noise-based aesthetics with focus on texture,
feedback and sounds developing over time.....
manipulating the auditive signatures of rooms
by the use of creative recording techniques
and speaker setups.I’m always looking for new ways in approaching this work!"CON_TEXT" is me developing and executing sound projects. I do all the conceptual work: composing, mixing, manipulating and editing studio material. Focus for my recent work has been on twisting rooms/locations by reworking it’s sounds. My experiments has resulted in a pile of exciting ideas, which have potential for creative thinking businesses.
I spent my teenage years playing electric guitar, and developed a lasting lovestory to noise-based aesthetics. The romance is still going strong, but focus for my work is today much different from then, and so are the tools I´m working with.
I study Electronic Music and at the Conservatory of Music in Esbjerg, Denmark and working with the conceptual side of music, my creations point both towards sound art and music. Finally, my work has led me to developing material specifically for doing cross art workshops, and I’m really in to the idea of "forcing" non-musician artists to use sound as components for their art. Sound is just another building material, and this is how i use it in my own work. I belive many artists could gain something by adding this great material to their toolbox. My goal is to create a space where I can work with sound based art as a free radical.PS. Feel free to drop me a line about whatever?Chenquieh!!
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Thanx to Eriny for his guidance on Piezo Transducers...Here is a video of his Live performance of monopheidelic, featuring the furious monkeysynth.
Best CON-TEXT
