Instruments:
* electric guitar, valve amplifier, Lexicon processor, E-Bow. The guitar played alone, standing in front of the amplifier, sometimes additional stimulations (manual, electric) were used. Responsible for drones, feedbacks, noises...;
* 70's vintage Polish mixer, heavily damaged. After connecting (more or less accidentally) its in- and out- connections, it generates noises, drones and very unique rhythm patterns. Also works as radio receiver on channel 4. Responsible for rhythms and noises...;
* cymbals, drumsticks, various devices...
Recording technology:
* few microphones, mixer, portable PC and a lot of time;
* a 'bit' of electronic tweakage...
Inspirations:
* damaged electronic devices, their "afterlife", independent from producer's and users' intentions, sometimes creative, usually complete aimless
Music:
* fully improvised, deconstructed and rebuilt sound in the genres like ambient, drones, noise, XX century contemprorary music. Somewhere between intriguishing darkness of "The Gates Of Paradise", Lustmord and Moljebka Pvlse, guitar ambient of Kawabata/Miyamoto duo and Aphex Twin's musical schizophrenia and John Cage prepared piano. For sure it's not an "easy listening" music.
People:
* 6th Sea Of Aeon - musician, sound searcher, producer, explorer of progressive dance music as well as new, undiscovered sonic areas...
* T. Terrestris - soundscapes' lover, interested also in electronic ambient sounds. If he were born 33 years earlier, could be a friend of Robert Fripp.