Carlos Pereyra (Krlox) emerges from the 80's disco sounds and from the italodisco sounds like Electric Light Orchestra, Alan Parsons Proyect, Boney M. At the age of 13 he started a radio program which objective was to spread the culture of Techno music of this time, influenced by people like Adam Beyer,Jochen Paap, Chris Liebing, Marco Carola, amoung others. Eight years laterhe joins the nocturnal circuit of the city of Rosario, where he learnsthe handling of track in long play sets between 5 and 6 hours, connecting vinyl’s and all kind of effects, even three channel mixes, so he started to travel to many parts of the country, showing the hardestface of techno.
With the weekend residence on techno's club most under of Argentina called "El Sotano", place with most establishment of techno in Argentina he try to still alive the underground taste.
Now he have a differents broadcasts on radios of the world like Abduction Radio (Usa), Spiel-Trieb(Germany), Undermix radio(Colombia), Tech world radio (Greece), Melenick Sessions in Live sets radio (Netherlands) this last supported only netlabel scene with the master dj L'Embrouille.
He discovered the musical production in all his facets oriented to techno.Working in the actual minimalist sense, his productions are based on simple sounds but simultaneously always oriented to the dance floor,with a characteristic groove and hard lines of low for labels like Italobusiness (Italy) MirMusic (Germany) 31337 (Germany) Exponencial Audio (Colombia) Underlabel (Colombia)
TECHNO is a form of electronic dance music that had its early beginnings in Western Europe in the late 1970s and later developed and established as a genre in Detroit, Michigan during the 1980s. It was influenced by Chicago house, electro, New Wave, funk and futuristic fiction themes that were prevalent and relative to modern culture during the end of the Cold War in industrial America at that time. Following the initial success of Detroit techno as a musical culture, at the very least on a regional level an expanded and related subset of genres in the 1990s emerged globally. The popularity of techno in Europe peaked in this decade. Today it is still popular among teenagers in the west, but is widespread. It may be the most popular genre in Eastern Europe, especially Poland and Russia.
In anothers points like Slovenja are covered a really importance beside the power scene, and the bassis from Germany will donne allways the sense of technology beside Electro during 90's.
The another great subgenre was born in 1996 in the new days of Stockholm, Sweden beside great artists who was make a real lines of percussive techno charactering an unique style perhaps the most futuristic of the word Techno.
In Argentina the basical deformation of techno say present beside the year 2000 when the minimalistics senses are appear in a form of marketing opportunity and when this part still being biggest the real way doesn't lost thinking in Detroit influences amoung another points. "Time still say everthing, the market are not all and the true are the winner way"
Carlos Pereyra (Krlox) surge el interes desde los 80's con la cultura del disco sound al italodisco, ha sido influenciado con sonidos como Electric Light Orchestra, Alan Parsons proyect o Boney M. A la edad de 12 años comienza su programa de radio el cual el objetivo era promover la cultura techno que se estaba desarrollando en el mundo con gente como Adam Beyer uno de los masters del drum en esa época, el experimentalismo de Jochen Paap,y los grooves mas duros de Marco Carola, Chris Liebing entre otros a fines de 1996. Ocho años mas tarde ya entra en el circuito nocturno de la ciudad de Rosario compartiendo noches junto a titanes como Franco Cinelli, Jorge Savoretti, Lucas Mari entre otros del ámbito techno local. La habitualidad de la rutina de trabajo se ha basado en sets de 5 o 6 horas, mezclando vinilos y cd's a 3 canales con tipos de efecto, lo cual ha llevado al mismo a recorrer distintos puntos del paÃs mostrando la cara del techno moderno Argentino.
Con la residencia semanal de uno de los clubs mas under de Argentina llamado "El Sótano" trata de seguir manteniendo vivo el espiritu underground.
También teniendo diferentes presentaciones radiales en el mundo como: Abduction Radio (Usa), Spiel-Trieb(Germany), Undermix radio(Colombia), Tech world radio (Greece), Melenick Sessions in Live sets radio (Netherlands) esta última con el maestro Dj L'Embrouille lÃder en el apoyo de la escena de net labels, Hacia diciembre de 2007 junto a Undermix radio convoca a grandes artistas para diversos radioshows como Markus Königsbauer, Jens Hansky, Coline, Libell y entre estos el gran apoyo de Marko Nastic (Serbia) y Pratap(Suecia) le abre diversas puertas. Hacia enero de 2008 continúa con radioshows en Spiel-Trieb.org y es convocado por radio Xltrax de Canadá para la emisión de sets con musica exclusiva e inédita en los comienzos de 2008.
El verano llega con dos nuevas residencias, el lugar por excelencia junto a la costa llamado Blue Velvet que convoca a mas de dos mil personas por noche y otro lugar en la costa rosarina llamada La Bajada prestando los servicios en conformidad a lo requerido, gran fiesta sana, genuina y solo diversión constante y asegurada en sus actuaciones.
Descubre su faceta como productor en sonidos orientados hacia la linea del techno concentradas al sonido minimal de la "new wave" con simples sonidos pero con énfasis en los bajos y melodÃas sin perder el groove para sellos como: Italobusiness (Italia), Mir Music (Alemania), 31337 (Alemania), Exponencial Audio (Colombia)Underlabel (Colombia). En su otra faceta como EMPORIO NEGRO navega también hacia los sonidos ambient y mas músicales fusionando todo tipo de melodÃas y programación rÃtmica e inteligente en combinación de todo tipo de "noise".
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