Synthesizer programing Music/Synth/Guitar composition and Photographs, The Female body, Last and He was made the least threw example,..God The Son and his Friends.Flash pics are affected by your mouse pointer.THE DOORS
"An American Prayer" ..................................................Do you know the warm progress under the stars?
Do you know we exist?
Have you forgotten the keys to the Kingdom?
Have you been borne yet & are you alive?
Let's reinvent the gods, all the myths of the ages
Celebrate symbols from deep elder forests
[Have you forgotten the lessons of the ancient war]
We need great golden copulations
The fathers are cackling in trees of the forest
Our mother is dead in the sea
Do you know we are being led to slaughters by placid admirals
& that fat slow generals are getting obscene on young blood
Do you know we are ruled by T.V.
The moon is a dry blood beast
Guerilla bands are rolling numbers in the next block of green vine
Amassing for warfare on innocent herdsmen who are just dying...
O great creator of being grant us one more hour to perform our art & perfect our lives...
The moths & atheists are doubly divine & dying
We live, we die & death not ends it...
Journey we more into the Nightmare
Cling to life our passion'd flower
Cling to c___ts & c__ks of despair
We got our final vision by clap
Columbus' groin got filled w/ green death
(I touched her thigh & death smiled)
We have assembled inside this ancient & insane theatre
To propagate our lust for life & flee the swarming wisdom of the streets
The barns are stormed
The windows kept & only one of all the rest
To dance & save us
W/ the divine mockery of words
Music inflames temperament
(When the true King's murderers are allowed to roam free a 1000 magicians arise in the land)
Where are the feasts...
We were promised...
Where is the wine..
The New Wine...
(dying on the vine)Resident mockery give us an hour for magic
We of the purple glove
We of the starling flight & velvet hour
We of arabic pleasure's breed
We of sundome & the night
Give us a creed
To believe
A night of Lust
Give us trust in
The Night
Give of color
Hundred hues
A rich Mandala
For me & you & for your silky pillowed house
A head, wisdom & a bed
Troubled decree
Resident mockery
Has claimed thee
We used to believe in the good old days
We still receive In little ways
The Things of Kindness & unsporting brow
Forget & allow
Did you know freedom exists in a school book
Did you know madmen are running our prison...
W/in a jail, w/in a gaol, w/in a white free protestant
Maelstrom...
We're perched headlong...
On the edge of boredom
We're reaching for death
On the end of a candle
We're trying for something
That's already found us
We can invent Kingdoms of our own
Grand purple thrones, those chairs of lust
& love we must, in beds of rust
Steel doors lock in prisoner's screams
& muzak, AM, rocks their dreams
No black men's pride to hoist the beams
While mocking angels sift what seems
To be a collage of magazine dust
Scratched on foreheads of walls of trust
This is just jail for those who must
Get up in the morning & fight for such unusable standards
While weeping maidens show-off penury & pout ravings for a mad staff...
Wow, I'm sick of doubt...
Live in the light of certain
South
Cruel bindings...
"The servants have the power" dog-men & their mean women
Pulling poor blankets over our sailors...
(& where were you in our lean hour)
Milking your moustache?
Or grinding a flower?...
I'm sick of dour faces...
Staring at me from the T.V.
Tower. I want roses in my garden bower; dig?...
Royal babies, rubies must now replace aborted...
Strangers in the mud
These mutants, blood-meal
For the plant that's plowed...
They are waiting to take us into the severed garden...
Do you know how pale & wanton thrillful...
Comes death on strange hour...
Unannounced, unplanned for like... a scaring over-friendly guest you've brought to bed
Death makes angels of us all & gives us wings where we had shoulders smooth as raven's claws...
No more money, no more fancy dress
This other Kingdom seems by far the best,. until its other jaw reveals incest ,.& loose obedience to a vegetable law
I will not go,..
Prefer a Feast of Friends
To the Giant family...[II]Great screaming Christ
Upsy-daisy
Lazy Mary will get you up upon a Sunday morning
"The movie will begin in 5 moments"
The mindless Voice announced
"All those unseated, will await The next show"
We filed slowly, languidly into the hall. The auditorium was vast, & silent.
As we seated & were darkened
The Voice continued:
"The program for this evening is not new. You have seen This entertainment thru & thru.,.
You've seen your birth, your life & death; you might recall all of the rest,.
- (did you have a good world when you died?) - enough to base a movie on?",..
An iron chuckle rapped our minds like a fist.
I'm getting out of here
Where're you going?
To the other side of the morning
Please don't chase the clouds
Pagodas, temples
Her c__t gripped him
Like a warm friendly hand.
"It's all right.
All your friends are here."
When can I meet them?
"After you've eaten"
I'm not hungry
"O, we meant beaten"
Silver stream, silvery scream,
Impossible concentration
Here come the comedians
Look at them smile
Watch them dance
An indian mile
Look at them gesture
How aplomb
So to gesture everyone
Words dissemble
Words be quick
Words resemble walking sticks
Plant them
They will grow
Watch them waver so
I'll always be
A word-man
Better than a birdman
But I'll charge
Won't get away
W/out lodging a dollar
Shall I say it again
Aloud, you get the point
No food w/out fuel's gain
I'll be, the irish loud
Unleashed my beak
At peak of powers
O girl, unleash
Your worried comb
O worried mind
Sin in the fallen
Backwoods by the blind
She smells debt
On my new collar
Arrogant prose
Tied in a network of fast quest
Hence the obsession
Its quick to admit
Fats borrowed rhythm
Woman came between them
Women of the world unite
Make the world safe
For a scandalous life
Hee Heee
Cut your throat
Life is a joke
Your wife's in a moat
The same boat
Here comes the goat
Blood Blood Blood Blood
They're making a joke
Of our universe[III]Matchbox
Are you more real than me
I'll burn you, & set you free
Wept bitter tears
Excessive courtesy
I won't forget[IV]A hot sick lava flowed up,
Rustling & bubbling.
The paper-face.
Mirror-mask, I love you mirror.
He had been brainwashed for 4 hrs.
The LT. puzzled in again
"ready to talk"
"No sir" - was all he'd say.
Go back to the gym.
Very peaceful
Meditation
Air base in the desert
Looking out venetian blinds
A plane
A desert flower
Cool cartoon
The rest of the World
Is reckless & dangerous
Look at the
Brothels
Stag films
Exploration[V]A ship leaves port
Mean horse of another thicket
Wishbone of desire
Decry the metal fox
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Meat Beat Manifesto, often shortened to Meat Beat or MBM, is an electronic music outfit originally consisting of Jack Dangers and Jonny Stephens formed in 1987 in Swindon, UK. This was also the hometown of the band XTC, who helped Meat Beat get started. Meat Beat Manifesto are considered a 'best-kept secret' in the world of dance music, providing (sometimes unwittingly) the musical starting blocks for young samplists in the know (most notably The Prodigy, Chemical Brothers and Future Sound of London), and helping to form new musical styles, such as Big Beat and Jungle, with seminal tracks such as 'God O.D.' and 'Radio Babylon', respectively.Dangers and Stephens left Perennial Divide in 1988 to record an album, but the tapes were destroyed in a studio fire before the album could be released. They then recorded the LP Storm The Studio, which got them pigeonholed as an industrial act. In response, they released 99%, which was more techno-influenced, in May 1990. In August of the same year, they released Armed Audio Warfare, which was an effort to re-create the lost tracks of the would-be debut album.The band's live show was conceived as an intense audio-visual experience, with dancers, led by choreographer Marcus Adams, in costumes designed by artist Craig Morrison and video clips accompanying live instruments, sequenced electronic instruments, and live DJing. In the United States, they opened for Nine Inch Nails on their debut national tour in 1990. Adams appeared in many of the band's promo photos with his trademark "popcorn" hairstyle (mostly shaved, with scattered tufts of braided hair) until the release of Satyricon in 1992.1992's Satyricon continued to show Meat Beat as more of an electronica band. In 1994 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. Dangers continued the band as a solo-plus-collaborators project, releasing the double album Subliminal Sandwich in 1996. While this album represented MBM's major-label debut on Trent Reznor's Nothing records, it failed to achieve the critical and commercial successes of previous releases.In 1997 Dangers recruited drummer Lynn Farmer and guitarist Jon Wilson to record and release Actual Sounds & Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix.In 2002 Meat Beat released RUOK?, which demonstrated great steps in the evolution of their sound and prominently featured Dangers' newly acquired EMS Synthi 100. In 2003 they released a remix album for Storm The Studio, followed by ...In Dub, a remix album of RUOK?.At the Center, the latest MBM album, was released in May 29, 2005. A part of independent label Thirsty Ear's Blue Series, the album is a collaboration between Jack Dangers and jazz musicians Peter Gordon, Dave King, and Craig Taborn. It has been well-received by many critics, with one reviewer calling it "one of the best albums of the year in any genre."[1][edit] Discography
Albums1989 Storm The Studio
1990 Armed Audio Warfare
1990 99%
1992 Satyricon
1996 Subliminal Sandwich
1998 Actual Sounds & Voices
2002 RUOK?
2003 Storm The Studio RMXS
2004 ...In Dub
2005 At The Center
Singles1987 Suck Hard (Limited edition of 1,500 copies)
1988 I Got The Fear
1988 Strap Down
1988 Re-Animator
1988 Let's Go Disco (This one-off project was under the alias Space Children)
1988 GOD O.D.
1989 Cuts From The New LP & CD
1990 Dog Star Man
1990 Helter Skelter/Radio Babylon
1990 Psyche Out
1991 Version Galore
1991 Now
1992 Edge of No Control
1992 Mindstream
1992 Mindstream Pt. 2
1993 Circles
1993 Peel Session
1993 Australian Tour EP
1995 Nuclear Bomb
1996 Transmission
1996 Asbestos Lead Asbestos
1996 It's The Music
1997 Original Fire
1997 Helter Skelter '97
1998 Acid Again
1998 Prime Audio Soup
2000 Eccentric Objects (Limited edition of 1,000 copies)
2002 Free Piece Suite
2002 What Does It All Mean?[edit] Videography
Videos1989 I Got The Fear
1989 Strap Down
1990 99%
1990 Psyche Out
1992 Edge of No Control
1992 Mindstream
1996 Asbestos Lead Asbestos
1997 Helter Skelter '97
1998 Prime Audio Soup[edit] External links
Official website
Official forum for news and discussion of concert tours
Tapelab - more MBM/Jack Dangers material incl. unreleased and demo downloads
Vintage Synth Explorer Analog Artist Feature - MBM kit list and further info, incl. streaming clips
Retrieved from "http://en.wikipedia.org/wiki/Meat_Beat_Manifesto"
Categories: Peel Sessions artists | British electronic music groups | Techno music groups | Industrial music groups | Alternative musical groups | IDM musicians | English musical groups | 1980s music groups | 1990s music groups | Ableton Live users.. width="425" height="350" ....
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Music:
Realtime, slow motion, everything seems bent out of shape
Elevate, high enough, till you reach what's above
Your power of perception
Effective, slow motion, is slowing down the pulse of our generation
Colours of light hit the night and are lost by the force of our persuasionThings aren't too clear, and the more I see
Things disappear momentarily.
Things aren't too clear, and the more I see
Things disappear momentarily
And the more I see
Momentarily
I know it's nearly over
Unwinding, ultrasounding
In your mind, in your mindThings aren't too clear, and the more I see
Things disappear momentarily.
Things aren't too clear, and the more I see
Things disappear momentarily
And the more I see
And the more I see.
..........................................................
It's genocide, can't you see?
A genocide in the first degree
You know it's a mad, a mad mad world
Don't give damn if you don't believe me!
I've seen the light, and I like what I've seen
These creaturs don't worry you
Let's go there, just you and me
Across The Universe, higher and higher
I'm feeling good, now know what I mean?
Don't you try to touch me!
Hey! People! Are you coming back, huh?!
Back? They've got to come in before
It's blown away, the raid; their in the air
It's crazy, it's out of hand
God O.D. is run through my head
There's nothing on Earth could move me
Hundred miles an hour, seven days a week
Don't you want to feel it breaking your back
'Cause the Word of The Lord makes me break out screaming:
"Storm the studio!"It's genocide, can't you see?
A genocide in the second degree
No dignity, I'm walking on your face!
You're not moving!?
Take to take, no time to waist
Tearing it all, giving it all, giving it all away
You're feeling good
Picking it up, you're feeling good
Put it to the back of your mind, for the time's not right
I'm gonna make you scream!
Coming from the back of your mind
You can't forget all the times
That yo've been punched to get the grade in
Blown away by the force of the word
Woken up by the sound of siren
Yeah!
Yeah!
I said: "Yeah!" (I feel it coming on!)It's genocide, can't you see?
A genocide means nothing to me!
Put it to the back of your mind for the time is right
it's time to scream!
Boy!
From time to time you're gonna get this feeling
Can't stand the pace
You've gotta give it a freak base
Time and again you'll be reeling!
.........................................................
Manifest Beats: Back in the '80s, Jack Dangers wondered if anyone would get his sonic experiments.
Meat Beat Manifesto's Jack Dangers mixes hip-hop and electronic innovations with wild, organic funkBy Michelle GoldbergPITY MEAT BEAT MANIFESTO'S record company. It has had to watch as artists as diverse as Tricky, Goldie and Prodigy have gotten rich on audio innovations that Meat Beat Manifesto made years ago without critical or commercial notice. Meat Beat Manifesto was mixing deep, throbbing bass lines, Kraftwerk-style synths, film and TV samples, breakbeats, jazz loops and found sound before genres like drum 'n' bass, trip-hop or illbiant were even invented.The band revolves around one man--Jack Dangers--a San Francisco-based expat from the poor British industrial town of Swindon. It was in Swindon in the '70s that Dangers started playing around with tape manipulation. In 1987, he left the pop band Perennial Divide to form Meat Beat Manifesto.The band's dark, dystopian lyrics and politically satirical sampling often led critics to lump it with groups like Ministry and KMFDM. But in retrospect, Dangers' music was really the blueprint for the bombastic rave 'n' roll of the Chemical Brothers and the experimental drum 'n' bass assaults of the much-lauded Squarepusher, whose music Dangers admires.In 1990, Meat Beat Manifesto released "Radio Babylon," a track whose rapid breakbeats have since led critics to call it the first jungle track. Then, in 1991, the band released the haunting "Paradise Now." With its loping low-rider bass, complex webs of distorted beats and creepy vocals low in the mix, "Paradise Now" prefigured the hip-hop noir that would make Tricky a poster boy for urban angst. But there wasn't a name for what Dangers was doing, so the media called it industrial.Dangers is reluctant to anoint himself the father of anything. "No one starts a style," he says modestly. "I might have had some ideas which triggered others--"Radio Babylon" kicked off ideas in that direction. But when we made that, we got slammed in with industrial music. Not that that was ever a bad thing, because I've never had anything against that kind of music, but we don't sound like Ministry or KMFDM or Nine Inch Nails. My favorite music at that point was hip-hop. I've never been taken seriously from the hip-hop side as well. Back then you had to be pure, not experimental. That's caught up as well."It's now largely taken for granted that the combination of European electronic music and hip-hop is what spawned the rave scene. But back in the '80s, those styles seemed to be worlds apart. "Between 1987 and 1995, I was wondering if anyone was ever going to get it," Dangers says."The reason I started doing music in the first place," Dangers continues, "was because I was inspired by Can and Cabaret Voltaire. Cabaret Voltaire and Public Enemy are two of the most important electronic bands of all time. That they were both reasonably successful is rare. You usually have to go to the lowest common denominator to be commercial."But Dangers insists he's not bitter about the mainstream's failure to appreciate his band. "We've never been part of a scene," he says, "and we'll never cross over to be a big commercial arena band. That's the story for this band. We've been working since 1987, and I've seen a lot of bands come and go. What I get pissed off about is when people don't believe that we were doing this kind of music all along."I've done interviews with people who don't know our music, and they will sort of question me about whether I was influenced by someone that came along four years after I did. I say, all right, whatever, write what you want."It's not a matter of trying to be ahead of the game, Dangers says. "It's just a byproduct of all the music I listen to. We don't sell a lot of records, never have, never will. I don't think about it that much. I think it's harder for my record label; they keep thinking there's a really good chance that this music is going to break through. You have to be true to yourself and not get swayed. I'm just very pleased to be doing music. Jesus Christ, I used to clean toilets out for a living. On the new album, I got to work with Pat Gleason from the Headhunters!"PLAYING BASS clarinet and saxophone, Headhunters' musicians Gleason and Benny Maupin (who also played on Miles Davis' Bitches Brew) add a dimension of warm, wild, organic funk to Meat Beat Manifesto's latest album, Actual Sounds and Voices. Spiraling, pulsating horns dominate on the first part of "The Thumb," a nearly 11-minute-long epic. The song begins as an infectious, groovy piece of digitally gilded jazz before morphing into an abstract white-noise soundscape, then resuming with a more futuristic, abstract interpretation of the beginning."The Thumb" can be interpreted as a template for electronic musical evolution: start with the classics, break them down into total abstraction, then rebuild them into something that retains some of the original soul even as it surges into new sonic territory.Perhaps ironically for a musician so much at the forefront of sampling and studio wizardry, Dangers has always used live musicians--actual sounds and voices--so that his music retains a human spontaneity."It's been half and half from the very first album," he says. "I like working with drummers and other musicians. I've always worked with humans in studios. It gives it an element that you can't really control. If you're working on your own in the studio all the time, that can give you too much control."That doesn't mean, though, that Dangers is retreating from machines. Elsewhere on Actual Sounds and Voices, intricate layers of beats swirl and stomp around snatches of voices, foreboding waves of vibrating, distorted noise and eerie speaking samples. "Prime Audio Soup" is supremely danceable, with a booming, shake-it bass line made interesting by strata of staccato, ricocheting beats, scratches, slinky movie music and even a few odd snatches of haunting melody.It's true that Actual Sounds and Voices doesn't sound quite as innovative as Meat Beat Manifesto's past work, because so many more musicians are now working in Dangers' groove. But the fact that there's now a greater pop cultural context for Meat Beat Manifesto's music also means that more ears will be primed for the gurgling, echoing, percussive complexity of a track like "Prime Audio Soup."Dangers has no designs on fame. "I'm on cruise control, I've got no master plan," he says. But now that the zeitgeist has collided with him, he may not be able to avoid the limelight for much longer.
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Movies:
.. width="425" height="350" ........ width="425" height="350" ......Some people suppress you
they partch you
and reap a disaster
Reeducation for the infants
who demanded for an innocent instanceThe great commandment
shows the contempt
between the world and their embarrassing pavement
Believe the scholars
read the readings
realize the man who says anythingThe great commandmentThe needies believe you
they treat you
like survivors of a disaster
Reeducation for the infants
who demanded for an innocent instance
"The Great Commandment"
"Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind, and with all thy strength: this is the first commandment."—Mark 12:30
..
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