IPPEI

本当の意味でのいい俳優とは・・・
現場であなたなら役をどう生きて表現します か？

演技とは、単にそれらしく表現して演ずる技 ではない。
本当の演技とは、役に魂を吹き込み 魅力的に存在させ伝えることに他ならない。
それが表現者としての俳優の仕事である。
その為にも俳優は、瞬間を生きれる能力、 役としてその場で対処できる能力、
感受性と感情（心）と表現力の豊かさを絶対 的に必要とする。
そして、 内面を伴った表現の技術を獲得することが
あなたの魅力、個性、圧倒的な存在感へと繋 がることになる。
”内面と外面が行動する”・・・それ㠁“そがアクティングである。
吉田 一平 ACTING STUDIO SUMMER　ワークショップ ☞ 募集要項
The reason why oneself continues doing creative work as an actor
I change a heart of a spectator
I change view of life
I shake a soul
I live in the life of various positions from the inside and experience it and embody as art of expression
I feel something from there by living in the life of a position, I learn something, and growing up and it search oneself, and it is it on a trip of growth of a soul
As a performance teacher
A performance to impress a spectator
In a work as a position
To be able to live for the truth
A human being has only one life, but an actor lives in the life of various positions from the inside, and can experience it; therefore
Want to realize joy have a heart of a spectator wanting feel the joy truly, and to know it with own palm freely, and to play with; and
Therefore what should I grind?
A desire for the truth and pursuit
Thing it which oneself demands truly now
Live for the truth as a position in the created situation
IPPEI YOSHIDA
好きな言葉:
解ろうとする心　思いやり　自分らしさ　謙 虚　ポジティブ　感謝の表現
Favorite words:
The heart that is going to understand a person
Consideration
A quality of oneself
Humble
Positive
Expression of gratitude
嫌いな言葉:
自己中心的　横柄　謙遜は美徳　自分に甘く 他人にきびしい　ご都合主義　偽善
Disagreeable language:
Egocentric
Insolent
Modesty is virtue
I am generous in oneself confidence and am strict with another person
Opportunism
Hypocrisy
一平 blog
吉田 一平 ACTING STUDIO
Of Constantin Stanislavski, Lee Strasberg and Sanford Meisner
I learned a training method for 20 years. And I was simple and took it in for performance training to be concrete.
I established own training method.
What will the performance be? Will it be to pretend? ...
Many people taught a method (a method) in the past in Japan
The training method was not direct for a performance. I did not help a performance. It was independent training.
It was only training for training, and application did not work. Training itself became the last purpose.
How can you utilize training for a performance?
In the created situation, to live for the truth as a position?
Basics of the performance, it are basics as the human being. I am extremely simple, and it is a matter of course.
And I am the most important.
The person who wants to learn a performance as an actor in earnest
One ... which I establish personality, charm, and want to get overwhelming presence
Please participate.
Constantin Stanislavski, Lee Strasberg, 그리고, Sanford Meisner 의
훈련 방법을 20년간 배웠습니다. 그리고 구체적으로, 심플하게 연기 훈련에 도입했습니다.
자기 자신의 훈련 방법을 확립했습니다.
연기란 무엇입니까? 모습을 하겠지요인가? ···
일본에서는 과거, 많은 사람이 메소드(방법)를 가르쳐 왔지만
그 훈련 방법은 연기에 대해서 직접적은 아니었다. 연기에 역이다 선반 샀다. 독립한 훈련(이었)였다.
훈련을 위한, 훈련에 지나지 않게 응용이 효과가 없었다. 훈련 그 자체가 최종 목적이 되고 있었다.
어떻게 하면 훈련을, 연기에 활용할 수가 있는지?
창조된 상황속에서, 역으로서 진실하게 살기 위해서는?
연기의 기본, 그것은, 인간으로서의 기본입니다. 대단히 심플하고 당연한 일입니다.
그리고, 가장 소중한 일입니다.
배우로서 본격적으로 연기를 배우고 분
개성, 매력을 확립해, 압도적인 존재감을 얻고 싶은 분···
참가해 주세요.