUN! spent the next several years producing a variety of abortions, ranging from electro-funk to gangsta rap, before returning to the frozen battlefield with the remastered & revised AUDIO PERVERSION TACTICS: PERFECT GRADE in 2004. Having begun working as a promoter around this time, GUN! at last brought the noise on to a desolate stage before an unwitting crowd of human test subjects. BURNING CHROME, a series of shows featuring the best hardcore & experimental music the midwest had to offer, ran through 2004-2005. During this time, GUN! partnered with fellow local deviant Patches DeVile to form the noise-art-terrorism collective known as SNOZZBERRY . 2k5 also saw the release of DIGITAL WARFARE CODE, a limited edition, six track napalm assault of cheap horror movie samples and carbon-tinged decay.
After having taken nearly a year off, primarily to feed a teeth-clenching video game addiction, GUN! is set to return to the stage, bringing with him a new, fully-loaded magazine of sample warfare & terror bass. Welcome to DEATH-TECH.